CLASS A/B 100 WATTS | CELESTION G12H-150 SPEAKER | IMPROVED JFET PREAMP

SUPER CRUSH 100 COMBO

Building on the huge success of our Crush Pro solid state amplifiers, the Super Crush 100 Combo takes this now-classic recipe and goes a step further in the search for valve-like tone. Though equipped with all the same features as the original amp, the Super Crush 100 is a completely new design, proving that a lot of small improvements can make a BIG difference – and there’s a CabSim balanced output too!

With its single-ended, 2-channel JFET preamp design and 100 Watt Class A/B power amp, the Super Crush 100 mimics the huge, rich and responsive tone of our flagship Rockerverb amps in solid state. From clean to heavy high gain, there’s no shortage of Orange mojo. Touch-sensitive dynamics and lush harmonic overtones sing out of this amp with such authority and musicality that you’d swear there were valves inside! This compact 1×12 combo boasts a Celestion G12K-150 speaker, making sure your tone leaves a big impression on the audience – but a tiny footprint on the stage.

AUTHENTIC ANALOGUE TONE

From input to output, the Super Crush 100 uses high-quality analogue circuitry to deliver all the immediacy, definition and character that you would expect from any of our top-of-the-range valve amps. It’s solid state done right.

HIGH GAIN, HIGH VERSATILITY

Two completely independent, all-analogue preamp channels give you instant access to a whole spectrum of warm, valve-like tones. From high-headroom clean to high-gain metal, every sound you could ever need is dialled in with ease, thanks to a versatile circuit and intuitively simple control layout.

The Dirty Channel boasts four cascading stages of proper Orange gain, along with a passive 3-band EQ. Just like its all-valve stablemates, the Super Crush 100’s Dirty Channel can hammer out punishing heavy tones and also clean right up, whether you’re riding the guitar volume knob or the amp’s wide-ranging gain control.

The Clean Channel is a bright, vintage-flavoured, two-stage design. There’s plenty of headroom, keeping your clean tones shimmering and clear at any level, with the option of cranking the volume up into fat, bluesy crunch.

100 WATTS OF SOLID STATE MOJO

Solid state doesn’t have to be lifeless. We’ve proven that before with our Crush Pro range and we’re proving it all over again. The Super Crush 100 uses the tried and tested 100 Watt Class A/B power amp from our Pedal Baby 100 to deliver all the dynamics, presence and feel of a big valve amp. Filling big stages is not a problem thanks to massive headroom, fantastic articulation and relentless punch.

DIRECT AND TO-THE-POINT

The Super Crush 100 features a balanced XLR output with our CabSim speaker emulation technology. Mimicking the sound of a 2×12 cab, this no-nonsense, all-analogue filter gives you instant access to a great D.I. guitar tone, straight into the P.A. or recording interface. The Cab Back switch selects between the sound of an open or closed back cab, homing in on your perfect direct sound quicker than you can say “I don’t need a mic”.

BUILT-IN REVERB AND FULLY-BUFFERED FX LOOP

An on-board digital reverb module provides a lush, spring reverb ambience, adding a deep and shimmering finishing touch to your sound. Prefer your own pedals? The fully-buffered, ultra-transparent, series FX Loop takes care of all your effects needs, accommodating even the most outlandish signal chains without ever compromising your carefully-crafted tone.

CELESTION EQUIPPED

The Super Crush 100 Combo comes armed with a Celestion G12K-150 speaker, giving it a hard-hitting, classically British voice. With 150W power handling, a large H-type ceramic magnet and high sensitivity, this top-spec speaker makes the most of every Watt the amp has to offer.

The Super Crush 100 uses single ended, Class A circuitry in the preamp section, producing a more musical overdrive, along with less noise.

“Super Crush… it’s the diet Rockerverb, sounds great! and costs much less”

Two completely independent, all-analogue preamp channels give instant access to a whole spectrum of warm, valve-like tones. From high-headroom clean to high-gain metal, every sound ever needed is dialled in with ease, thanks to a versatile circuit and intuitive simple control layout.

The lively 100-watt class A/B power amp is derived from the Orange Pedal Baby 100, which earned our Editor’s Choice Award when we reviewed it in 2019.

Who needs valves with this beast around.

Taking the now classic Crush Pro and moving it a big step further toward a more valve-like tone.

The Super Crush 100 series introduces features sounding more like the upper line valve amps that Orange made world-famous.

The amp’s two channels are completely independent, and offer high headroom – perfect for high-gain tones and as a pedal platform.

The Super Crush 100 effectively mimics the huge, rich and responsive tone of the Orange flagship Rockerverb amps.

Orange Amplification has extended Orange Crush family with the all-new Super Crush 100 head and combo.

It provides masses of authority and musicality which will have guitarists swearing there are valves inside!

