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Tag Archive for: Rockerverb 50 MKIII Head

Orange Spotlight: Elephant Tree

Who are Elephant Tree?

[Sam] We are Elephant Tree, currently consisting of Jack Townley, Peter Holland, Sam Hart and John Slattery. The band initially was just Jack and Sam when working as runners at a London post-production studio in 2014. We met Pete out at the pub one night and invited him for a jam. Amazingly, he showed up! John came along later to the same studio and initially was more tasked with taking photos and video on tours and in the studio. In 2018, he joined and came on tour around the EU. We used to be all London-based but in the last few years Jack has moved to Kent and Sam has moved up north to Yorkshire. The name came from looking for random names online and just wanting something as a placeholder to label audio files. Sam Googled “messed up books” and found some random list that mentioned The Elephant Tree. We dropped the ‘The’ and then the name just stuck. The book is pretty good actually so that’s a bonus.

What Orange gear is important to Elephant Tree?

John has a Rockerverb 50 MK2

Pete has a Terror Bass, and also an Orange Crush Pro 120 which he uses sometimes in his other band Trippy Wicked and the Cosmic Children of the Knight.

Jack has a Rockerverb 50 MK3

Future Orange amps?

[Johnnie Two Thumbs] I like the attenuation features of the Rockerverb Mk3 which might be of use when home playing, but I am also really happy with my Mk2 50 watt

[Pete] I would like to get my hands on some of the Orange effects pedals to give them a go. The Acoustic Pre or the Phaser would probably be the ones I would be most interested in. Or the Bass Butler bass preamp pedal.

[Jack] It’s probably quite a boring answer but I’ve been meaning to get my hands on an Orange 412 to match the head I have – I’ve been borrowing Pete’s 412 for several years now so it’s probably long overdue. I have seen that you offer a version that is a bit lighter than the regular one which is always of interest!

What does Orange mean to you?

[Jack] When I was growing up I received a combo amp from my parents, and it was the best. It was really exciting to play loud and sounded good! I’m not sure what happened to that amp but I’ll always remember the excitement I had back then as I turned it on. We started Elephant Tree ten years ago after seeing a show at the Underworld in Camden that was full of Orange amps, they sounded (and looked) amazing! I was pretty blown away. We started playing shows and I didn’t have my own amp. I used venue amps or people lent me amps, some of which were Orange. Fast forward some years later and I was put in hospital by an unfortunately placed lamppost. After a while I returned to playing. I was then lucky enough to get an Orange amp of my own. When I switched it on I got that same excitement that I had all those years ago. Orange to me is very much freedom and sound.

What’s the most memorable Elephant Tree moment?

[Sam] There are almost too many moments to choose from, whether it’s memorable performances like opening up DesertFest in The Roundhouse or playing that one time to a lone dog in a cafe in northern France (the dog proceeded to fall asleep) just as we were starting out. Then there’s the people and hijinx you get up to on tours, seeing the world, drinking questionable concoctions, eating even more questionable ‘food’. The thing that sticks out the most though is the first practice back after Jack’s accident. All of us getting back into the room together and having that harsh reset, not knowing how things were going to go and then absolutely smashing it again as if we’d never paused. It really brings it back down to earth and made us realise why we are in the band in the first place and that’s to hang out and make loud cool music together as brothers.

What’s on the horizon for Elephant Tree?

We have a 10 year anniversary album of B-sides and rarities called “Handful of Ten” out in September celebrating the anniversary of the band through Magnetic Eye Records, as well as featuring on their Jethro Tull covers record. There’s also a split record “The Long Forever” with the excellent Lowrider which will be coming out through Post Wax. There’s a few shows we have booked at the end of 2024 with a little stint around the UK over a few weekends in September, before heading to do a double bill at The Black Heart in Camden as a little pre-Christmas treat. 2025 is slowly starting to be filled with some further afield dates but you’ll have to wait a little longer and keep your eyes and ears open for those.

