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Orange Amps is known for not taking itself too seriously (just look at the colour of their amps). But they do pride themselves on their history and helping musicians do what they do. So here’s a bit of a tongue in cheek look at everything Orange is. Please sit back and enjoy the A to Z of Orange…

A is for…Alex and Ade
Alex Auxier is Orange’s Artist Relations Manager and Ade Emsley is Orange’s Technical Director AKA the mad genius behind that wonderful tone.

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B is for…British
Orange amps are undeniably British and it’s a fact that Orange are keen to reinforce at any opportunity…even one of their slogans reads ‘Orange: The legendary British Guitar Amplifier’. It’s a heritage that the company is very proud of and is displayed in Orange’s crest that adorns every amp and cab.

C is for…Clifford Cooper
Musician and electronics designer Cliff is the founding father of Orange Amplification and started the whole thing way back in 1968 when he opened the very first Orange Shop in London’s West End.

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D is for…Dual Dark Series
The Dual Dark series was launched in 2014 with the Dual Dark 50 and 100 watt heads. They are Orange’s highest gain amps to date and fittingly are only available in black. So prolific was their arrival that the Dual Dark 50 scooped the ‘Amp Of The Year’ award at the MIA Awards in 2014.

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Black is the new Orange…

E is for…Eminence Speakers
A number of Orange’s current bass cabinets come fitted with Eminence speakers as standard for optimum performance.

F is for…Fortieth Anniversary
2008 saw Orange’s 40th birthday. To celebrate 40 hand-made Custom Shop amps were produced each bearing a girl’s name.

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G is for…Gibson
In 1993 Gibson licensed the name to manufacture Orange Amplification. To keep the identity of the brand they continued to have the amps made in England (there’s that British thing again). In 1994 the first Gibson era Orange amps were released namely the Graphic 120 and 80, and the Overdrive 120 and 80.

H is for…Hardwired
Orange’s now legendary best-selling Tiny Terror is available in a special limited ‘Hardwired Edition’ (they’re very hard to find these days). Manufactured in the United Kingdom, it’s completely point to point, hand wired and features high specification transformers, ‘carbon comp resistors’ and ‘mustard capacitors’.

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I is for…Isobaric
Since 2009 Orange has been employing Isobaric technology in the construction of its ‘Smart Power’ Bass cabinets. The speakers enclosed in the ‘Smart Power’ bass cabinets are placed one behind the other. In practical terms, this increases the linearity of the speaker movement, which lowers the bass frequency handling, as well as boosting the output.

J is for…John McVie
John McVie, bass player with the legendary Fleetwood Mac, is the latest big name to become an Orange Ambassador.

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One half of the greatest rhythm section ever? Maybe…

K is for…Kvelertak
Orange Amps are proud to be associated with several artists from all walks of live. Hailing from Stavanger in Norway, Kvelertak is a six piece heavy metal band formed in 2007. Their name comes from the Norwegian for ‘stranglehold’ or ‘chokehold’. In 2010 the band released their self-titled debut album. The film ‘Troll Hunter’ features the Kvelertak song ‘Mjød’.

They’re a lovely bunch of lads…

They’re a lovely bunch of lads…

L is for…Limited Edition
Orange has been known to come up with the odd limited edition version of some of its amplifiers for good causes. One such creation was Orange’s one of a kind ‘pink edition’ Crush 20 LDX which was auctioned to raise funds for the Breast Cancer Campaign in 2013. Another was a blue OR50 and matching cab donated to Andertons Music and auctioned in support of the charity Music For All.

It’s definitely different…

It’s definitely different…

M is for…Matamp
Matamp is Orange’s green cousin and was founded in the 1960’s by Mat Mathias and Tony Emerson. When Emerson decided to leave the company, Mathias formed a partnership with Orange’s founder Cliff Cooper that lasted for several years before going their separate ways.

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N is for…Noel Gallagher
Believe it or not, Noel Gallagher of Oasis played a major part in the revival of Orange during the band’s heydays of the 1990’s. He almost exclusively used Orange amps on early Oasis albums and his suggested modifications to the Overdrive amp formed the basis of the OTR amp.