The completely new design is more than just an upgrade. It delivers all the immediacy, definition and character expected from any of Orange’s top-of-the-range valve amps.

The Super Crush 100 features a balanced XLR output with Orange’s CabSim speaker emulation technology giving instant access to great D.I. guitar tone, straight into the P.A. or recording interface.

Features2 Channel (footswitchable) 1×12 Combo | All-analogue, single-ended preamp | 100W Class A/B power amp | Built-in digital Reverb (footswitchable) | FX Loop | Balanced XLR out with CabSim | Celestion G12H-150 12″ Speaker
Output Power100 Watts
SpeakersCelestion G12-K150 12″ 150W Ferrite Magnet
Unboxed Dimensions (H x W x D)45cm x 55cm x 29cm (17.7″ x 21.7″ x 11.4″)
Unboxed Weight18.1Kg (39.8lb)

100 WATTS | IMPROVED JFET PREAMP | CLASS A/B POWER AMP

SUPER CRUSH 100

Building on the huge success of our Crush Pro solid state amplifiers, the Super Crush 100 takes this now-classic recipe and goes a step further in the search for valve-like tone. Though equipped with all the same features as the original amp, the Super Crush 100 is a completely new design, proving that a lot of small improvements can make a BIG difference – and there’s a CabSim balanced output too!

With its single-ended, 2-channel JFET preamp design and 100 Watt Class A/B power amp, the Super Crush 100 mimics the huge, rich and responsive tone of our flagship Rockerverb amps in solid state. From clean to heavy high gain, there’s no shortage of Orange mojo. Touch-sensitive dynamics and lush harmonic overtones sing out of this amp with such authority and musicality that you’d swear there were valves inside!

AUTHENTIC ANALOGUE TONE

From input to output, the Super Crush 100 uses high-quality analogue circuitry to deliver all the immediacy, definition and character that you would expect from any of our top-of-the-range valve amps. It’s solid state done right.

HIGH GAIN, HIGH VERSATILITY

Two completely independent, all-analogue preamp channels give you instant access to a whole spectrum of warm, valve-like tones. From high-headroom clean to high-gain metal, every sound you could ever need is dialled in with ease, thanks to a versatile circuit and intuitively simple control layout.

The Dirty Channel boasts four cascading stages of proper Orange gain, along with a passive 3-band EQ. Just like its all-valve stablemates, the Super Crush 100’s Dirty Channel can hammer out punishing heavy tones and also clean right up, whether you’re riding the guitar volume knob or the amp’s wide-ranging gain control.

The Clean Channel is a bright, vintage-flavoured, two-stage design. There’s plenty of headroom, keeping your clean tones shimmering and clear at any level, with the option of cranking the volume up into fat, bluesy crunch.

100 WATTS OF SOLID STATE MOJO

Solid state doesn’t have to be lifeless. We’ve proven that before with our Crush Pro range and we’re proving it all over again. The Super Crush 100 uses the tried and tested 100 Watt Class A/B power amp from our Pedal Baby 100 to deliver all the dynamics, presence and feel of a big valve amp. Filling big stages is not a problem thanks to massive headroom, fantastic articulation and relentless punch.

DIRECT AND TO-THE-POINT

The Super Crush 100 features a balanced XLR output with our CabSim speaker emulation technology. Mimicking the sound of a 2×12 cab, this no-nonsense, all-analogue filter gives you instant access to a great D.I. guitar tone, straight into the P.A. or recording interface. The Cab Back switch selects between the sound of an open or closed back cab, homing in on your perfect direct sound quicker than you can say “I don’t need a mic”.

BUILT-IN REVERB AND FULLY-BUFFERED FX LOOP

An on-board digital reverb module provides a lush, spring reverb ambience, adding a deep and shimmering finishing touch to your sound. Prefer your own pedals? The fully-buffered, ultra-transparent, series FX Loop takes care of all your effects needs, accommodating even the most outlandish signal chains without ever compromising your carefully-crafted tone.

YOU CAN RUN ONE OF THREE CAB CONFIGURATIONS WITH THE SUPER CRUSH 100 HEAD:

– One 16 ohm cab connected to the one of the speaker outputs.

– Two 16 ohm cabs connected to both speaker outputs, or daisy-chained together from one of the speaker outputs.

– One 8 ohm cab connected to one of the speaker outputs.

NOTE: It’s better to not daisy-chain, in case the first cable or cab in the chain were to fail during a performance; then you’d lose all your sound. Running a separate cable to each cab ensures at least one cab will still be going if a speaker cable or cab fails during a performance.

The Super Crush 100 uses single ended, Class A circuitry in the preamp section, producing a more musical overdrive, along with less noise.

