Tag Archive for: PPC412

Holy Death Trio by Rene Dominguez / @renphotogs

Hey John! What can you tell us about your band Holy Death Trio?
Holy Death Trio is a high-energy heavy rock creative force formed in Austin Texas in 2019. We are a fusion of everything that rocks and feels good to the soul. We pride ourselves in doing research and development on the current music industry and knowing our music history, from Liszt and Mozart to Motown and The Beatles, to the 60s,70s, 80s and why hair metal was destined to fail and Seattle would spark a no-shits-given revolution. We love to talk music history, so, if you’re reading this, debate with us!

You released your debut album Introducing during the pandemic, can you tell us a bit about it?
They say you have your entire life to record your first album and only a year to record your second, and this album felt like it had an entire lifetime of music on it, with songs I wrote back in 2013. That, mixed with things in life we were going through, like battling the ego and dealing with naysayers. This album was a labour of love and madness. We were determined to be different yet true to ourselves—we didn’t want to be another Sleep cover band.

That being said, we met a truly awesome and authentic dude named Charles Godfrey (Scary American) who worked at the legendary Sonic Ranch Studios for 10 years and recorded some amazing albums, plus he had a number-one Billboard-charting album that he engineered and produced himself! How many bands can say that they recorded with someone who’s made a number one album?  

We had the recipe for success: a talented band, a talented producer, and the drive to make a great album. We were determined to release it ourselves by funding our own press campaigns, and by doing that, we attracted Blasko (Ozzy Osbourne, Rob Zombie, Danzig etc.) to the party. He helped get us a record deal with Ripple Music. and that’s how Introducing came to be.

Holy Death Trio by Levi Guzman / @dreamthorp.

How did you end up signing with Ripple music, and how has it been working with them?
We were discovered by a good friend of ours named Bucky Brown. He saw a video of us playing a live version of our heavy blues hit The Killer and sent it over to Todd Severin from Ripple Music, but we were reluctant to sign with a label. No one will own our music! That’s what I’ve always said, but luckily Ripple is not in the business of screwing musicians over.

We played phone tag for a month or longer, and we knew that Ripple would be a great fit, so eventually the universe allowed the perfect phone call with Todd and the band on new year’s eve 2020, right after we finished recording the entire album. He insisted that we at least talk to Blasko, and if we still didn’t feel comfortable signing, then he said no worries and he would always be there to support us. 

But Blasko gave us an incredible deal and assured us that we would own 100% of our music and that he’d go above and beyond to make sure the presentation of the album (artwork, cover design, formats) was all taken care of.

Now that the world is opening up again, how does it feel like to finally be back out on the road?
It’s a curse and a blessing. Being a band in the underground stoner rock world doesn’t always have its big paydays. We try to play anywhere we can but with gas prices through the roof, it’s not a viable business decision to be on the road. Even the $1000 gigs can eat up more than $500 in gas.

We pick and choose our battles, of course, and have decided to go all in on Austin, Texas—there’s no need to go anywhere else unless it’s for festival dates. Let’s face it, people are just not going out to local shows anymore, so you might as well meet them in the middle, at a place where they are already at, like… Desertfest NYC.

We still have some more big ones to announce, and if you want us to play yours, hit us up at [email protected]

You’re playing Desertfest NYC in May. What are your thoughts and expectations for that? Were you familiar with the UK edition of the festival?
I’ve been a big fan of Desertfest for a while. My goal has always been to tour Europe, and get on Desertfest but playing the Desertfest here in America is an honour.  It will have the same amount of hype as the first Psycho Las Vegas except it’s held in the former rock’n’roll capital of the world, New York-Effin’-City! It’s going to be one for the record books!

What can the festival attendees expect from a HDT show?
You will get the Heavy Rock Experience. High-energy, full-throttle amplifier worship! Straight-up in-your-face rock’n’roll. You can expect to see three bad-ass dudes on stage giving it their all, playing like the world will end the next day! Blood, sweat, tears and fire!