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O is for…OB1 Series
There was a lot of choice for this letter but we decided to go with the most up to date. The latest addition to the Orange bass range is the OB1 series (is it a deliberate ‘Star Wars’ reference? Who knows?). Available as a 300 or 500 watt head, the OB1’s unique sound is based on the principle of bi-amping i.e. using 2 amps to achieve your sound. The magic is that the OB1 series does it all on its own.

P is for…Pics Only
Besides the colour, Orange amps are probably best known for their ‘Pics Only’ appearance. The first ‘Pics Only’ amp was introduced way back in 1972. They were commonly referred to as ‘Plexi’s’ due to the plastic reverse printed Perspex panel secured to the chassis.

Q is for…Q Control
We ain’t talking snooker here. In 2015 Orange introduced its first pedal since the 1960’s…the Custom Shop ‘Bax Banjeetar’ Guitar Pre EQ. Its full parametric mid controls include Frequency, Mid Cut / Boost and a Q Control.

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R is for…Rockerverb Series
First released in 2003 (where does the time go?), the Rockerverb series has come to be for many the backbone of the Orange lineup. Its popularity has meant it’s now considered to be one of the go to amps for rock and metal guitarists. 2015 saw the release of the third generation of Rockerverbs in the MkIII version with new features (i.e. foot controllable attenuator) and a pics only visage.

S is for…Signature Amp
2012 saw the release of Slipknot and Stone Sour guitarist Jim Root’s signature amp. It’s the first time Orange have ever released a signature piece of equipment. Dubbed the ‘#4’ and dressed in black, it is a 15 watt terror style amp based on the dirty channel of Jim’s own Rockerverb 100.

It’s so cute and cuddly…

It’s so cute and cuddly…

T is for…Terror Series
The Terror series began in 2006 with the release of the now infamous ‘Tiny Terror’. It was a world first for Orange and is now considered the industry standard when it comes to ‘lunchbox style’ amps. Since its initial launch the series has expanded and includes the ‘Micro Terror’, ‘Dual Terror’, ‘Dark Terror’ and ‘Terror Bass’.

U is for…United Kingdom & United States of America
Since 2009 Orange’s headquarters in the UK have been based at Borehamwood, Hertfordshire in England. Orange has also spread further afield and has an office in Atlanta, Georgia, USA and in Beijing, China.

V is for…VT1000 Valve Tester
Designed to help ‘every guitarist, rental-company, valve amp manufacturer, guitar tech and guitar / hi-fi store across the planet’, the VT1000 was the world’s first fully automatic, portable digital valve tester. It allows users to quickly and simply match and test valves, as well as give valves a reliable health check.

Another world first for Orange…

Another world first for Orange…

W is for…White
In 2014 Orange launched limited edition versions of the Rockerverb (heads and combos), Thunderverb 200 and 50 heads, and the PPC412 and 212 speaker cabs. All were finished in a ‘prestigious’ white Levant covering, trimmed with traditional gold piping and fitted with gold capped handles.

As pure as the driven snow…

As pure as the driven snow…

X is for…Xcellent People
So we had to use a bit of poetic license for this one but it’s true. Orange wouldn’t be able to do what it does without the people who work for it. If you’d like to meet some of them and see what makes them tick check out.

Team Orange; damn they’re good!!!

Team Orange; damn they’re good!!!

Y is for…Young Guns
Another of Orange’s artist Ambassadors is Young Guns, an English rock band from Buckinghamshire and London who formed in 2009. In 2014 the band signed to Virgin EMI. They have toured with the likes of Yellowcard, All Time Low and Enter Shikari. The band’s third album ‘Ones and Zeros’ was released in June 2015.

They’re too pretty to be a rock band surely…

They’re too pretty to be a rock band surely…

Z is for…Zeppelin
The ‘Led’ variety obviously and of course Jimmy Page who’s been known to dabble with the odd Orange amp over the years.