“Super Crush… it’s the diet Rockerverb, sounds great! and costs much less”

Two completely independent, all-analogue preamp channels give instant access to a whole spectrum of warm, valve-like tones. From high-headroom clean to high-gain metal, every sound ever needed is dialled in with ease, thanks to a versatile circuit and intuitive simple control layout.

The lively 100-watt class A/B power amp is derived from the Orange Pedal Baby 100, which earned our Editor’s Choice Award when we reviewed it in 2019.

Who needs valves with this beast around.

Taking the now classic Crush Pro and moving it a big step further toward a more valve-like tone.

The Super Crush 100 series introduces features sounding more like the upper line valve amps that Orange made world-famous.

The amp’s two channels are completely independent, and offer high headroom – perfect for high-gain tones and as a pedal platform.

The Super Crush 100 effectively mimics the huge, rich and responsive tone of the Orange flagship Rockerverb amps.

Orange Amplification has extended Orange Crush family with the all-new Super Crush 100 head and combo.

It provides masses of authority and musicality which will have guitarists swearing there are valves inside!

The completely new design is more than just an upgrade. It delivers all the immediacy, definition and character expected from any of Orange’s top-of-the-range valve amps.

The Super Crush 100 features a balanced XLR output with Orange’s CabSim speaker emulation technology giving instant access to great D.I. guitar tone, straight into the P.A. or recording interface.

Features2 Channel (footswitchable) Amp Head | All-analogue, single-ended preamp | 100W Class A/B power amp | Built-in digital Reverb (footswitchable) | FX Loop | Balanced XLR out with CabSim
Output Power100 Watts @ 8 Ohms, 70 Watts @ 16 Ohms
ControlsMaster Volume, Reverb, Dirty Volume, Treble, Mid, Bass, Dirty Gain, Treble, Bass, Clean Volume
Output Impedance8 Ohms Minimum
Unboxed Dimensions (H X W X D)23cm x 55cm x 25cm ( 9.06″ x 21.65″ x 9.6″)
Unboxed Weight11.2Kg, 24.6lb

ULTRA-TRANSPARENT | TOTAL TONAL CONTROL | LOW NOISE

THE ACOUSTIC PEDAL

The Orange Acoustic Pedal takes all the know-how of our acclaimed Acoustic Pre TC preamp and Crush Acoustic 30 amplifier, cramming it all into a do-it-all, compact preamp pedal. Whether you need to win the battle against feedback, handle complex effects chains, brighten up a dull instrument or just plug into a PA, the Acoustic Pedal has you covered – in top-notch Orange style. With a low-noise JFET circuit design, surgical-yet-flattering EQ, XLR and 1/4″ outputs and a buffered FX Loop, all situations are taken care of. This high-headroom, high-quality pedal keeps your setup simple and controlled, leaving you free to do what you do best. Play.

EQ WITH NOTCH CONTROL

Acoustic instruments can be tricky. When dealing with feedback, finnicky pickups and finding a place in the mix, you need an EQ that is both powerful and simple. The Middle knob works in conjunction with the Notch and Q Factor controls to subtly sculpt your sound or tackle feedback with precision. Fixed-frequency Bass and Treble knobs give you much-needed control over the “body” and “sparkle” of your instrument.

HIGH HEADROOM, LOW NOISE

The Acoustic Pedal uses a single-ended JFET circuit design to guarantee insanely low levels of background noise. No hiss, even with the Treble control maxed! Super-high headroom comes courtesy of the 18V power supply, guaranteeing the cleanest, clearest acoustic tone we could give you.

BALANCED XLR OUTPUT

Connect straight to the P.A. with no need for a D.I. box. Our studio-grade, balanced XLR output will drive long cable runs with noise-free, high-fidelity performance. The built in phase flip enables eradication of phase cancellation issues at the press of a button, while the additional 1/4″ mono jack output can be used simultaneously for ultimate flexibility.

BUFFERED FX LOOP

Effects aren’t just for electric guitarists. In the world of the modern acoustic player, where loopers, reverbs and delays are just as important as the instrument itself, creating the perfect signal chain is essential. Our highly-transparent, buffered FX Loop gives you the freedom to build your dream acoustic rig, without compromise.

The Orange Acoustic Pedal is a Single Ended, Class A, Acoustic Preamp, with a Full Parametric Midrange / Notch Filter, and a Buffered FX Loop.

When you add up all the positives: The build quality, the clean tone, the well thought out ins and outs, the EQ and the price…. it’s a no brainer to me if you’re looking for an external preamp

The 18V Acoustic Pedal and its useful effects loop are super-quiet and do a fantastic job of preserving signal integrity

For plugging into either an amp or a DAW, I found the Acoustic Pedal to be a useful—and cool-looking!—addition to my setup that offers transparent EQ options whether using an undersaddle pickup or magnetic soundhole pickup

Everything is simple to understand and a real doddle to use. The claim that the pedal operates at an extremely low noise level is spot on; we couldn’t detect any additional hiss creeping into our signal.

