Our third ‘How I got into playing’ post where we as part of our ‘Learn the Orange Way’ campaign, offer free guitar lessons for all Orange users (more on that here), and share a series of quotes from some of our artists on why how they got into playing.
I first started playing when I was about 3 or 4, and I’ve been playing professionally since I was about 11. I was really inspired by guitar players such as Clapton, Hendrix and Stevie Ray Vaughn from a young age, another early discovery was The Allman Brothers Band, as well as The Marshall Tucker Band and a bunch of other great Southern bands. Later on, I got really intrigued by “the frontman”, and artists such as James Brown, Otis Redding and Aretha Franklin – anyone who had that certain attitude would really speak to me. What really changed the game for me was when I started studying jazz theory, and discovering Miles Davis and John Coltrane was really life changing to me, a clear game changer.
I heard Led Zeppelin when I was four years old, thanks to my aunt, not that she was aware of it at the time. My grandfather was a jazz guitarist way back when, so while I liked that there was a guitar player in the house, I wanted to play heavy rock from the start. Grew up listening to Zep, Queen, Aerosmith, Kiss. Started learning guitar at age 9 but didn’t take it seriously until I saw Ritchie Blackmore on MTV smashing his guitar, and seeing videos of Jimi Hendrix lighting his Strat on fire. Both of those moments made me think “I have to play guitar for life!”
I grew up surrounded by music and the people playing it, my grandmother played and my dad played the saxophone. It was something I just naturally gravitated towards from a very young age, and it didn’t go away. I think you either have it in you or you dont, and for me it was just something I stuck with.
https://orangeamps.com/wp-content/uploads/2018/11/DSC01029-II.jpg10801920Ella Stormarkhttps://orangeamps.com/wp-content/uploads/2018/04/Orange-Pics-logo-307px-279x103.pngElla Stormark2020-04-02 08:00:212020-03-19 14:54:01“How I got into playing” PT. III
Once again we’ve made it through to March and this year’s International Women’s Day. Haters might say we don’t need it, and how can we be equal if men don’t men have a day of their own? Well, men don’t tend to get grabbed and get abuse shouted at them when walking down the street, they don’t get paid less because of their gender, and you know, they don’t have to give birth either so, yeah, we kinda deserve this day – we can grow a human inside us but in some eyes not even that makes us good enough, yikes! Anyway – enough politics for our end, let’s chat music.
At Orange we’ve got quite a few women working for the company such as myself, my name is Ella and I do freelance content creation and artist relations, plus a bunch of other ladies in our offices keeping this ship afloat as well as the wonderful female artists we endorse. Now, there might not be a secret that rock and guitar music might be slightly more male dominated but that doesn’t mean that it’s a boys club, there’s a bunch of rad ladies out there, and today we’ll be shining a light on a few of them:
Orianthi’s got a pretty spectacularly impressive resume, having performed for Steve Vai at the age of 15, and been asked to jam on stage with Carlos Santana at 18. Her big breakthrough came in 2009 when she played lead guitar for Carrie Underwood at the Grammys, which led to Michael Jackson reaching out to her, inviting her to join his band for his “This is it” concert series, which unfortunately fell through due to his death. Since then, she’s played with Alice Cooper, as well as releasing various solo albums as well as winning the award for “Breakthrough Guitarist of the Year” 2010 by Guitar International Magazine.
Despite her young age of 21, Hannah Wiklund, the soulful blues guitarist that could probably fit the description of the love child Janis Joplin and Hendrix never had, has got a remarkable 2000 shows behind her. Hannah was gifted a guitar from her dad an an early age, and had her first ever The Steppin’ Stones band practice back in 2005, with the first ever song they played being Neil Young’s “Rockin’ in the Free World.” By the time she finished high school at 16 they had already played over a thousand gigs together. The band released their debut album last year, and are currently touring and gigging, as they’ve always done.
Thao Nguyen is a guitarist and banjo player and the front woman of Thao & the Get Down Stay Down, a San Francisco based alternative folk rock band. She started playing music around the age of 11, and ended up starting a country pop duo with one of her friends. Shortly after she began performing acoustic solo shows, before eventually forming Thao & the Get Down Stay Down with fellow students. Thao’s lyrics are often about relationships and childhood, with some crossing over into politics. She has also been featured in the 2017 documentary “Nobody Dies: A Film about a Musician, Her Mom and Vietnam”, which follows Thao and her mum as they visit Vietnam, Thao for the first time, and her mum for the first time since the Vietnam war, where she is faced with the two conflicting cultures that helped shape her and her music.
Laura’s career got a kickstart in 2008 after joining Youtube and sharing videos of herself playing guitar, the response was overwhelming and she quickly built up a following which has now reached over 363k followers and 80 million views. Due to her online success, she formed The Laura Cox Band, which is influenced by Southern legends Lynyrd Skynyrd and ZZ Top as well as Aussie rockers AC/DC. There was no other musicians in her family when she was growing up, but hearing her dad play Dire Straits and AC/DC records she felt inspired and intrigued to play that music herself, and was shortly after gifted a guitar for Christmas. The rest is, as they say, history.
OB1-500 OBC810 MILK TEETH bassist Becky grew up in a music loving household with a musical and saxophone playing dad who regularly However, it wasn’t until the age of 11 that she found her own taste thanks to bands such as Nirvana and Smashing Pumpkins, which are two of the bands that led here to where she is today. Influenced by the above, punk band MILK TEETH was born in 2013 and have been playing together ever since, although with a few line up changes along they way. The band’s latest release is the single “Stain” which was out just before Christmas, and brings to mind bands such as Hole and Nirvana.
https://orangeamps.com/wp-content/uploads/2019/03/Hannah-Wicklund.jpg14001863Ella Stormarkhttps://orangeamps.com/wp-content/uploads/2018/04/Orange-Pics-logo-307px-279x103.pngElla Stormark2019-03-08 12:00:552019-05-19 20:54:02International Women’s Day: Women in Rock
Hey it’s Becky from Milk Teeth, I play bass and sing.
I used to go to Hevy Fest a lot, that was one of my first “ins”. I always loved the gear, I like the classic way that it looks, you know an Orange from a mile off, you could be stood at the back of crowd and you will know the cab.
I want something that has the basics, you have good tone, tone is really essential. Does like a decent job but at the same time I like to have some versatility so you can change your sound and stuff. I tend to play quite bass heavy, a little bit of treble, I just like something punchy.
My current rig is the OB1 head by Orange and i’ve got the 8×10 cab which is great, it weighs more than i do, I googled it! I’m not using much gain on it, as I tend to get most of my gain from the RAT pedal. I tend to use it more as a clean, like I said I have the bass really high, I like it to sound deep and bassy. The mids are like eleven o’clock, the treble is actually down I used to turn it up but it’s now down a bit. Its more like ten o’clock but I think it sounds great as it is.
I’m after the next amp up, the AD200 thats on the wish list. But I think for the money the OB1 series is great, it’s just as good, it sounds way more expensive than it is.
Its really cool that Orange has taken me on as part of the roster. I think its really great that someone has put faith in a girl playing bass because some companies not all may be a bit wary, so that is refreshing. I’m surrounded by a host of other great musicians, its just really nice, I mean we are out with Good Charlotte at the moment and they are also playing Orange. So that’s cool, we are matching!