Here’s the man himself…

Here’s the man himself…

So there you go…the A to Z of Orange. Of course there were other alternatives to some of the things we chose for certain letters…for instance we could have done a whole blog article on just the letter ‘O’ (perhaps it’s one for the future). Either way hopefully you will have learned a bit more about Orange Amps; other than the fact that they do their best to make the best amps that they can for you!!!

By Ella Marie Stormark

Before Mini Mansions’ gig at Oslo in London, bassist extraordinaire Zach Dawes took the time to talk about touring, his first encounter with Orange and the music he’s currently listening to. Oh – and he ran us through his gear, obviously.

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How has The Great Pretenders tour been so far?
Really great! And really long, there’s been a lot of dates. I’d actually like to know how many dates exactly, we’ve been really busy.

When did you start using Orange?
In the UK I’ve been using it since the first time we came over, I’m not quite sure when that was but it’s been a few years now. In the US I’ve only been using it for about a year an a half.

So what amp have you got, and what cab are you using?
Here I use a 115 cab with AD200B Bass Head. In the states I have a 4×10 cab, and sometimes I use the AD200 or the Terror Bass 500.

Do you use any specific pedals that works well with the amp?
Well yeah, they all do.

Because Orange is amazing…?
Of course!

Do you remember the first time you saw an Orange amp?
I think maybe that was Mars Volta, when I was around 18 or something.

So how old were you when you started playing the bass?
11 or 12, but then I took a break for a little bit.

Was it someone or something in specific that inspired you to start playing?
Well, I just got sick of playing the piano. I played that when I was a kid, and then bass just seemed like a logical step after that. I was starting a band with some friends and bass was the only thing missing, so, you know…

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What bands are you currently listening to?
I like the new Mac DeMarco record a lot… Will Butler, and I like the new Father John Misty.

You played some shows with him, didnt you?
Yeah, or we only played one. I really like his new album.

Do you have a favourite Mini Mansions song?
……I don’t know. I’m excited to start playing ”Fantasy” live though, as we don’t do that yet. That’ll be fun.

So when can we expect that to happen?
Pretty soon. We’re back in the UK in a month or so to play some festivals – it’ll probably be on the set list by then.

If you could only listen to one album for the rest of your life, which one would it be?
Maybe Abbey Road, maybe…

Have you been to Abbey Road?
No, I haven’t actually. Have you? Is it far?

After trying to explain how he could easily get to Abbey Road and discussing which Beatle isn’t wearing shoes on the cover (It’s obviously Paul McCartney – how could we forget?!), I snapped some pictures of his gear, before leaving the venue only to return a couple of hours later for their gig – which by the way was incredible, and had a surprise cameo from Alex Turner. All in all a very good day, and night.

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Orange: So I’m here tonight at Starbar grabbing a drink and I was pleasantly surprised to see a band using Orange. Would you guys like to introduce yourselves?

Kimi: I’m Kimi Shelter

Aaronious: I’m Aaronious Monk

Katie: I’m Katie Herron

Orange: And what is the band you play with?

Kimi: Starbenders

Orange: And where are you guys from?

Kimi: We’re all from Atlanta, our band is based out of here.

Orange: And have y’all have any out of town shows lately?

Kimi: Yeah we were just at South by South West a couple weeks ago which was really fun. We rotate the south pretty regularly.

Orange: Where did you play at South by South West?

Kimi: We played at the Chuggin Monkey and it was the Loud stage which is a crowd-funding service based out of Atlanta.

Orange: So do you tour often?

Kimi: Usually every month we’ll have a run of shows. This summer we’re working on a fall tour that will run up and down the east coast.

Orange: So how did the band get started?

Kimi: It’s a little bit of a long story but Katie and I know one another from out teenage years and she and I met at a wilderness youth recovery camp and we connected from there and stayed in touch. When it came time that I started dreaming this band up she was the first person I thought of. She’s my right hand man and the catalyst of it. I’ve known Aaron a while too and Paris as well.

Orange: What kind of bands inspired you?

Kimi: Sonic Youth, The Cramps, Misfits, Pixies, Elvis. I love that old school rock pop. That’s where our music is mostly inspired from.

