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Does your goldfish enjoy Mastodon? Is the answer to controlling a fire, more fire? And how can we be everywhere at once, yet still on the tour bus?

Orange may have the answer.

The OMEC Teleport USB Audio Interface

From within the Deep

Along the murky journey of discovery, music, especially amplified music developed through necessity. Just as humans evolved ears from gills, the universal language of music has continued to change faster than you can say ‘amphibian’.

That evolution began in the Deep South as musicians innovated through necessity, converting wartime radios into rip-roaring filthy beasts of amplifiers that warded away the competition with a harrowing banshee-like wail of the Delta and Chicago Blues.

The Beast from the East

Innovation like that of the blues explosion provided the inspiration for amps like the Orange Rocker 32. All valve monster tone within a 2×10” stereo combo designed for experimentation, offering a 15W per channel stereo power amp with a mono FX send and stereo return (left and right).

John from Orange giving some real life examples of how you could set up your Orange Rockerverb 32

Within one box you have an array of tonal weaponry to rival even the monster rig superpowers. Imagine the footprint of a self-contained amplifier, but with the option to run stereo or mono outboard rigs or even A/B split to create two separate tones, helping to build a complex sound that would envy the genius of professional amp techs.

It’s that kind of flexibility that has put musicians like Kelby Ray of The Cadillac Three on the map of modern music innovators.

Beyond the Southern Limits

The Cadillac Three (signed to Big Machine Records) are quite an incredible band who push the envelope of the Southern Rock genre, occupying a space in country music that goes beyond their stomping ground of Nashville.

Part of their appeal is their straight-talking, no-nonsense songwriting alongside a unique band setup that features Kelby playing a lap steel guitar, bi-amped to produce the full spectrum of tones.

“People watch us play live and they think there are six people in the band when it’s all coming from two guys and a drummer,” said Kelby in a recent interview with Orange. 

On what makes Orange Amplifiers ideal for building a mountain of tone Kelby goes on to say “If you play through any of the Orange amps over their competitor (products) you’ll notice the difference is this cool overdrive sound that gives a little bit of grit on the bass of the AD200-MK3, and the crunch and full-bodied mid-range of the AD30HTC and OR15H”.

It covers all the spectrum and is badass! –
Kelby Ray of The Cadillac Three on his Orange Amplifier Rig

However, Kelby’s mad skill though is mastering the art of bass playing and transferring that skill onto the lap steel while simultaneously covering the treble side of the instrument, something that he partially attributes to the advice of legendary producer Bob Rock. These days Kelby is nailing it all on his own!

And into the Realm of Possibility

Another Big Machine Records artist who’s been pushing the limits of the bass guitar for some time now is Tom Petersson of Cheap Trick.

Petersson dons a mindboggling 12-string bass which is pretty innovative in itself, but he also runs a monstrous rig of all valve gear combining guitar and bass amps with a huge speaker array pushing a hell of a lot of air. He likes to push his amps to their limits, producing natural overtones that you can only get from all analogue gear.

By his own admission, Tom is looking for that sound when the amp is ‘about ready to blow up’. That’s why at Orange Amplifiers we build our amps to be taken one step beyond the expected, gear that can handle anything you throw at it.

“It’s at this point you can dig in and it breaks up; back off and the amp is clean”, said Petersson. “Orange Amplifiers give you the headroom to create your own sound, allowing for techniques like muting where the subtly comes out in your playing”.

You can’t match the sound of tube amps, and with Orange Amps, the sound is unbeatable –
Tom Petersson, Cheap Trick

Petersson’s sound is a combination of the AD200 bass head with an 8×10” cabinet, that’s 200 Watts of pure creamy, dynamic low-end with focused mid-range, engulphing you in a barrage of harmonics across the whole frequency spectrum.

In contrast, Geddy Lee uses the same AD200 bass amp as one-quarter of his mega rig opting to max out the treble and gain to produce the overdrive part of his tone, highlighting how universal that classic all-valve bass amp can be. 

But for Tom Petersson, his Cerberus-like monster rig features two Orange guitar amplifiers for the top end which includes a Custom Shop 50 head, crafted to produce exquisite blues-rock tones. This amp includes a switchable output stage to offer the chimey purity of Class A or a more opened mid-range Class A/B which adds plenty of full-bodied kick. Petersson’s Customer Shop 50 is partnered with two 4×12” cabinets.