FeaturesLow noise JFET preamp, EQ with Notch control, buffered FX Loop, balanced XLR output with phase reverse switch
ControlsBass, XLR phase, Treble, Notch, Middle, Q Factor, Volume
Power18V centre positive
Unboxed Dimensions (W x H x D)10.5 x 6 x 13.7CM (4.1 x 2.4 x 5.4″)
Unboxed Weight400g (14.1oz)

ALL ANALOGUE | TWIN CHANNEL | HUGE TONAL RANGE

SIX DIALS, VIRTUALLY LIMITLESS POSSIBILITIES

The TH100 takes the hugely popular TH30 blueprint and gives it 100 Watts of earth-shattering power. With jangly cleans and high-gain filth coexisting in perfect harmony, the sheer range of tones that can be dialed in from just six controls is nothing short of jaw-dropping. A quartet of EL34 valves provides a solid, musical foundation and switchable output power can be used to tailor the amp’s natural overdrive to any situation. To top it all off, our low-impedance, valve-buffered effects loop makes sure all your pedals are handled with finesse.

TWIN CHANNEL, HIGH GAIN PREAMP DESIGN

The Dirty channel features four carefully-crafted stages of gain and the same powerful Shape control first seen on our Thunderverb series. Sweeping the midrange from scooped to boosted, this all-in-one control makes fine-tuning your distorted tones easier than ever before. This channel remains unerringly focussed, steeped in complex harmonic overtones even at maximum gain settings.

The non-master volume Clean channel is a 2-stage design with a 2-band EQ, delivering sweet, crystalline cleans right up to the point of breakup, and classic crunch when pushed over the top. This channel works flawlessly with the EL34 power section to offer a great selection of more vintage tones with massive headroom.

SWITCHABLE OUTPUT POWER

With four EL34 valves and our famously heavy-duty proprietary transformers, the TH100’s hard-hitting and articulate 100 Watt power amp can also be switched down to 70, 50 or 30 Watts (using the 4 Valve/2 Valve switch and Full/Half Power modes). Whether you’re looking for hi-fi, modern tones or cranking out retro crunch, feel and dynamics are always retained – at any volume.

VALVE-BUFFERED EFFECTS LOOP

No modern amp would be complete without a great FX Loop. Our highly-transparent, all-valve design makes sure your signal path gets nothing but the best treatment, no matter how complex your pedal setup.

Features:TWO-CHANNEL, ALL-VALVE HEAD WITH VALVE-BUFFERED EFFECTS LOOP AND OUTPUT POWER SWITCHING
Controls:CLEAN CHANNEL: VOLUME, BASS, TREBLE
DIRTY CHANNEL: GAIN, SHAPE, VOLUME
Output Power:30, 50, 70 or 100 Watts RMS (Switchable)
Valves:Power amp: 4x EL34
Preamp: 4x Ecc83/12ax7
FX Loop: 1x Ecc81/12at7
Speaker Output options:1 x 16 Ohm cabinet connected to the 16 Ohm output
1 x 8 Ohm cabinet connected to one of the 8 Ohm outputs
2 x 16 Ohm cabinets each connected to one of the 8 Ohm outputs
Unboxed Dimensions (W x H x D):55 x 27 x 28 CM (21.65 x 10.63 x 11.02″)
Unboxed Weight:15.55 KG (34.28 lb)

1. TH100 head – Dirty – through a CRPRO412 Compact cab and using an Ibanez Art500

2.  TH100 head – Clean – through a CRPRO412 cab  and using a Fender Nashville Telecaster

This amp is a versatile, fully modern beast that delivers everything from rich clean tones to the heaviest metal sounds that any user can dial in instantly.

The TH100 is a great British amplifier in every sense of the phrase.

It’s hard to describe the TH100 set to maximum gain without using words like apocalypse, hellfire and chronic tinnitus.

SWITCHABLE MASTER VOLUME CONTROLS – FX LOOP – CABSIM HEADPHONE OUTPUT

TERROR TONES AT THE TIP OF YOUR TOE…

For years, our Terror series amps have proven that the biggest sounds can come in the tiniest packages. Taking our pocket-sized powerhouse concept one step further, we’ve brought you the Terror Stamp. Packing all of the punch of the minuscule Micro Terror and Micro Dark amps into an even smaller pedal format, this Valve/Solid State hybrid amp brings 20 Watts of killer Orange tone right onto your pedalboard.

The Terror Stamp’s tiny footprint, 8/16 Ohm Speaker Output, fully-buffered FX Loop and CabSim headphone output integrate seamlessly with your other pedals, whether you’re rocking a loud stage, recording direct or practising into the early hours.