Orange: Would you mind running me through your gear set up?

Aronious: Yeah, I use the Terror Bass 500 which when Orange initially sent it to us I was blown away with the grit that came out of that tone. It was full it was big and it was appropriately gritty with enough head room to where it was very velocity sensitive. I’m the sort of bass player where our music is very dependent on dynamics and the head is extraordinarily responsive. I’m definitely in love with that TB500.

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Orange: So when you’re on tour what’s the diet?

Kimi: Oh god, I mean pizza, whiskey. Yeah just pizza and whiskey. Kate loves some Kentucky Gentlemen. That’s her favorite.

Orange: What’s the soundtrack while you are on the road?

Kimi: I’m really obsessed with a lot of bands that are coming out of England right now also Scotland and Ireland. Like The Witches, The Amazing Snake Heads or The Fat White Family. We rotate though, we all kind of come from different musical influences.

Aaronious: The rule in the van is whoever is driving gets to DJ. So it gets pretty diverse. We all have this weird obsession with getting each other into music we just found. So a lot of times when we’re driving it’s like “you guys have got to check this out!”

Orange: When was the first time you heard about Orange?

Aaronious: Probably when I was a teenager. All the bands that I liked used Orange. I probably speak for everyone in the band when I say Orange is this hallowed brand that carries on the torch of other UK brands like Matchless and High Watt that everybody kind of lusts after. Moving into a professional level that seems to be the amp that everybody wanted. Whether you were an indie band or another band all the cool bands use Orange.

Orange: Do you remember ever catching any bands use Orange when you were young?

Kimi: I remember being at a Converge show and the tour that they were on they played Jacksonville Florida and I saw them using an Orange head and it was so sludgy and awesome.

 

Aaronious: I caught Pavement on their reunion tour, I think it was in 2010. They were using a Thunderverb 50, which I think attributes a lot to their sound.

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Orange: Where can we check out your music?

Kimi: Our debut EP is out on Spotify, iTunes, and we have to singles up for free download on our Soundcloud page.

Aaronious: You can always find us at facebook.com/StarBenders and our twitter handle is just @starbenders.

 

LACEY

Tell us a bit about Lacey

We’re from Nottingham, we formed back in 2011 the way a lot of bands do – through the break-up of previous bands! The difference with us is that we grew up together, so we’re fortunate to have that deep-rooted bond that might take a lot of bands a long time to click. We’re all about big pop-rock hooks and arena-sized riffs.

You’ve just released your debut album – What’s it called and when is it available?

The album’s called Under the Brightest Lights and it’s out now! You can download it on itunes or get a copy on CD direct from our website www.LaceyOfficialUK.com.

We can’t believe that you guys aren’t signed to a record label – How did you get your album out there?

Well thank you very much! We had amazing support for our Pledge Music campaign and managed to have album fan-funded. It was incredibly humbling and we could never have anticipated the support we had.

What’s the response been to your release?

We’ve had an amazing response both in the press and from the fans which has been really incredible and humbling. It’s great to know that people are really buying into something you’ve worked so hard on for so long. We played a launch show recently and the reaction we had to each track was astonishing.

Why Orange?

The ‘Orange’ sound is all over our album. It’s so easy to get a huge sounding guitar tone using most Orange rigs. I like being able to run a high level of gain yet still being able to hear the individual notes of each chord.

Tell us about your live rig.

Currently I play a Tele through the Rockerverb 50 MKII. I play loud on stage and the 50w responds really well to being cranked!

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What is it that appealed to you about that gear?

It’s such a versatile amp yet so simple to use. Our sound is very dynamic so an amp that is capable of crystal clear clean, right through to booming distortion is really important.

It’s a great all round tool, perfect for live shows, the studio and for writing sessions at home.

How do you like to set your amps up?

I have a pretty simple set up, I like a strong mid tone punch, which can become muddy using other amps. I run a high level of gain, using a tube screamer to add another layer of colour.

When do you head out on tour?