Tom also boasts a venomous Rockerverb mkii alongside two 2×12” cabinets, adding the filth and the fury to his already mighty setup.

Innovating with Solid (State) Logic

After recording and touring 12 studio albums Ty Tabor knows a lot about tone and as an Orange representative with experience using solid-state gear in the studio and on the road since the beginning of the technology, he’s an authority on the subject.

Tabor’s amp of choice way back was the Lab Series L5, also a favourite of the late great BB King. It’s one of those fabled amplifiers that many people have been striving to recreate. The fact that Tabor was the first endorsee to use the Orange Crush Pro 120 is a testament to the tone of that solid-state amp.

When Orange took our foray into solid-state amp build of the Crush series, we put all the attention to detail you get from an Orange tube amp, giving that lively feel and responsiveness with a rich tonal characteristic, the hallmark British sound. If you imagine how those early solid-state engineers would have been producing their amplifiers, they were probably taking the same approach as Orange, although those pioneering engineers didn’t have the luxury of using tried and proved on the road, sourced from reliable partners. They were in at the deep end!

What you get with the Orange Crush Pro is two channels built into the ruggedness of a solid-state amp. One channel is a classic vintage-inspired channel with sparkle at the top end and when pushed it embodies the bluesy crunch of Keith Richards. Channel two is more matched to the Rockerverb’s high gain, all-out attack.

Masters of Flexibility

Brent Hinds of Mastodon is a beastmaster; those who venture the deep enough into the bowels of the underworld will discover his truly monstrous creation. Ler LaLonde of Primus knows the deal; he’s also one of the dark souls of willing to adventure into the depths of musical creativity where mere mortals dare to tread.

It’s diversity where the Brent Hinds Terror comes up trumps with two channels and a unique Terror gain structure that works beautifully for funk, world music and metal alike.

The natural channel has more bottom end staying fat and full, oozing with warm valve compression from the EL84 output section. On the dirty channel, there’s three different gain structure, brighter at lower gain levels which fattens up the more you dial the gain in. The new gain structure also means that the gain comes in more quickly.

I tried the potato plugged into an avacado, and that didn’t work at all. So when I tried the Orange, that was a massive improvement in the sound –
Ler LaLonde

Into Another Dimension

Sometimes big rigs come in surprisingly little boxes, take for instance the OMEC Teleport interface. For a start, this piece of kit fits in your pocket or snugly on your pedalboard.

What the OMEC Teleport does best is give you total flexibility transferring from the analogue realm through to digital or vice versa.

Use it as a high-quality AD converter to:

  • Track straight into a DAW or audio editing software from your instrument
  • Connect to a virtual rack straight from your instrument

Use it as a high-quality DA converter to:

  • Switch a digital signal back to analogue into whatever outboard gear you’re using (like a mixing desk, DI box, amplifier)
Since the OMEC Teleport has such low latency, you can plug into the teleport and from there connect into an app like Guitar MIDI 2

The OMEC Teleport is roadworthy, and that is noteworthy. Just like all Orange products, it’s designed to take the brunt of the road, it’s a rock-solid design in a stompbox casing; pretty tough to break. If you’re nodding your head at this point, you’ve experienced the joy of your latest recording gadget falling apart mid-tour.

Second, on the horror shit show of modern technology is latency issues, the OMEC Teleport, doesn’t have this issue, here’s what Rudy Sarzo of Whitesnake/Ozzy Osbourne had to say:

 “As a recording and touring musician with the Teleport I’m now able to bring my favorite audio plugins on my laptop, iPad or iPhone and play them on stage, in my hotel room or recording studio. I now have a consistent tone and quality anywhere I go with minimal amount of gear. In addition, the low latency and high-end AD/DA makes the Teleport my to go audio interface. All of this in a lightweight mini pedal. A total game-changer!!!”

There’s more, you can convert audio to MIDI, meaning you can control synths and MIDI libraries, Nalle Colt of Vintage Trouble adds:

“What an amazing little pedal! Big thanks to Danny Gomez at Orange Amplifiers for setting me up with this little genius box. With the major advancements of digital plugins, this is the gateway to marry new and old together in a super simple way.”

The Ever-Evolving Sphere

At Orange Amplifiers we keep close to players, from bedroom guitarist to the worldwide touring artist. You never know when or where the next great idea will come from, but it will always have: a tough skin, be simple on the outside, but complex enough on the inside keep doing what it needs to, and most of all bear fruit for the future innovators.