TERROR STAMP CABLE   NOW AVAILABLE

The Terror Stamp Cable is a 20ft speaker cable. Perfect for giving you extra range from your speaker cabinet when used on a pedal board.

KEY FEATURES

IMPROVED DESIGN

The Terror Stamp is based on the Micro Dark with a few minor tweaks to the gain structure and the CabSim, with the added feature of being able to set up two volume levels and switch between them.

ALL-ANALOGUE HYBRID DESIGN

Typically-Orange simplicity, unmistakably-Orange tone. The Terror Stamp’s hybrid Valve/Solid State design gives you the best of both worlds. From crystal-clean to thundering high-gain, the ECC83 (12AX7)-based preamp has all the harmonics, dynamics and feel you’d expect, while the 20W Class AB Solid State power amp keeps things small, dependable and sounding great at any volume.

SWITCHABLE MASTER VOLUME

Footswitchable Master Volume controls give you the Terror Stamp’s full range of sounds at two different volumes. Jump right out of the mix for that all-important solo, without sacrificing your carefully crafted tone.

SHAPE CONTROL

Our exclusive Shape knob crams a whole load of character and control into a single dial. Turn anticlockwise for a mid-forward voicing or clockwise for a classic scoop.

BUFFERED EFFECTS LOOP

Just like our full-size amps, we’ve given you a fully-buffered, low-impedance FX Loop. Long cable runs? No Problem. True Bypass pedals? Great. The Terror Stamp fits right into your signal chain without ever compromising sound quality. Not only that, but connecting directly to the FX Return turns this little monster into a 20W power amp for whatever pedals, preamps or modellers you can throw at it – with a headphone output too!

CABSIM HEADPHONE OUTPUT

It wouldn’t be the perfect pedal amp without a headphone output. Our tried-and-tested, analogue CabSim circuit provides instant access to a very Orange-flavoured 4×12 speaker emulation. Just the thing for late-night practice with headphones, ‘silent’ recording or running direct to PA. The Headphone Output works simultaneously with the Speaker Output for maximum versatility.

The most portable 20 Watt amp ever, and it’s still class A/B so it sounds good.

“I was impressed with how the Terror Stamp condenses the appeal of Orange Amps into such a small, versatile package.”

Features:Valve preamp, foot-switchable master volume, buffered FX Loop, CabSim headphone output
Controls (Right to Left):Gain, Shape, Volume 2, Volume 1
Valves:PREAMP: 1 X 12AX7/ECC83
Output Power:20 Watts
Speaker Output:8-16 Ohms
Unboxed Dimensions (W x H x D):13.4 x 6.1 x 9.9cm (5.4 x 2.4 x 3.9 “)
Unboxed Weight:0.38Kg / 0.84lb

This thing is a beast! An absolute beast!

Editor’s Choice NAMM 2020 – April Edition

Does this cheap $200 amp suck? Nope. It kinda rocks!

Its size, sound and price make it a winner and likely one of the best NAMM 2020 releases.

I am genuinely impressed with the Terror Stamp

I think it’s brilliant.

This is a fantastic utility for miniature pedal boards and fly rig solutions.

If you want to have the smallest, volume packing solution for playing live or just have fun at home that’s a real good option right there.

Thanks to the analogue circuit design, the Terror Stamp feels every bit as great to play as you’d expect from an Orange amplifier.

Dutch review by Musicmaker.

There is no shortage of filth underfoot here

An acoustic amp for every occasion

FOR THE ACOUSTIC PERFORMER

With over 50 years of experience in great guitar tone and quality, the Crush Acoustic 30 is Orange’s entry into the world of acoustic amplification. At ease in any situation, this lightweight, portable, battery powered acoustic combo continues the Orange tradition of simple but versatile design.

With a custom speaker, angled cabinet and 30 Watts of power, the Crush Acoustic 30 is a great companion for busking, gigs or practice. Two channels, built-in effects and a feedback-busting notch filter take care of all the details, leaving you free to work your magic.

CHANNEL 1 – INSTRUMENT CHANNEL

Optimised for acoustic guitar, this channel features a ¼” jack input and a 3-band active EQ. A -10dB Pad switch helps guarantee a clean signal with higher output instruments while the Colour switch adds a treble boost and slight mid scoop, great for livening up dull pickups or finding your place in the mix.

CHANNEL 2 – MIC CHANNEL

With an XLR/jack combi input, this channel can be used for a second guitar signal or as a dedicated microphone input. The Mic/Line switch selects between XLR and jack inputs and +48V Phantom Power lets you use your favourite studio microphones.

GLOBAL EFFECTS AND NOTCH FILTER

The on-board digital effects processor can add a range of Reverb or Chorus sounds individually to each channel. Easy to use controls dial in a variety of tones in seconds. A global notch control uses a narrow-Q filter to precisely select and remove problem frequencies, eliminating unwanted feedback.