If you’ve ever wondered what a Holy Death Trio show looks like, just watch our White Betty video:

What’s your current Orange set ups?
I currently use the Rockerverb 100 MKIII and a Dual Dark 50 with two PPC 4×12 all in Black. Go big or go home. 

How would your dream Orange rig look like?
I have my dream orange rig with the Rockerverb 100.  It’s everything I need in an amp, but if I could have a full stack wrapped in Purple on both sides of the stage, I might just cry a little bit.

Orange Jams is a series of live sessions hosted by Orange & Jam in the Van which features artists from across the globe. This session sees Kamggarn live at The Park Studios in London.

Kamggarn artist profile // Facebook // Instagram // Twitter // Website

Jam in the Van: Youtube // Facebook // Instagram // Twitter

The Voice of Doom, The Voice of Orange? No, as we’ve stated in previous posts, such as February’s “Voice of Clean” is that Orange is much more than stoner and doom amps. However, that stoner and doom bands and artists across the globe have all seem to fall for our heavier than heavy amps might not just be a coincidence; with our dirty and creamy tone we work great for heavier sounds, some might even say excellent, and we often became an obvious choice for these artists. See a selection of our finest Doom 

Matt Pike, Sleep & High on Fire

Dual Dark 50
Rockerverb100 MKIII
Crush Mini
PPC412 4×12 Cab

You’re probably not surprised we started this list with Matt Pike, are you? Our favourite shirtless hero and alien expert, singer of songs and player of electric guitars. Whenever Matt Pike comes to town we clear out our backline suppliers within a 50 mile radius before his crew gets given the most exhausting job any road crew has had since the days of Terry Bozzio touring with Frank Zappa. Matt Pike has pioneered doom metal with his band Sleep and become sort of a legend while still alive – he’s also fronting his own band High on Fire which is just as heavy, but faster, like Motörhead. His average Sleep set up normally contains of nine heads, mostly Rockerverbs and Dual Darks, and twelve cabs. Haters will say they ain’t all plugged in, but haters are wrong. For those of you who’s ever been lucky enough to attend a Sleep show and have had the same religious out of body experience as oh so many others while watching Matt Pike tear shit up, you know they’re plugged in and turned up to 11. He also has a dog, and we LOVE dogs over here at Orange.

Monolord, Thomas & Mika

Thomas:

Crush Mini
Rockerverb 100 MKIII Head
PPC412 Speaker Cab

Mika:


OB1-500
OBC810 8×10 Bass Speaker

We have been avid Monolord supporters here at Orange for years now, and have enjoyed seeing the band grow and develop from playing Camden’s Underworld, to be one of the bands closing Desertfest London on the Sunday at the iconic Roundhouse. The Swedish doom vikings have proven themselves to be masters of their kind, and one of many exceptional bands coming out of Gothenburg in the past years. When asking singer and guitarist Thomas V Jäger what the reason behind this Gothenburg explosion could be, he simply replied: “Have you been there, to Sweden? It’s dark as hell and it always rains, no one ever wants to leave their house so instead they stay in and practice their instrument.”, which only leads us to believe that this is the real deal, pure Nordic doom fuelled by darkness.

Boris, Wata

Rockerverb 100 MKIII Head
PPC412 Speaker Cab
At the start of their career 27 years ago, Boris began as a hard core punk act, before venturing into the unknown touching base with drone, doom, and experimental metal. Guitarist Wata is a proud Orange ambassador, and claims that she wouldn’t be where she is today wasn’t it for our brightly coloured amps; “The first amplifier that I purchased was Orange OR-120. Its loud orange color and cute design lured me to try out the model. Contrary to its look, I was astonished by super loud yet warm sound, and the mid-to-low frequencies that shook my body! I still use it to this day. I am extremely grateful for your support when we tour many countries. Orange amps have become my trademark. Orange amps are so compatible with my favourite Les Paul and fuzz pedal that my musical career would not exist without Orange amps.”