Gear Currently Used

Listen

The Voice of Doom, The Voice of Orange? No, as we’ve stated in previous posts, such as February’s “Voice of Clean” is that Orange is much more than stoner and doom amps. However, that stoner and doom bands and artists across the globe have all seem to fall for our heavier than heavy amps might not just be a coincidence; with our dirty and creamy tone we work great for heavier sounds, some might even say excellent, and we often became an obvious choice for these artists. See a selection of our finest Doom 

Matt Pike, Sleep & High on Fire

Dual Dark 50
Rockerverb100 MKIII
Crush Mini
PPC412 4×12 Cab

You’re probably not surprised we started this list with Matt Pike, are you? Our favourite shirtless hero and alien expert, singer of songs and player of electric guitars. Whenever Matt Pike comes to town we clear out our backline suppliers within a 50 mile radius before his crew gets given the most exhausting job any road crew has had since the days of Terry Bozzio touring with Frank Zappa. Matt Pike has pioneered doom metal with his band Sleep and become sort of a legend while still alive – he’s also fronting his own band High on Fire which is just as heavy, but faster, like Motörhead. His average Sleep set up normally contains of nine heads, mostly Rockerverbs and Dual Darks, and twelve cabs. Haters will say they ain’t all plugged in, but haters are wrong. For those of you who’s ever been lucky enough to attend a Sleep show and have had the same religious out of body experience as oh so many others while watching Matt Pike tear shit up, you know they’re plugged in and turned up to 11. He also has a dog, and we LOVE dogs over here at Orange.

Monolord, Thomas & Mika

Thomas:

Crush Mini
Rockerverb 100 MKIII Head
PPC412 Speaker Cab

Mika:


OB1-500
OBC810 8×10 Bass Speaker

We have been avid Monolord supporters here at Orange for years now, and have enjoyed seeing the band grow and develop from playing Camden’s Underworld, to be one of the bands closing Desertfest London on the Sunday at the iconic Roundhouse. The Swedish doom vikings have proven themselves to be masters of their kind, and one of many exceptional bands coming out of Gothenburg in the past years. When asking singer and guitarist Thomas V Jäger what the reason behind this Gothenburg explosion could be, he simply replied: “Have you been there, to Sweden? It’s dark as hell and it always rains, no one ever wants to leave their house so instead they stay in and practice their instrument.”, which only leads us to believe that this is the real deal, pure Nordic doom fuelled by darkness.

Boris, Wata

Rockerverb 100 MKIII Head
PPC412 Speaker Cab
At the start of their career 27 years ago, Boris began as a hard core punk act, before venturing into the unknown touching base with drone, doom, and experimental metal. Guitarist Wata is a proud Orange ambassador, and claims that she wouldn’t be where she is today wasn’t it for our brightly coloured amps; “The first amplifier that I purchased was Orange OR-120. Its loud orange color and cute design lured me to try out the model. Contrary to its look, I was astonished by super loud yet warm sound, and the mid-to-low frequencies that shook my body! I still use it to this day. I am extremely grateful for your support when we tour many countries. Orange amps have become my trademark. Orange amps are so compatible with my favourite Les Paul and fuzz pedal that my musical career would not exist without Orange amps.”

Weedeater, Dixie Dave

Weedeater’s Dixie Dave, who on the band’s Facebook page claims “We do what we can’t!” is another doom connoisseur holding the sweet Orange amps close to heart as he “Loves the tone and ass-kicking rumble.” Last I saw of Dixie Dave was in the AMs at the closing party at last year’s Desertfest London where I’d earlier seen them deliver an impeccable performance at the Electric Ballroom, which was the first and last time I saw them with the incredible drummer Carlos Denogean who tragically passed away later in the year. Despite these tragic events, Weedeater is still going strong, with previous drummer Travis “T-Boogie” back behind the drums.

Conan, Jon Davis

Thunderverb 200 Head
OR100 Head

Liverpool based band Conan’s Joe Davis first fell for the Orange tone using some vintage Orange heads;  “I’ve been using some excellent vintage amps for several years, including some old Orange heads.  I wanted to buy some modern amps that give me the tone and warmth of the vintage heads I have become accustomed to.  I’ve used several modern Orange heads at festivals and these have included the Thunderverb 200, the OR50 and  OR100.  I was initially curious about the sound and then became pretty much hooked on them.  They have all the warmth of the older amps I like, but none of the reliability issues.”

Iron Maiden, Steve Harris

Iron Maiden ‘Beyond Flight 666’ by John McMurtrie

4 Stroke

Steve Harris, where do we begin with Steve Harris? The only constant member in legendary British hard rock band Iron Maiden alongside guitarist Dave Murray, and is also the primary songwriter of the band. Since the formation of Maiden in East London’s Leyton in 1975 the band has released sixteen studio albums, toured the world a countless time in their own airplane flown by singer Bruce Dickinson and made their mark as one of the biggest heavy metal bands in history. Steve Harris has developed a recognisable way of playing such as the “gallop”. Paired with drummer Nicko McBrain and his unexpected clever ways, three guitarists and Bruce Dickinson sprinting and jumping across the stage throughout every single Iron Maiden show, and let’s not forget, fights Maiden mascot Eddie on a regular basis, their shows are nothing but spectacular. In addition to his bass playing and songwriting, Steve Harris has also produced and co-produced their albums, directed live videos and played keys for the band while in the studio. A Jack of all trades, so say the least.