30 WATT POWER AMP, VOICE OF THE WORLD SPEAKER

The full-range, 8” Voice of the World speaker is designed specially for the Crush Acoustic 30. Coupled with its efficient Class D power amp delivering 30 Watts, this bespoke speaker’s natural presence will cut through any crowd.

GET CONNECTED

A buffered FX Loop, ¼” Line output and a balanced XLR out give you all the connections you need, even for complicated rigs. A 3.5mm Aux-In jack can be used to connect a smartphone, tablet or similar audio device, allowing you to play along to backing tracks.

BATTERY POWERED

The Crush Acoustic 30 is the perfect amp to use on the go. The battery compartment takes 10 AA batteries, giving you 3 hours of power at full volume, 5 hours at 50% volume and 8 hours at low volume. The Crush Acoustic 30 can also be powered by the supplied DC adaptor, which disconnects the batteries when in use.

“Loud for its size, transportable, with flattering tones, and priced pretty fairly, the Crush Acoustic 30 is a nice option for performers on the go”

Read the Review Article Here

“It’s a smart-looking little sound system with effects. The sound is focused, and because of the ingenious tilt-back design, it really hits you.”

“As a first foray into acoustic amps it’s a a success! Given oranges previous record for higher end equipment I’m really interested to see where they might go next”

watch review

Features:Acoustic guitar amplifier with guitar and mic channels, phantom power, effects loop, digital effects, aux input, XLR output and line output. Powered by DC adapter or batteries
Controls:Ch 1: Pad switch, Colour Switch, Gain, Treble, Middle, Bass
Ch 2: Phantom Power Switch, Mic/Line Switch, Gain, Treble, Bass
Master: Notch Frequency, Volume
Effects: Effect select, blend, level
Speaker:Custom 8″, full-range Voice of the World speaker
Output Power:30 Watts RMS
Unboxed Dimensions (H x W x D):28cm x 32cm x 23cm (11″ x 12.75″ x 9″)
Unboxed Weight:6.12kg (13.5lbs)

QUALITY MATERIALS | HAND SOLDERED CONNECTORS

TRUSTED SPEAKER, INSTRUMENT & PATCH CABLES

Orange Crush Cables are manufactured using the finest components available, including the highest grade oxygen-free copper for optimum signal clarity and articulation. 1/4″ jacks are nickel-plated for extra corrosion resistance while allowing for great conductivity while the various layers of shielding reduce handling noise and electromagnetic interference to a minimum. The outer sleeve is heat shrunk at either end, protecting the inner cable against damage on stage and reducing stress and strain on the terminals.

Orange Instrument Cables
Features:Pure Copper Conductor, Hand Soldered nickel plated 1/4″ jacks, PVC AND PE INSULATION FOR SUPER LOW NOISE AND INTERFERENCE REJECTION
Lengths Available:20ft (6m), 10ft (3m)
Options:Straight/angled jacks, orange colour only
Overall Diameter:6.5mm
Wire Gauge:AWG24
Orange Speaker Cables (includes Terror Stamp cable)
Features:Pure copper conductor, high quality speakon connector or HAND SOLDERED NICKEL PLATED 1/4″ JACKS
Lengths Available:3ft (1m), 20ft (6m)
Options:Twist Connector to Twist Connector , Jack to Jack, Orange Colour only
Overall Diameter:6.5mm
Wire Gauge:AWG16
Orange Patch Cables
Features:Pure Copper Conductor, Hand Soldered Nickel Plated 1/4″ Jacks, PVC and PE Insulation for Super Low Noise and Interference Rejection
Lengths Available:6in / 15cm
Options:1/4″ Angled only. Orange colour only, 3 Cables per pack.
Overall Diameter:6mm
Wire Gauge:AWG24

YOUR BASS RIG IN A PEDAL

An Entire Bi-Amp Bass Rig In a Pedal

Back in the good ol’ days, it was a popular practice to send a bass guitar signal to a bass amp and a guitar amp at the same time – known as Bi-Amping. This allows the player to keep their low end deep, clean and defined whilst amplifying the mids and top end separately, adding distortion or crisp highs with total control.

This type of setup can produce some enormous tones but typically requires a huge and complicated rig, only possible if you’re Rock ‘n’ Roll royalty. But, if you have to get all this together by yourself? Forget it!

Enter The Bass Butler…

Your Bass Rig Is Ready, Sir

Forget amp-in-a-box pedals, The Bass Butler is a whole van-load of gear in a box! Splitting your signal at the input, The Bass Butler features two completely separate, parallel, analogue signal chains, just like a real bi-amp rig. The difference is there’s not an amp in sight.