Weedeater, Dixie Dave

Weedeater’s Dixie Dave, who on the band’s Facebook page claims “We do what we can’t!” is another doom connoisseur holding the sweet Orange amps close to heart as he “Loves the tone and ass-kicking rumble.” Last I saw of Dixie Dave was in the AMs at the closing party at last year’s Desertfest London where I’d earlier seen them deliver an impeccable performance at the Electric Ballroom, which was the first and last time I saw them with the incredible drummer Carlos Denogean who tragically passed away later in the year. Despite these tragic events, Weedeater is still going strong, with previous drummer Travis “T-Boogie” back behind the drums.

Conan, Jon Davis

Thunderverb 200 Head
OR100 Head

Liverpool based band Conan’s Joe Davis first fell for the Orange tone using some vintage Orange heads;  “I’ve been using some excellent vintage amps for several years, including some old Orange heads.  I wanted to buy some modern amps that give me the tone and warmth of the vintage heads I have become accustomed to.  I’ve used several modern Orange heads at festivals and these have included the Thunderverb 200, the OR50 and  OR100.  I was initially curious about the sound and then became pretty much hooked on them.  They have all the warmth of the older amps I like, but none of the reliability issues.”

Orange ambassadors The Re-Stoned recently did an Open Studio Session, and it’s all up on Youtube for us to enjoy. If you do have a penny or two to spare, they are gratefully accepting donations via Paypal: [email protected]

If you enjoy music, please support hard-working musicians whenever you can, buy their records & merch and spread the word! More info about the band via their website which you can find here.

Hey Todd! Cheers for taking the time to chat to us in these locked down times, would you be so kind to introduce yourself to the reader?
Todd:
I’m Todd Winger, the guitarist in the UK rock outfit, Collateral. When we’re not out touring I work in a little bicycle shop in Maidstone during the day to keep my wife & daughter fed and watered. I started playing guitar at around 10 years old because my older brother was my childhood idol, and seeing what he could do with a 6 string was incredible! He taught me for a while until I began learning songs by ear which has served me well so far. I’ve never been one for reading music!

How did Collateral come together?
Todd:
Angelo & Jack have been in bands for a long, long time, I joined just over 2 years ago when a good friend of mine told me Angelo was looking for a guitarist. I’d never met him, but only heard good things about his talents! I sent a couple videos over & it spiralled from there. About 5 months later we needed a drummer and my long time friend Ben Atkinson being the best drummer I know, joined the crew.

You released your self-titled debut album in February and congratulations is in order, so congrats! What can you tell us about it?
Todd:
Firstly, thank you to everyone who has purchased it, streamed it, voted for it and plugged it all over the world. To reach the top 5 in the UK rock chart is amazing for us! We live an hour apart so we tend to send each other ideas, riffs and demos.. we then change a couple of things, put our own spin on it and send it back.. We usually then track the guitars on a computer clean and ‘re amp in the studio. I’ll run the solos in pretty much last thing when I’ve got a solid feel for the song. We recorded the album with Sean Kenney at Ten21 Studios in Maidstone. He’s a great guy to work with and puts a great mix together! For the album the Orange Rockerverb MKiii 50w was used on every song and on all solos!! 

Hell yeah! Can you tell us a bit about your relationship and experiences with Orange?
Todd:
The first time Orange really jumped out at me was seeing Blackberry smoke at Download 2015.. They are one of my all time favourite bands & for such a dark festival.. seeing an entire backline of Orange was awesome!! A year or so later, at a Cadillac Three gig, I met a lovely lady by the name of Karla-Ann who it turns out, is the Queen of covering the Orange amps & cabs at the factory! She told me about how amazing the company are to work for. Personally, having experienced both sides of the coin work wise that goes a long long way in my book! My relationship with Orange so far, has been nothing less than amazing!! Rapid responses to my ridiculous questions and so, so much kindness!! You’ll have to beat me away from Orange Amplifiers with a seriously big stick!!

What do you look for in an amp?
Todd:
I like an amp that you don’t have to put a ton of pedals in front of to make it sound good. In my search for an amp head, I trudged to a well known guitar shop with ample choice.. I played a plethora of different brands and models and regardless of my soft spot for Orange.. the Rockerverb MKIII simply blew every other brand out of the water! I wanted the ability to pull some utterly filthy distortion out of it and in turn, dial it back to a nice southern crunch. I rarely use a clean tone, but the Rockerverb has tons of chimey clean through smooth funky tones in the bag, no problem! 