We’re off out on tour this summer! We kick off in London on 15 July! You can get tickets via our website. www.LaceyOfficialUK.com and https://www.facebook.com/Laceyofficialuk

Real country rockers (we say “real” because we’re comparing them to fakes) and Orange Ambassadors, Blackberry Smoke performed a very special 4 song acoustic set at our UK retailer PMT Manchester. The turn-out was great in anticipation of a sold-out show later that evening at local venue The Ritz. It’s great to see these “hometown boys” (at least for Orange USA in Atlanta) blazing a trail across Europe, spreading the Orange gospel with their classic rock-inspired take on modern country. We consider them “genre saviors.”

Guitarist Paul Jackson is currently using the Custom Shop 50 hand-wired amp through one of our PPC212OB Open Back cabs. About his set-up, Paul says, “In all of my career I have NEVER come across an amp like the Custom Shop 50. The tones you can get from the CS50 are beautiful and amazing. Hand-wired and full of life and let’s not forget about the 50 watt A/B 30 watt switch on it. All I can say is WOW!!! The CS50 is without a doubt unbeatable!!”

To promote the Blackberry Smoke performance, PMT held a special sale on Orange products. Jake Marray of PMT said this about the event: “I want to thank Orange amps for helping to organize this great performance with Blackberry Smoke. The turn-out was one of the best we’ve ever had! And the band was absolutely fantastic. They’re incredibly talented and total professionals, both in their music and their attitudes. We hope to have them back again very soon.”

Song List (in order):

Pretty Little Lie

One Horse Town

Livin in the Song

Ain’t Much Left of Me

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Links

PMT Manchester Online

Blackberry Smoke Website

 

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Classic Rock is a UK magazine. Europe has been really good to Rival Sons. What do you attribute to your early popularity over there?

Our label is UK-based, as many of their contacts and connections are. That’s where they started the push with Pressure and Time. And luckily, those folks on the other side of the pond reacted quickly.

Once the fire lit, we had to service as much of Europe as we could (playing live). So, I think we’ve just given that part of the world the most attention. On another level, it really seems folks over there are slightly more partial to rock n roll…and getting out to shows. I think the U.S. is waking back up to it though.

Rival Sons’ “Great Western Valkyrie” is nominated for “Album of the Year” at the Classic Rock Awards. Can you tell me what that means to you to have your music nominated for this award?

I’m not a big fan of music being a “contest”…but will say to be recognized by one of my favorite magazines…and to be mentioned alongside these fantastic records by some of my favorite artists of all time…that’s really cool.

The album GWV doesn’t necessarily challenge the signature sound of Rival Sons, which is a blend of classic and modern rock. Instead it seems to give the band’s existing style a bit of a polishing. Can you explain the attitude you went into recording this album with and the goals you had in mind?

We record all our records in a live setting. This one was no different.

We’ll write and capture a song between 1 and 5 takes. If we don’t have it that quickly we’ll usually move on. Being our 5th record, I wanted to look at this record like the 5th chapter in the book of Rival Sons. I wanted it to reflect something from each previous record but completely have its own identity at the same time. There’s also the idea that this may be the first record many hear from the band…we’re still making a ton of brand new fans. So as much as we want to take some left turns or reconstruct our sound, approach or writing, we had to remain conscious as to not stray too far. As far as the attitude and moral of the band.

We couldn’t have been more excited to make a new record. We were all basically brimming with new ideas and really fired up to write some new songs and create the next chapter.

Describe working with producer Dave Cobb.

Dave is definitely like a 5th member of the band when we are recording together. We’re great pals and have done all 5 of our records together with a great result. He’s very interactive with us at every step of the process. On each record we will talk about a general idea for the record.

We’ll discuss what gear we want to use, what worked or could be better from the last records…and discuss song ideas and directions.

Once we actually get in the studio things happen very very quickly and working with Dave is a big reason why. I think very few producers these days have the prowess to capture a record live off the floor like he does. At least, with the result he can deliver.

We’re in the age of over-producing, over-writing, just too much everything. That’s not what we’re doing – that’s not what Dave’s doing. In his own words “our job is to create and capture energy.” And not enough guys out there today understand this or how to do it.