Bass Channel:

The always-on Bass Channel has a simple but effective control layout of Compression, Bass, Treble and Volume. A Class A optical compressor circuit, cut/boost tone controls and dedicated, bass cabinet-simulated balanced D.I. output are always on hand with all manner of classic clean tones. From the depths of Dub to the heights of hi-fi, The Bass Butler has it all polished up and ready, like your best pair of shoes.

Guitar Channel:

Whether you need mayhem, musicality or a mere modicum of mischief, this classic high-gain guitar channel won’t disappoint. Five familiar controls and four gain stages that can clean right up are summoned with one kick of the footswitch, serving up everything from bright vintage tones to floor-splitting, wall-crumbling modern destruction. Coupled with a guitar cab-simulated balanced D.I. output and an expression pedal jack for extra control over the input gain, this really is a plentiful platter, pleasing to the even pickiest of players.

Direct and To-the-Point

The Bass Butler’s two individual XLR outputs from the two separate channels mean that your finished Bi-Amp bass tone makes it to the mixing desk with nothing left to do except blend to taste, with a Ground Lift switch for solving any ground loop issues. It’s the same story in the studio, but that’s not all…

The Bass Butler also features an Amp output, which takes a blend of the two channels before the cabinet simulation circuits from a 1/4” jack – perfect for connecting to the front end of any bass amp. The blend is set by the channel volume controls, meaning you can control your on-stage sound completely independently of what the audience hear. In fact, you can even use this output on its own, just like a plain old preamp pedal.

Five-Star Quality

As The Bass Butler is the ultimate fly rig, the perfect studio tool and quite possibly the only pedal you’ll ever need, it has to be built to last. A sturdy steel enclosure, 18V DC power for high headroom, and all-round road-ready ruggedness mean that The Bass Butler is willing and waiting for a lifetime in your service.

The Bass Butler was conceived over many IPAs in a small bar on Santa Monica BLVD called the Surly Goat with Morgan Nicholls (who played bass in The Who at the 2012 Olympics closing ceremony and also plays the keyboards in Muse). The idea was to have his bi-amp touring rig in a small, portable preamplifier pedal.

FeaturesBass Guitar (Clean) XLR balanced output with bass guitar cabinet simulator. | Guitar (Dirty) XLR balanced output with lead guitar cabinet simulator. | Blended 1/4″ jack socket output with no cabinet simulator |Expression 1/4″ jack socket. | Input 1/4″ jack socket. | Ground lift switch.
Power18V
Unboxed Dimensions (W x H x D)17 x 8.5 x 16.5 CM (6.6 x 3.3 x 6.50″)
Unboxed Weight1.29 KG (2.84 lb)

A Killer little pedal!

I found this to have maximum versatility and sonic quality.

I love it, I’m keeping it, it’s staying here with me!

  • Mono to Stereo

    Mono IN and Stereo OUT with a parallel buffer. There’s no limit to what you do with your signal. Now you can experiment with stereo effects from a single channel input signal.

  • Latency

    The latency for the OMEC Teleport Audio Interface can go as low as 4ms (depending on connected hardware). That’s pretty instant!

  • Lightweight

    Built in a robust but lightweight pedal enclosure.

  • 9V Power

    The OMEC Teleport uses the same 9V DC input as your other pedals.

  • Buffered Bypass

    We use a buffered bypass to avoid the tonal effect of adding additional cable to your signal chain.

  • Includes AmpliTube Orange CS

    A complete, full-featured guitar/bass amp and effects rig for Windows/MacOS for capturing your performances. It features tools, tones and controls that will inspire you beyond your wildest expectations. For no cost, you will get the standard AmpliTube CS with the virtual OR120, Tiny Terror, Rockerverb 50, AD30 and matching Orange Cabs.

  • High-end AD/DA Converters

    We use high quality analogue to digital and digital to analogue converters to ensure perfect sound replication, allowing for an amazing signal to noise ratio. Even with high-gain signals, enjoy less fizz and more tone.

  • 3 month subscription to Deplike

    A full guitar suite on all your devices (iOS, Android, Windows, macOS and ChromeOS). All Deplike gear is precision-modelled based on actual circuits of legendary guitar amps, cabinets and effects. It features tools, tones and studio-quality effects to help you create your signature guitar tone. Dial-in a huge range of guitar tones, faster, in a more efficient and powerful way trusted by millions of musicians.

VINTAGE FUZZ WITH ADJUSTABLE OCTAVE

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1

Volume

Adjust the volume up or down

2

EQ

A surprisingly responsive EQ allowing you to find your favorite sweet spot.

3

Fuzz

Adjust to bring in less or more fuzz.

4

Octave

The adjustable octave-up. If used with a buffer in front of the pedal, this control acts more like a distortion control.

5

Bypass

Brings the Octave in or out

6

Bypass

Brings the Fuzz in or out

Vintage Fuzz

Loosely based on the vintage Foxx Tone Machine, the Orange Fur Coat Fuzz takes its inspiration from the great fuzz pedals of the 70’s.