What’s your current set up?
Todd:
I use the Rockerverb 50 MKIII head, PPC412 cabinet loaded with Celestion Vintage 30s. The one and only effect I use is a Zoom …. Chorus Pedal to widen the sound a little, mainly for rhythm purposes. That puppy sits at the back and stays on always. At my feet sits a korg pitch black tuner and under my fingers.. Jackson guitars with either Tonerider (Awesome pickups from down here in Kent) or Seymour Duncan pickups.

Jaret, how did it all begin?
I was born in Puerto Rico and moved to the States when I was five. Some of my earliest memories are of my dad and uncles playing me music, those dudes loved Metallica. My dad would also drive me around with Pearl Jam on repeat. All my uncles played guitar, and my grandfather the cuatro, so I had early exposure to those instruments.I didn’t pick up a guitar myself until I was 15 or 16, when my dad finally got an acoustic for Christmas and I got bitten by the bug. Eventually I bought an Epiphone Les Paul for money I’d earned selling candy in high school, and once that was done I stopped doing just about everything else to pursue playing.

I’d recently been turned onto At The Drive-In and The Mars Volta and was like ‘Damn, that dude’s got hair like mine and he shreds, let’s learn that shit!’ My dad also made sure I knew Led Zeppelin was the greatest band of all time, so I guess that shaped a lot of my playing too, Zeppelin>The Beatles

Puerto Rico’s a really musical island, and we like to make noise! 

You’re currently keeping busy with two bands, Grave Bathers and Heavy Temple, what can you tell us about them?
Grave Bathers formed about a year ago, bassist Davis and I had been in a surfy psychedelic porto-punk band together for a few years called The Bad Larrys, when our musical tastes started outgrowing what we were doing. So, we decided to get a heavier outlet to create music that resonated more with us. We met Drew, the singer, at a show, and the original drummer in Bathers, Barret, was an old band mate of Davis’. Our other guitarist, Steve, was the last piece of the puzzle, and we had our first show in NY within a month of forming. 2019 was a wild ride with lots of obstacles to overcome as a new band, but 2020 is looking promising with our new drummer Cliff having joined us

Grave Bathers set up

Heavy Temple’s been a band for about 7 years, and Elyse played with five different lineups before I joined on guitar and Will on drums. My buddy Zach from High Reeper gave me a heads up one morning that she was thinking of hitting me up to join, and I was sold before she even asked. Some of our bands had crossed paths in the past, so we were familiar. Before joining Heavy Temple, I’d never been on tour or played anything besides bar venues – all that changed this year.

As a guitarist, who would you say is your main influence?
That’s like trying to play FMK with Omar Rodriguez-Lopez, Jimi Hendrix, and Jimmy Page.

When it comes to music in general, what bands are on repeat?
As for recent bands, King Gizzard and The Lizard Wizard, Monolord, and Thee Oh Sees. Oldies but goodies; Hendrix, Zeppelin, Dust, Sabbath, Captain Beyond and Sir Lord Baltimore.

What would you say has been your musical career highlight so far?
2019, from start to finish. Joining Heavy Temple and hitting the road to play in states I’ve never been in has been amazing. We got to play Union Transfer for Tired Hands Brewing’s (where I work as a brewer) anniversary party with Weedeater and Pallbearer, and I’d say that’s my favorite gig I’ve ever played, thanks Jean! Grave Bathers playing Johnny Brenda’s in Philly for our last show of the year, a year into being a band, let us know that we’re on the right track. THEN I got to join the Orange family! I definitely had to pinch myself a few times in 2019.

What’s your history and experiences with Orange?
My buddy had an Orange in high school, and one night we ate a bunch of shrooms and plugged his SG Custom into his AD30HTC half stack, and my mind was blown in the most perfect way. There was a lot of pedals to make noise with and everything sounded like.. Pink Floyd? Ha. I eventually bought an AD30R combo, before trading it for the twin channel head and cab on the day of my new psych band Tail’s first show. 