Dave does.

Rival Sons will be playing a live set at the awards show. Any special tricks planned for the set?

No smoke.

No mirrors.

Just unadulterated, unapologetic, dirty rock n roll.

What’s the future of Rival Sons as far as you see it?

It’s hard to forecast anything in a business like this. As far as the creative side – as long as we’re inspired and able to make honest music we’ll keep making records. And as long as people want to keep buying tickets…we’ll keep coming to your city.

It’s impossible to say how long it will last. I’m a Capricorn and a pragmatic realist…so that’s the answer from that perspective. Although, naturally, being a guitar player in a rock n roll band, there’s another answer to this question.

And that answer is…World domination.

Order “Great Western Valkyrie” now:
CD/Vinyl/Box w/ 5ft x 6ft blanket – http://www.earache.com/rs14
iTunes – http://bit.ly/gwv-itunes

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Joe Trohman with a Crush 120 guitar amp…this picture has nothing to do with the rest of this blog post

Joe Trohman is the lead guitarist in Fall Out Boy. That technically makes him a pop star. But while he may portray that persona in Fall Out Boy, Joe is a hardcore metalhead who has played in bands like The Damned Things (with Scott Ian from Anthrax) and With Knives (with his friend and guitar tech, Josh Newton). He also happens to be one of our favorite guys to hang out with thanks to his laid back attitude and sometimes wry sense of humor. That sense of humor is why we invited him to be the first artist to answer “15 Questions,” a series of artist interviews that will likely devolve quickly into mostly silly questions (probably by the 2nd installment).

1) What’s your favorite Orange amp and why?
I spent a lot of time with the Thunderverb 200 and I really love it. I use it on guitar and bass, live and in the studio. It has the vintage Orange colors and modern gain leanings. But even when goosed, it still has that warm, looseness of a boutique vintage amp. It never get’s super compressed considered how loud and overdriven it can go. Oh, and the verb aspect get’s REALLY verby.

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2) What’s your favorite guitar and why? Not necessarily one you play every day…
Outside of the guitar I built with Fender, which I play live a lot, I really love my 95′ American Standard Tele. It has a ton of vibe. Early on I replaced bridge pickup with a Dimarzio Fast Track T and it rips pretty hard.

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3) What’s your favorite pedal of all time? Even if you have never owned one…
I really like this one by Black Arts Toneworks called the Pharaoh Fuzz. It goes from lighter overdrive to full blown fuzz, and has a few different diode selections which are really cool.

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4) Name the person, living or dead, who had the best facial hair of all time
I think Bill Murray looks like a very handsomest boy with a mustache.

5) If you had $10,000,000 to spend on one thing, what would it be?
A working cell phone with real buttons.

6) What band changed your life but you can’t stand their music anymore?
I think a lot of mid to late 90s hardcore bands would fit into that category. I choose not to listen to most bands I listened to back then in fear of ruining any good memories I have of said band/record. I recently put on a Chokehold 7″ I still have and it definitely wasn’t as great as I recollected. It was far from ok.

7) What’s your favorite amp of all time?
It’s a tie between my 70s OR80 with a distortion mod and my ’74 JMP, also with a distortion mod. Modlife.

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8) You recently moved from NY to LA. What do you miss about NY?

The food. Some of the best I’ve had in my life. And the strolling. It’s a great city to do an endless stroll in. During the fall is the best time for that.

9) If you were alive in the 1300’s, what job would you have had?
Drinking shitty water and dying from it.

10) What was your favorite print cartoon growing up?
Calvin and Hobbes was pretty big for me. I did some of my growing up in a pretty crappy place called Chagrin Falls, Ohio. Bill Waterson is from there too apparently. I also liked Life In Hell and Bloom County a lot.

11) If you could be the guitarist in any other band which band would it be?
I always loved the Smiths and Marr’s playing. So maybe him. Or Tony Iommi. I love the minor pentatonic. Or Jimmy Page. Because duh.