The Fur Coat gives you a fully controllable octave fuzz pedal. Separate switches mean you can choose between Fuzz or Octave Fuzz. The controllable Octave up fuzz means you can bring in the fuzz to whatever level you need and the EQ allows you to boost your Treble or Bass. This truly is a fuzz you control.

This is our only True Bypass pedal. This is because a Fuzz is better at the beginning of the chain where it interacts directly with your guitar. Placing the pedal further into your signal chain or after a buffer will give the fuzz a more distorted tone.

Vintage Fuzz:

The Orange Fur Coat fuzz can be used into a clean amp or an amp with some hair. When used into an overdriven amp, it creates a unique, thick “fur coat” of vintage fuzz.

Adjustable Octave:

Something quite rare, rather than simply being able to switch it on/off, the Fur Coat adds octave up as you increase the octave control.

LOW POWER CONSUMPTION:

The Orange Fur Coat fuzz draws very little current (much less than 10mA) allowing for long battery life. Use a regulated 9-12V DC centre-negative power supply.

It sounds absolutely phenomenal.

I’ve tried every fuzz pedal on the planet. This is my new favorite. The Fur Coat is everything I expected Orange would do with an octave fuzz. It’s seriously gnarly

‘Scuse me while I kiss the sky!” Channel your inner Jimi with the new Orange Fur Coat Fuzz / Octave pedal. This pedal is a great representation of the octavo clone on one side, and a screaming fuzz face style pedal on the other. Stacked together these effects take your mind back to the late 60’s and 70’s with a wide range of fuzz tones from funky to frantic, complimented with helping create beefy rhythms to soaring solos. The ability to roll the volume back and go from a clean blues to a speaker blowing fuzz with just your guitar is great for dynamics and versatility.

There are 4 controls, Volume, EQ, Fuzz, and octave which help you dial in even more precise options to make your playing have more depth and be more musical. This pedal is helping me create tones I would never have a chance of doing with just my “go to” Rockerverb and no pedal set up. Its always good to step outside of what you are a custom to, and when a pedal alone sparks a new sense of creativity and inspiration, that’s when you have something special. Take the trip, and plug into one now.. See what you can create with it!

Fuzzes are difficult beasts… most of the time it comes down to wether you are having fun with it or not. There is now “how good does it sound” or “how transparent is it”… does it inspire you to play stuff you wouldn’t have played without it… that is the question. The FUR COAT definitely ticks that box!

This is just…just AWESOME!

This is just so much fun to play!

“There are many fuzz pedals on the market, and there are many kinds of fuzz sounds available. But the Orange Amps Fur Coat presents us with an instantly likable, highly functional option for a pretty reasonable price that holds its own against the legion of boutique builders and fuzz scientists out there.”

“A frightfully British octave fuzz that is really cool!”

“The Fur Coat is a jack-of-all-trades analogue fuzz that combines a burly, saturated fuzz tone with a piercing octave up for two distinct options under one hood.”

This is one the fuzzaholics should be looking into.

The Fur Coat offers up a tone that’s wonderfully destructive!

The Fur Coat Vintage Fuzz sets a new benchmark for commercially produced fuzz. It refers to and honours its heritage while sounding as good as or even better than the original. It adds welcome and modern appointments like the octave adjustment, octave on/off footswitch and an uber-tough build. Then there’s the very non-boutique asking price. Win, win and win again.

See Brett’s Blues Jam right here:

Fur-Coat yourselves, winter is coming!!

The Fur Coat is a phenomenal fuzz pedal

I’m amazed at the sonic textures that ooze from the Fur Coat Fuzz Pedal!

You can go from vintage, Hendrix style tones, to all out destruction! In short, this pedal Is a complete MONSTER!!

This pedal is truly through the roof and Orange Amps have nailed a truly awesome pedal

WHAT A PEDAL! If you’re into vintage, heavy, fuzzy goodness then this is the one for you! Wow. We love it!

All guitars on this track were taken directly from the pedal Cab Sim output into an audio interface.

Signal Chain: Les Paul standard, Fur Coat Fuzz, vintage Cry Baby Wah (in places), Orange Getaway Driver Cab Sim out (used as the amp), direct to audio interface.

Controls (Left to Right):Volume, EQ, Octave, Fuzz
Current Draw:9V: 3MA
12V: 5MA
Stomp Functions:Activate Octave, Activate Fuzz
Unboxed Dimensions (W x L x H):9.5 × 6.5 × 13cm (3.7 x 2.6 x 5.1″)
Unboxed Weight:524g (1.15 LBS)
Boxed Dimensions (W x L x H):11.4CM x 14.8CM x 8CM
Boxed Weight:722g (1.59lb)