Vintage 1972 GRO100 & 1973 OR120 & PPC412’s

What do you look for in an amp?
It should sound perfect turned all the way up, and then allow me to destroy that with a fuzz pedal. Beefy bass and low mids, with wooly top end that doesn’t sparkle too much. Everything Orange sounds like to me.

What’s your current set up?
I run either a Tokai Flying V or a Black Beauty Les Paul Custom into my vintage 1972 GRO100, with one or two PPC412’s. I’d play someone else’s guitar before playing a different amp. It reminds me of everything I loved about my OR50, just with more headroom and that crusty mojo. I drove 15 hours on a Sunday to pick that head up and when I found it, or it found me, the new backplate that was made for it had my birthday written on the back. 

Crushing riffs and detuned guitars are what Pigs Pigs Pigs Pigs Pigs Pigs Pigs or PigsX7 are all about, hailing from Newcastle-Upon-Tyne, the band as mentioned a few times are influenced by Black Sabbath. We met up with them in the spring of 2019 and discussed the guitar gear arms race and what Orange adds to their sound.

Hi Adam Ian Sykes from Pigs Pigs Pigs Pigs Pigs Pigs Pigs

Hello I’m Sam Grant from Pig Pigs Pigs Pigs Pigs Pigs Pigs.

Which artists inspired you to get into music?

Adam: Black Sabbath

Who are your main influences as a band?

Adam: ‘Changes’ by Black Sabbath

Sam: Yes!

Tell us about your sound goals?

Adam: Think as long as we sound 30% like Black Sabbath.

Sam: Would be ideal.

What has using Orange added to your sound?

Adam: Kick to the chest and a kick to the groin.

Sam: Yes! Just like that.

Adam: I recently got some Orange cabs replaced, I was using, there is a lot more kicks to the groin.

Sam: Followed by…

Adam: The chest, the head…

Sam: Then as you keep pushing the pedal forwards it goes over peoples heads.

Adam: Pull their spine out from the skull.

How has it made a difference to your individual sound?

Adam: Moving to Orange the cabs in particular, there was a big boost in the low mids. The low mids, it’s a big part of my sound I guess. As much as a lack of practice… they are both quite important to my playing style.

Sam: Distinct flavour you manage to get.

Adam: I always have my volume on full, I don’t touch any of the knobs on my guitar because something may go drastically wrong. There is enough response from the amps to get round my technical inability I think.

Sam: I tend to to love the low end, the frequency range…

Adam: The groin kick?

Sam: The groin kick, the frequency range, the high mids I’m not too fussed about them.

Adam: It’s of the face, don’t touch the face.

Sam : Can’t touch the face.

Anything else Orange helps with?

Adam: We are playing in drop C which the amps tend to handle pretty well.

Sam : That is important because I think we write everything in C.

Adam: Ye, we try out best.

Sam: So far so good.

How do you decide who uses what gear?

Sam: I think in part there needs to be some decision made in what each of us are using.

Adam: I think in part the consideration is one up manship of how loud, how many cabs.

Sam: An arms race!

Adam: It is an arms race, we are deep in the arms trade. Well I have got more cabs haven’t I?

Sam: You have got two more speakers but one less head. That’s a shame.

Adam: Well I best get another amp. I’d like to have more amps and cabs than Matt Pike, then I would be happy. Twenty four is not enough.

Sam: Twenty five?

Adam: Ye, twenty five.

Sam: And a little Micro Terror? Just one side.

Adam: Interesting, just in case they all go.

Jose Rios has been part of the Free Nationals since it’s inception, he has also produced a number of the tracks across their four album career. Jose has been using the Rockerverb 100 MKIII since it’s launch and has been one of its biggest advocates. We met up with Jose before the band played a sold out show to 10K people at London’s Alexandria Palace in spring of 2019. He was relaxed but excited about the show and talked at length about his influences and how Orange is to him the voice of quality.