Of all the genres of music, country is exceptional.

Formed by a continent of migrants, country music is a concoction of hardships and woes interlaced with the music and culture from across the globe. Its predecessor, Roots, spawned a vast array of musical styles that have since split and reconnected many times over.

Claudia Hoyser
Claudia Hoyser plays Orange Rocker 15

It’s music built on experimentation and where one in a million chance happenings seem to occur on a frequent basis. Swerving the direction into new unexplored areas, just as the pioneers had done way back when.

From Cash to Stretches

Although there were many country greats before Johnny Cash, the Rockabilly sound of the 50s, driven by amplified guitars, was a defining moment in the evolution of country music. Luther Perkins, ‘the original man behind the man in black’ paid a huge part in that with his signature ‘boom-chicka-boom’ sound which defined the genre.

It is said that Perkins’ style of playing came by chance when defective equipment left him little choice but to dampen his strings with his palm. Consider the classic locomotive stomp from the hit song ‘Fulsom Prison Blues’. To pull that off requires skill and equipment capable of bringing out those tonal nuances.

A Modern Twist on an Old Faithful

The Orange TremLord 30 was designed with careful consideration to players needs, offering a compact 30-watt all-valve combo that replicates the golden age of Country tone. It’s a sweet sounding amp with an Orange twist, featuring those classic EL84 tubes that add a little British character to the mids.

Orange TremLord 30 Amplifer

What makes this amp unique is the custom made Lavoce 1×12” speaker providing a smoother top end along with more headroom before the amp starts breaking up. It’s the perfect match for players looking for responsiveness; faithfully replicating the subtlety and spacious voicing of that golden age.

Eloquent clean tones can be ceremoniously battered by a crashy, splashy beast of a tube driven two-spring reverb tank that oozes with vintage class. If you want to add in delays or compression for a truly authentic sound, the low impedance 12AT7 tube driven FX loop gives you flexibility without sacrificing on tone. Even at lower volumes, Tremlord 30 is designed to be switched all the way to 1-Watt, ideal for even the most intimate spaces.

The Bakersfield Sound

Speaking of intimate spaces, it was Mearle Haggard experience of watching Jonny Cash perform at San Quentin State Prison in 1959 that lead him to pursue his calling in country music. As far as country players go, Haggard is what Joe Strummer was to Punk Rock; he provided a stark contrast to heavily producer controlled music that choked the mainstream airwaves.

The music was called the Bakersfield sound and its reverberations have cut deep into the music of America, influencing the artists like the Grateful Dead, Credence Clearwater Revival and The Flying Burrito Brothers. These artists, in turn, influenced the Southern Rock movement, and at its peak in the 70s, guitarists began to turn to the grunt of an all-tube British amplifier.

Orange AD30 All-Valve Amplifier

Our flagship Orange AD30 is an ideal midpoint between the classic country tone and that synonymous British sound that harks back to the heyday of the all-valve amplifier. Its balanced and natural compression is the perfect all-rounder amp for country picking. If you need more heat, the second channel gives you more attack while still emphasising the bottom end for a full-bodied tone.

A Divided Country

On one side of the ravine, a glassy formation looms ominously; its meteoric rise is a paragon of success and excess. Below, overshadowed by the enormity of its neighbour, a gritty cliff edge juts out over the ravine.

And there’s no way better to explain it, mainstream traditional and pop country guitarists usually opt for the open and glassy chimes of an amplifier with those iconic American 6V6 tubes. It’s a path well trodden.

Artists like Tim Montana and The Shrednecks aren’t just pushing the envelope of sound, they’re pioneering a new wave of southern rock that’s like a sonic punch in the face. The bastard love child of ZZ Top where smashing out riffs like Thor’s hammer on the Rockies is just another day in the trailer park. Their weapon of choice is the Rockerverb MKiii.

“Orange amps give me the versatility to go from the cleanest, warmest, country sounds to the melt your face, Shredneck shakedown, in the click of a switch! These amps are built for the road and built for life” – Tim Montana

This boozed-up, steroid-fuelled monster is no roadhouse frequenter. It’s built for a hardcore workout on the road with a feast of total delights that range from chimey cleans and iconic gain tones of a classic British crunch right through to a fistfight with Satan himself.

But others choose to expand the frontiers.