12) Is there anything you are a total nerd about? Like, such a nerd about it that you’re embarrassed?
My grill. Not my teeth. My actual grill. I have a Big Green Egg (use Google if that doesn’t make sense), and I love to “pimp my grill” as that rap man used to say from that show on MTV. Is that what he said? I don’t know. Regardless, I’m pretty obsessed with it and I like to accessorize and upgrade it all the time. It’s fucking sad.

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13) Rank these albums from most to least favorite…
The Crash Test Dummies being on the Dumb and Dumber soundtrack almost catapults it to the top for all time. However:
Black Flag – Family Man
The Cure – Kiss Me, Kiss Me, Kiss Me
AC/DC – Powerage
Tomahawk – Tomahawk
Dumb and Dumber – Soundtrack
Adam Sandler – They’re All Gonna Laugh At You

14) Tomorrow you die; today you dine. But what do you eat?
6 chicken and 6 pork dumplings from Dumpling Man in the East Village. For duh.

15) Favorite FOB concert/appearance of all time
Without a doubt doing the Spinal Tap trapped in the pod/mini Stone Henge with Harry Shearer on Conan. Such an honor and Harry Shearer is an awesome, hilarious guy.

 

Amp: Orange OR100 Head and PPC412 Cab

My rig consists of an Orange half stack, several PRS guitars, and a plethora of pedals. Orbweaver has two guitarists, and we like to make a lot of noise, so I run the OR100 on full power (100W) and go straight into the cabinet at 16ohms. In certain situations I might run it on a lower wattage setting, such as recording or home use.

Half-Stack

I love the OR100 as it has every feature I need from an amp, without being overly convoluted. It’s just pure tone, without any clutter. I use a dual footswitch so I can run both channels and also use the Global Boost for solos, which boosts your volume without adding gain. Speaking of gain, I don’t use as much as you’d generally expect from a metal band, my tone is more crunchy, and I set the gain knob around 6 and a half. Tone controls I generally run at 7 across the board.

The PPC412 is hands down the best cab I’ve ever used. The day I bought it I AB’d a bunch of different cabinets and it stood head and shoulders above the rest – excellent projection and clarity, while still sounding warm and heavy as fuck.

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Main Guitars: PRS Custom 22 Goldtop, PRS SE Navarro Custom 24

My number one guitar is a PRS Custom 22 with a wide-fat neck and tremolo. I’ve been playing it for about 4 years straight now. I have it set up with 11’s, and have found myself playing with higher action lately. I love doing all kinds of ridiculous things with the whammy bar, and lucky for me, it holds tune really well for a non-locking tremolo. My settings on it are pretty simple, 90% of what I do is play through the bridge humbucker, with volume and tone on full. The volume knob rolls off really well, and interacts nicely with the tube amp gain, so I utilize that a lot for swells and strange noises…

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I recently acquired the Navarro SE from PRS as a backup for the Goldtop. The neck is a wide-thin profile, so it’s a little more shreddy than the ’22. I put a Seymour Duncan JB in the bridge, and kept the coil split on each pickup. It’s a killer guitar and has made an excellent backup, even coping with freezing conditions on our recent winter tour.

Pedals: Lots

So right now my pedal board consists of: a Seymour Duncan Deja Vu Delay, Shape Shifter tremolo, BBE Mind Bender chorus/vibrato, MXR Phase 90, MXR Carbon Copy delay, Boss TU2 tuner, and my Orange 2 button footswitch.

I say right now, as our pedal boards tend to be in a state of flux. Especially now as we are writing new songs, I will probably be bringing back my wah, adding an envelope filter, trying out new delays, etc.