What’s up everybody, it’s Jose Rios from Anderson Paak and the Free Nationals.

What inspired you to pick up the guitar?

I picked up the guitar because of Stevie Ray Vaughan, my father listened to quite a bit of his music. That’s the whole reason I play, he introduced me to that stuff and I was hooked immediately. I learned about a lot of other people through him and I realised where he got his style from, through learning and listening to other records. But he is the reason I started playing the guitar. Jimi Hendrix obviously as Stevie Ray Vaughan was influenced by him, I think a lot of soul music, like the Motown stuff, that real clean chordy music. I really loved Jazz music but I wouldn’t consider myself to be a Jazz guy. But I do listen to a lot of that stuff, I incorporate it in my sound.

Why did you choose Orange?

Orange was just gritty, had a big sound and kind of sounded different than the other stuff in my genre/style. The reason I picked it up and started using it. Orange had the 412 and the Rockerverb head and it was a beast. I wanted that specifically, I wanted power!

What is it about the Rockerverb you love the most?

First of all the quality, how it’s made and how it looks, it’s incredible. I think it’s real sleek and clean, it’s built well and good quality all around. Speakers through to the tubes it’s just a solid amp, it’s clean, I don’t use the reverb on it, just the EQ. I don’t even have to turn it up that much because it is so loud! I have never gone past four I don’t think, because it is just so damn loud and i’m barely using the power that it has. But it breaks up nice, it has a nice clean tone basically the foundation for my board , I incorporate my sound through that, that like my medium, that rig and the pedals.

Talk us through your set-up at the moment.

Right now i’m actually using a Mexican Jag, that I put the same humbuckers into that were in my strat. The humbucker sound with that amp combined is like heavy duty man, it’s really powerful. My distortion pedal its a really creamy tone, cut through solo nastiness!

Do you prefer analogue or digital?

I’m just old school, I love the old guys and how they did it. They didn’t use digital, it was like amps, it was like analogue. I don’t know maybe I will one day switch over but right now I love my amp and I love having it on stage, I feel comfortable and i’m still as a player learning about it every day. Like tone and options on stage but right now i’m sticking to my guns and saying I need that 412 with me on the road!

Once again we’ve made it through to March and this year’s International Women’s Day. Haters might say we don’t need it, and how can we be equal if men don’t men have a day of their own? Well, men don’t tend to get grabbed and get abuse shouted at them when walking down the street, they don’t get paid less because of their gender, and you know, they don’t have to give birth either so, yeah, we kinda deserve this day – we can grow a human inside us but in some eyes not even that makes us good enough, yikes! Anyway – enough politics for our end, let’s chat music.

At Orange we’ve got quite a few women working for the company such as myself, my name is Ella and I do freelance content creation and artist relations, plus a bunch of other ladies in our offices keeping this ship afloat as well as the wonderful female artists we endorse. Now, there might not be a secret that rock and guitar music might be slightly more male dominated but that doesn’t mean that it’s a boys club, there’s a bunch of rad ladies out there, and today we’ll be shining a light on a few of them:

Orianthi

Rockerverb 50 MKIII
PPC412

Orianthi’s got a pretty spectacularly impressive resume, having performed for Steve Vai at the age of 15, and been asked to jam on stage with Carlos Santana at 18. Her big breakthrough came in 2009 when she played lead guitar for Carrie Underwood at the Grammys, which led to Michael Jackson reaching out to her, inviting her to join his band for his “This is it” concert series, which unfortunately fell through due to his death. Since then, she’s played with Alice Cooper, as well as releasing various solo albums as well as winning the award for “Breakthrough Guitarist of the Year” 2010 by Guitar International Magazine.

Hannah Wicklund, Hannah Wicklund & The Steppin’ Stones

Rocker 30

Despite her young age of 21, Hannah Wiklund, the soulful blues guitarist that could probably fit the description of the love child Janis Joplin and Hendrix never had, has got a remarkable 2000 shows behind her. Hannah was gifted a guitar from her dad an an early age, and had her first ever The Steppin’ Stones band practice back in 2005, with the first ever song they played being Neil Young’s “Rockin’ in the Free World.” By the time she finished high school at 16 they had already played over a thousand gigs together. The band released their debut album last year, and are currently touring and gigging, as they’ve always done.

