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Of all the genres of music, country is exceptional.

Formed by a continent of migrants, country music is a concoction of hardships and woes interlaced with the music and culture from across the globe. Its predecessor, Roots, spawned a vast array of musical styles that have since split and reconnected many times over.

Claudia Hoyser
Claudia Hoyser plays Orange Rocker 15

It’s music built on experimentation and where one in a million chance happenings seem to occur on a frequent basis. Swerving the direction into new unexplored areas, just as the pioneers had done way back when.

From Cash to Stretches

Although there were many country greats before Johnny Cash, the Rockabilly sound of the 50s, driven by amplified guitars, was a defining moment in the evolution of country music. Luther Perkins, ‘the original man behind the man in black’ paid a huge part in that with his signature ‘boom-chicka-boom’ sound which defined the genre.

It is said that Perkins’ style of playing came by chance when defective equipment left him little choice but to dampen his strings with his palm. Consider the classic locomotive stomp from the hit song ‘Fulsom Prison Blues’. To pull that off requires skill and equipment capable of bringing out those tonal nuances.

A Modern Twist on an Old Faithful

The Orange TremLord 30 was designed with careful consideration to players needs, offering a compact 30-watt all-valve combo that replicates the golden age of Country tone. It’s a sweet sounding amp with an Orange twist, featuring those classic EL84 tubes that add a little British character to the mids.

Orange TremLord 30 Amplifer

What makes this amp unique is the custom made Lavoce 1×12” speaker providing a smoother top end along with more headroom before the amp starts breaking up. It’s the perfect match for players looking for responsiveness; faithfully replicating the subtlety and spacious voicing of that golden age.

Eloquent clean tones can be ceremoniously battered by a crashy, splashy beast of a tube driven two-spring reverb tank that oozes with vintage class. If you want to add in delays or compression for a truly authentic sound, the low impedance 12AT7 tube driven FX loop gives you flexibility without sacrificing on tone. Even at lower volumes, Tremlord 30 is designed to be switched all the way to 1-Watt, ideal for even the most intimate spaces.

The Bakersfield Sound

Speaking of intimate spaces, it was Mearle Haggard experience of watching Jonny Cash perform at San Quentin State Prison in 1959 that lead him to pursue his calling in country music. As far as country players go, Haggard is what Joe Strummer was to Punk Rock; he provided a stark contrast to heavily producer controlled music that choked the mainstream airwaves.

The music was called the Bakersfield sound and its reverberations have cut deep into the music of America, influencing the artists like the Grateful Dead, Credence Clearwater Revival and The Flying Burrito Brothers. These artists, in turn, influenced the Southern Rock movement, and at its peak in the 70s, guitarists began to turn to the grunt of an all-tube British amplifier.

Orange AD30 All-Valve Amplifier

Our flagship Orange AD30 is an ideal midpoint between the classic country tone and that synonymous British sound that harks back to the heyday of the all-valve amplifier. Its balanced and natural compression is the perfect all-rounder amp for country picking. If you need more heat, the second channel gives you more attack while still emphasising the bottom end for a full-bodied tone.

A Divided Country

On one side of the ravine, a glassy formation looms ominously; its meteoric rise is a paragon of success and excess. Below, overshadowed by the enormity of its neighbour, a gritty cliff edge juts out over the ravine.

And there’s no way better to explain it, mainstream traditional and pop country guitarists usually opt for the open and glassy chimes of an amplifier with those iconic American 6V6 tubes. It’s a path well trodden.

Artists like Tim Montana and The Shrednecks aren’t just pushing the envelope of sound, they’re pioneering a new wave of southern rock that’s like a sonic punch in the face. The bastard love child of ZZ Top where smashing out riffs like Thor’s hammer on the Rockies is just another day in the trailer park. Their weapon of choice is the Rockerverb MKiii.

“Orange amps give me the versatility to go from the cleanest, warmest, country sounds to the melt your face, Shredneck shakedown, in the click of a switch! These amps are built for the road and built for life” – Tim Montana

This boozed-up, steroid-fuelled monster is no roadhouse frequenter. It’s built for a hardcore workout on the road with a feast of total delights that range from chimey cleans and iconic gain tones of a classic British crunch right through to a fistfight with Satan himself.

But others choose to expand the frontiers.