The settings vary depending on what song/riff we are playing, we do a lot of tweaking and tap dancing.

pedalboard

 

Check out more from Orbweaver and order their debut EP…

orbweaverband.com
facebook.com/orbweaver.official
Twitter: @orbweaverband

Orbweaver’s debut EP ‘Strange Transmissions From the Neuralnomicon’ is out now on colored vinyl through Corpse Flower Records – www.corpseflowerrecords.com

Give us a brief run down of your career to date and how you ended up playing Orange…

I started playing music 33 years ago when I was 10.  So I’m going to skip to 2006 to save us a little time!  I was playing bass with Robert Pollard (Guided By Voices) and the guitarist on my side of the stage was Dave Philips.  He’s very talented and had already played with Frank Black, Tommy Stinson, and many others.  He was using a AD30TC for the whole tour and I couldn’t believe how accurate it was.  Very few knobs and they were all set near 5.  Sounded perfect.

Because I’m a guitarist too (see my current solo project Split Single), I went home after the tour and ordered an AD30TC for myself from my local guitar store, Guitar Works in Evanston, IL.

Let’s start with a simple one. Why Orange?

Most of my time performing these days is with Bob Mould and Superchunk, for whom I play bass.  I had performed on Jimmy Fallon in September 2011 with a band called Telekinesis.  The guitarist, Cody Votolato (Blood Brothers), is an Orange endorsee and he put in a call to Alex at Orange to see if they could provide me with a bass rig for the show. Alex took care of me. I plugged in my Roger Mayer Rocket Fuzz into the Orange and the band exploded all the way to number one on the charts.  Not really.  But it sounded great.

When the Bob Mould tribute show happened in November 2011, I asked Alex again if he could help out.  I was to play bass with Bob, Dave Grohl, Britt Daniel, The Hold Steady, and Margaret Cho.  He, again, took care of me and we started a good working relationship.  I have used the Orange bass rig ever since when available.

jason-narducy

What amps are you currently running for your live set-up?

Bob Mould & Superchunk: AD200B MK3 head with OBC410 & OBC115 cabs

Split Single: AD30TC Combo

How about your recording set-up?

Same

What is it about these amplifiers & cabinets that you like? Not only sonically but also any noticeable comments about how they handle life on the road.

They are durable and easy to use.  Always plenty of power if I need it.

How do you like to set the amp up?

Everything on 5.

The current Orange amps you are working on, are the tubes stock or do you have a preferred brand? If so, which?

I haven’t worn tube socks since middle school. They make my calves itchy which effects my playing.

Would you like to say anything else?

I got sunburn on my left shoulder in Tennessee last week.  It’s blistering now.  Should be fine in a week.

Hungarian band Tankcsapda is one not just the most popular heavy metal bands to come out of that country in several years, they’re actually one of the most popular Hungarian bands, period. Last year when they released their entire back catalog of albums (14 albums total) they maintained the top 14 spots on Hungary’s record sales charts for two straight weeks.

You read that correctly. They had the top 14 albums for two straight weeks. Entire ALBUMS!

This enthusiasm for Tankcsapda translates to their live shows. They play to huge audiences.

Tank-4

This is not a festival audience. This is their regular nightly audience

Tank-1

Gabor Sidlovics, guitarist in the band and Orange Ambassador, powers these venues with his multiple Orange amps and cabs. Here’s a picture of his rig during the band’s 2013 “ROCKMAFIA” tour. He uses (2) Thunderverb 200 heads.

 

Tank-2

Backstage, and as a B-rig for live shows in the case of extreme amp failures, he uses a scaled down set-up consisting of a Jim Root #4 Terror.

Tank-5-Jim-rig

 

In addition to being super popular, and quite frankly writing awesome songs, the band also has their own beer in a collaboration with Soproni Brewing. Soproni is basically Heineken from Hungary. So to be clear, they have a beer collaboration with one of the biggest beer companies in the world, not just in Hungary. Here’s the label.

Tank-3-beer-label

 

You may have noticed something about the shirt the singer is wearing. That’s right, folks. He wore the Orange Crest shirt. We’re on a freaking beer label!

You might be asking yourself why we’re so enthusiastic about this band’s accomplishments. Well, for one, they’re Orange Ambassadors, so clearly we have a vested interest here. But more importantly, Tankcsapda is just a great band. They blend this sort of old world anthem-style with modern rock and metal. Check out every video the band’s ever made here and you’ll get an idea of how they’ve evolved in the past 25 years.

Enjoy!