Thao Nguyen, Thao & the Get Down Stay Down

AD30

Thao Nguyen is a guitarist and banjo player and the front woman of Thao & the Get Down Stay Down, a San Francisco based alternative folk rock band. She started playing music around the age of 11, and ended up starting a country pop duo with one of her friends. Shortly after she began performing acoustic solo shows, before eventually forming Thao & the Get Down Stay Down with fellow students. Thao’s lyrics are often about relationships and childhood, with some crossing over into politics. She has also been featured in the 2017 documentary “Nobody Dies: A Film about a Musician, Her Mom and Vietnam”, which follows Thao and her mum as they visit Vietnam, Thao for the first time, and her mum for the first time since the Vietnam war, where she is faced with the two conflicting cultures that helped shape her and her music.

Laura Cox, The Laura Cox Band

Micro Dark
Rockerverb 50 MKIII
Dual Terror
PPC212OB
PPC112

Laura’s career got a kickstart in 2008 after joining Youtube and sharing videos of herself playing guitar, the response was overwhelming and she quickly built up a following which has now reached over 363k followers and 80 million views. Due to her online success, she formed The Laura Cox Band, which is influenced by Southern legends Lynyrd Skynyrd and ZZ Top as well as Aussie rockers AC/DC. There was no other musicians in her family when she was growing up, but hearing her dad play Dire Straits and AC/DC records she felt inspired and intrigued to play that music herself, and was shortly after gifted a guitar for Christmas. The rest is, as they say, history.

Becky Blomfield, Milk Teeth

OB1-500
OBC810

MILK TEETH bassist Becky grew up in a music loving household with a musical and saxophone playing dad who regularly  However, it wasn’t until the age of 11 that she found her own taste thanks to bands such as Nirvana and Smashing Pumpkins, which are two of the bands that led here to where she is today. Influenced by the above, punk band MILK TEETH was born in 2013 and have been playing together ever since, although with a few line up changes along they way. The band’s latest release is the single “Stain” which was out just before Christmas, and brings to mind bands such as Hole and Nirvana.

Jonathan Higgs (Vocals and Guitar):

Hi, I’m Jonathan Higgs and i’m the singer and the guitar player in Everything Everything. My current setup is the Rocker 32 combo, it’s a pretty versatile amp. You can use it in the studio and we have done, but it really comes alive on the road, it’s very resilient and it sounds great on stage.

The best thing about the amp if the simplicity, its just basically a big volume knob, it’s just simple; you turn it up and there you are. You can sometimes get bogged down in all sort of settings with amps but this is nice and simple.

Alex Robertshaw (Guitar)

Hi, i’m Alex and I play guitar in the band Everything Everything. So at the moment i’m using the Orange Rockerverb MKIII, I decided to go for the Rockerverb MKIII because it has a very high Wattage and I wanted an amp that was really clean. It’s got loads of headroom, I want an amp with loads of headroom, so I can keep bumping it up and I am not hitting any compressed ceiling.

Jeremy Pritchard (Bass)

So i’m running the AD200 head and the 8×10 cab and the pedal board goes straight into that and it just covers everything you need in terms of frequency response on stage. I’ve always favoured any amplifier with just very high quality but simple components. I’ve always liked the heritage of the brand as well.

The actual look of the cabinet design and the head design is so distinctive, so you always knew if you were watching someone playing Orange. I used to go see bands like SUNN O))) and Sleep, really heavy stoner doom bands and they would always have these very distinctive cabinets and heads on stage. And a lot of those bands that i was really into and still am used Orange.

Plus our mates Foals, who have such a ferious live sound, Walter was always using the 8X10’s and Jimmy’s entire guitar rig is Orange. Even when I was a teenager and seeing Noel Gallagher with that classic Orange look was really memorable.

Tag Archive for: PPC412