Glenn Hughes

Crush Bass 100
AD200 MK3 Head
OBC810 8×10 Bass Speaker

Glenn Hughes is not just an incredible bassist, but a remarkable singer with the most astonishing vocal range. He first made a name for himself while in Trapeze, before joining Deep Purple in 1973 where he shared vocal duties with David Coverdale, and brought the funkiest bass lines to the band. With Deep Purple MK III he released “Burn” and “Stormbringer”, before Ritchie Blackmore left the band and Tommy Bolin was brought in on guitar for Deep Purple MK IV. They released “Come taste the Band” in 1975, before all going their separate ways the following year. Since then, he’s released a one of album with Pat Travers’ guitarist Pat Thrall, recorded with Gary Moore and fronted Black Sabbath briefly in the 80s. In more recent years, he released a one off album with his short lived band ‘California Breed’ with Jason Bonham on drums and guitarist Andrew Watt, as well as playing in Black Country Communion with Joe Bonamassa, Derek Sherinian and again, Jason Bonham on drums. His latest venture is touring the world, twice, as “Glenn Hughes plays Deep Purple”, bringing back to life all the songs from way back when.

Rush, Geddy Lee

AD200 MK3 Head
OBC410 4×10 Bass Speaker
OBC810 8×10 Bass Speaker

Rush have over the past forty years pioneered progressive rock with their unusual compositions and musical craftsmanship, with each member repeatedly being listed as some of the most proficient players of their instruments. This has led to Rush being somewhat of a ‘musician’s favourite band, and they have been highly influential within their genre, although that has changed slightly over the course of the career. Geddy Lee first started playing music when he was around 10 years old, and got his first acoustic guitar at 14. Before this, he played drums, trumpet and clarinet. However, it wasn’t until he was introduced to popular music at the time and some of the great Brits such as Cream, Jeff Beck and Procul Harum, and cited Jack Bruce as one of his first and early influences.

The Bronx, Brad Magers

4 Stroke
AD200 MK3 Head

It wasn’t until in recent years that Bronx bassist Brad Magers got his hands on his first Orange and we are stoked to now have him as one of our artists. He’s got a few different set ups consisting of either the 4 Stroke, or an AD200, which he describes as: “A monster of an amp, it’s just such a simple set up but exactly what it needs to be. I hate when all these amps have all these annoying tweaks on them as there’s just a few things you really need. As long as there is gain I’m pretty much good to go – you set it up in like two seconds and then you’re just there like: “Well, that’s the best sound I’ve ever heard!”  When Brad isn’t busy with the Bronx, he puts on his mariachi suit and picks up the trumpet with side project Mariachi El Bronx. Rumour has it that there might be a surf band in the works as well, but we can’t say for sure – yet..

Radio Moscow, Anthony Meier

AD200 MK3 Head
OBC410 4×10 Bass Speaker
OBC115 1×15 Bass Speaker

Anthony Meier’s first encounter with Radio Moscow was back in 2012 when his other band Sacri Monti played a few gigs with some of Radio Moscow drummer Paul Marrone’s other bands, and they got chatting. However, it wasn’t until a year later when singer and guitarist Parker Griggs relocated to San Diego that the band started looking for a new bassist. Paul suggested Anthony and he was invited to jam with them. Needless to say, the jam worked out well, as Anthony’s still in the band over five years later. When not on the road with Radio Moscow, he still keeps busy with his other band Sacri Monti that’s due to come over to Europe this summer. He also DJs regularly at local San Diego / Oceanside bars, and is an skilled pool player, some might even say excellent.

Tom Petersson, Cheap Trick

Rockerverb 50 MKIII Head
PPC412 4×12 Speaker Cab
AD200 MK3 Head
OBC810 8×10

Cheap Trick bassist and Rock ’n’ Roll Hall of Fame inductee Tom Petersson turned heads in the early 70s when he came up with the idea of creating a 12 string bass. The reason behind this was wanting to make the band sound as big as humanly possible, and by adding (after inventing…) the 12 string bass, he was left with an instrument that almost sounded like bass and guitar all in one. This has become a vital part of the bands sound, and his amps plays a huge part in this. He is a big fan of both the AD50 and AD200, and plays them both straight out without any pedals.