Looking Back to Go Forward

Not so long ago the general public could distinguish the difference between that classic American tone and the British sound. While they are fundamentally different, the lines have become blurred. That’s when the magic happens.

Claudia Hoyser – What Kinda Man

Take modern country artist Claudia Hoyser, her amp of choice is the Rocker 15. It’s an amp that is perfectly voiced to bring out the natural sound of the instrument, the perfect accompaniment for Hoyser’s sultry vocal styling. Sensitive to the touch of dynamics and oozing with valve warmth the Rocker 15 begs one question.

How long before others walk the line?

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Manual V1.0

AD30TC / AD30HTC Manual

Introduction

Thank You for Choosing Orange

Ever since the founding of the company in 1968, Orange has been a pioneering force in the guitar amplification industry. Today, with a team of the world’s finest amplifier engineers, Orange continues to push back the boundaries of conventional valve amplifier design.

Our commitment to craftsmanship and quality control has allowed our amplifiers to stand the test of time, giving their owners as much pleasure now, as the day they were bought. To maintain this level of excellence, each Orange amplifier is put through many rigorous test procedures before leaving the factory.

The warmth, tonal quality and rich harmonics generated by a valve amplifier cannot be reproduced by ‘artificial’ means. Many guitarists have reached the same conclusion: neither the transistor nor the microchip is a true alternative to valve technology.

This manual contains valuable technical and safety information. Please take the time to read this manual as the information may enhance the sound and performance of your amplifier. We are confident that you will be delighted with your new purchase and that it will provide you with many years of enjoyment. You are now a member of the Legendary British Guitar Amplifier Owners Club!

In the interests of product improvement, the contents of this manual may be subject to change without notice.

Safety

Important Safety Information

1) Read these instructions.
2) Keep these instructions.
3) Heed all warnings.
4) Follow all instructions.
5) Do not use this apparatus near water.
6) Clean only with dry cloth.
7) Do not block any ventilation openings. Install in accordance with the manufacturer’s instructions.
8) Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat.
9) Do not defeat the safety purpose of the polarised or grounding-type plug. A polarised plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet.
10) Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.
11) Only use attachments/accessories specified by the manufacturer.
12) Use only with the cart, stand, tripod, bracket, or table specified by the manufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over.
13) Unplug this apparatus during lightning storms or when unused for long periods of time.
14) Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.

NO USER SERVICEABLE PARTS INSIDE. DO NOT ATTEMPT TO GAIN ACCESS TO THE INTERIOR OF THE PRODUCT. REFER ALL SERVICING TO AUTHORISED ORANGE SERVICE PERSONNEL

The lightning flash with arrowhead symbol, within an equilateral triangle, is intended to alert the user to the presence of un-insulated ‘dangerous voltage’ within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.

Terminals labelled as “Speaker Outputs” must be connected to a speaker cabinet of the designated load rating using an un-shielded two conductor cable for speaker use at all times during operation.

The exclamation point within an equilateral triangle and "WARNING" are intended to alert the user to the presence of important operating instructions. Failure to heed the instructions will result in severe injury or death.

WARNING: To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture. For indoor use only. Do not place liquids, or objects containing liquids on or near the apparatus

Models which use a mains cord/plug to connect to the mains electricity supply must be connected to a mains socket outlet with a protective earthing connection. The voltage selector switch and mains fuse are set at the factory for the country or region in which this Orange product is intended to be sold. To prevent serious damage to the product, ensure that the rated AC mains voltage indicated on the product's rear panel agrees with the mains voltage from your AC mains outlet before connecting the mains cord/plug.

If the product is to be used outside of the factory set region, ensure the voltage selector switch (found on the rear or side panel) is set to the correct voltage for the new country/region and that the appropriate mains fuse is fitted in the pull-out fuse tray below the IEC mains input.

The correct mains fuse rating for your product is printed on the chassis. Use only the same 250V type and rating as specified for the product. Different operating voltages may require the use of different types of line cord and attachment plugs. If you are unsure, contact your Orange Dealer.

This Orange product conforms to UL 60065:2001 (Seventh Edition) + A1:2005 + A2:2010 for Audio, Video and Similar Electronic Apparatus. Certified to CAN/CSA CAN/CSA-C22.2 No. 60065:03

This Orange product complies with the WEEE Directive (2002/96/EC) marking requirement. This affixed product label indicates that you must not discard this electrical/electronic product in domestic household waste. Please contact your local authority for details of your nearest approved recycling facility.