Looking Back to Go Forward

Not so long ago the general public could distinguish the difference between that classic American tone and the British sound. While they are fundamentally different, the lines have become blurred. That’s when the magic happens.

Claudia Hoyser – What Kinda Man

Take modern country artist Claudia Hoyser, her amp of choice is the Rocker 15. It’s an amp that is perfectly voiced to bring out the natural sound of the instrument, the perfect accompaniment for Hoyser’s sultry vocal styling. Sensitive to the touch of dynamics and oozing with valve warmth the Rocker 15 begs one question.

How long before others walk the line?

Fresh out of last month’s Black Deer Festival and we are in full country mode! July is our ‘Voice of Country’, and below you’ll find four great country artists we are proud to be working with.

Blackberry Smoke, Richard Turner

OBC810 8×10
Terror Bass


Blackberry Smoke is probably one of the hardest working bands around as they spend the majority of their time on the road relentlessly touring. Bassist Richard turner is an avid Orange artist, who first got turned onto the amps after seeing Black Sabbath using them back in the day when the amps were pretty hard to come across in the US. Years later, Blackberry Smoke was asked to play Orange’s 40th anniversary party at NAMM, where Richard played through a full Orange backline. Needless to say, he took a liking to it, and took it home.

The Cadillac Three, Kelby Ray

Crush Bass 100
OB1-300
PPC412 4×12
AD200 MK3 Head
OBC810 8×10
AD30HTC Head

Kelby Ray of The Cadillac Three is yet another country artist who’s taken a shine on our brightly coloured amps, and uses them both for his bass and lap steel. When looking for amps, Kelby wants something that’s easy to use and not a big fuss with buttons and knobs, so when he first played Orange at a Nashville festival he was sold; “I plugged into it and it was so easy to use – not a lot of knobs and it just sounded great. I want something that’s going to work, not too much hustle and fuss and something that’s just Rock N’ Roll. Orange is all those things, so that’s why I’ve always gravitated towards them, they’re something I’ve always loved to play.”

Raelyn Nelson Band, Raelyn Nelson

Rocker 15

Raelyn Nelson have been singing for as long as she can remember, and was raised on a diet of gospel and country, before eventually being gifted a guitar by her granddad in her teens. Her granddad happens to be legendary country musician Willie Nelson, so needless to say, music runs in the family. With her band Raelyn Nelson Band, Raelyn pairs a Rocker 15 with her ukulele.

Bob Weir

Rocker 15

Guitarist Bob Weir (Formerly of Grateful Dead) was also mentioned in our “Voice of Clean” article, but is well worth a mention in this month’s Voice of Country too as he was in the man behind a lot of Grateful Dead’s country songs, as well as having built a solid name for himself in country with his solo career, and has this to say about his Rocker 15: “A fun, really flexible little amp for low-volume situations, like playin’ electric along with acoustic instruments….”

Kelby Ray: Hi, I’m Kelby Ray of The Cadillac Three – Proud Orange User. I think Orange Amps – the look, is just so classic. It’s super old school, super Rock N’ Roll and something I always thought just looked so cool. The first time I ever used an Orange Amp was at a festival in Nashville as like a backline situation. I plugged into it and it was so easy to use – not a lot of knobs and it just sounded great. I want something that’s going to work, not too much hustle and fuss and something that’s just Rock N’ Roll. Orange is all those things, so that’s why I’ve always gravitated towards them, they’re something I’ve always loved to play.

My influences are from all over. I used to listen to a lot of 80s country, particularly growing up in Nashville, also learning to play the guitar in high school, things like Jimi Hendrix, Metallica, Pantera – little bit of everything. Blues. Influences from all over the place. Hell, I even liked Mariah Carey when I was a kid. The way my set up works in The Cadillac Three, I’m playing lap steel but I split it and play into a guitar amp and a bass amp at the same time. I’m just looking for something that sounds good mixed together. Right now, I’m using the AD30HTC and AD200 and they sound great working together. It’s a cool sound  that you just can’t emulate anyway else. The Orange sound is just well rounded enough it makes MY sound as part of the band something huge and it really adds a lot of depth to what we’re doing.

Orange Amps are so diverse with many different artists that play them. To be a part of that family is just really a cool thing. I’m getting to do something unique and add my own flair into the musical world through Orange and it’s just super awesome.