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GEAR / DISCONTINUED GEAR

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After a product is discontinued, we move it to this area. We rarely focus on updating these pages so as we improve the rest of the website these pages will get more buggy as our website moves further away from the expected code that these pages were originally made for. You might find issues with white text on white backgrounds, audio files that no longer work, or broken links to 3rd party resources that no longer work.

However, we figured it’s best to keep pages for old/discontinued products rather than bin them as they can be a valuable resource for amp collectors and owners of this gear.

O Bass 2015-2021

The MK1 of our Bass Guitar

Brent Hinds Terror

An individual voice and character

Acoustic Pre TC

Tiny Terror – 10th Anniversary Edition

Reflecting on a decade of the original 'lunch box' amp

4 Stroke Bass Amplifier Series

Everything you need, and nothing you don’t

OB1-300 Combo

bi-amp inspired combo

OBC210 Mini Bass Speaker Cabinet

Mini in size, big on sound

Bax Bangeetar – Guitar Preamp & EQ

Limitless tone tweaking with the Bax Bangeetar Guitar Pre-EQ

OBC212 Isobaric 2×12″ Bass Speaker Cabinet

Eminence speakers and 600 Watts of power

Dual Dark 50

The amp of choice for Hard Rock and Metal guitarists

Dual Dark 100

100 Watts of controlled, high-gain mayhem

Valve Tester

The world's first portable, fully automated valve tester.

OR100 Head

Classic Orange tone meets modern design

Professional Cables

Orange Professional speaker cables are manufactured using the finest components available, including the highest grade copper.

DIVO OV4 Self Fit Kit

Never again pay a tech to rebias your amp's power valves. DIVO OV4 featuring TubeSync technology makes that possible.

Signature #4 Jim Root Terror Head

Amp of the Year 2012

Signature #4 Jim Root PPC212 Speaker Cabinet

Developed together with the #4 Jim Root Terror

Rockerverb 100 MKII Head DIVO Embedded

The awesome DIVO system pre-installed ensures optimum performance at all times

Rockerverb 100 MKII Head

A modern 100W powerhouse

Orange OPC – Personal Computer Hybrid MK3

The OPC is a personal computer built from the ground up for musicians. The OPC allows musicians to create record and share their music. It’s designed to replace your desktop tower at home but it’s not just an amplifier and it’s not just a computer.

Terror Bass 1000 Bass Head

The Terror Bass 1000 watt is a hybrid amplifier with a Class D solid state power section and same the preamp as our all-tube AD200B UK bass amp.

Rockerverb 50 MKII 2X12″ Combo

Rockerverb with improved functionality

Rockerverb 50 MKII 1X12″ Combo

Rockerverb but with improved functionality

Rockerverb 50 MKII Head

Contemporary two channel 50 Watt head

TH30 Combo

Phenomenal yet portable

CR6S Stereo Micro CRUSH PiX

The CR6S STEREO MICRO CRUSH PIX practice amp builds on the reputation of the massively successful MICRO CRUSH model first launched in 2006. The highly portable, battery-operated (2 x 9v batteries) CR6S compact amp has two speakers for full stereo sound, plus line-out/auxiliary-in sockets.

Crush PiX CR100BXT

Ultimate combo practice amp

Crush PiX CR35LDX

Digital FX. 10" speaker. Footswitchable Overdrive. These are what make the CR35LDX one of the best-selling, most recommended practice amps in the world.

Crush PiX CR20LDX

All the features of the CR20L with additional Digital FX including Reverb, Chorus, Flange, and Tremolo.

Crush PiX CR20L

20 watts of Orange practice perfection. Different than the 12L in that it features an 8" speaker and Aux In for MP3 or CD, the Orange Crush PiX CR20L amplifier has the legendary Orange basket weave Tolex, woven speaker grille, beading and legendary hieroglyphs (PiX) and of course the Orange signature picture frame edging.

Crush PiX CR12L

12 watts of pure Orange. Just like its bigger brothers, the Orange Crush PiX CR12L amplifier has the legendary Orange basket weave Tolex, woven speaker grille, beading and legendary hieroglyphs (PiX) and of course the Orange signature 'picture frame' edging.

Micro Crush

The essence of Orange in your hand

PPC412HP8 High Power 4×12″ Speaker Cabinet

Closed Back Cab with (4) 100W Celestion G12K100 Speakers

SmartPower SP212 Bass Speaker Cabinet

The revolutionary Orange SmartPower Bass Cabinets are ultra portable yet extremely powerful. The SP212 feature a ported Isobaric cabinet design and use lightweight Neodymium speakers.

Terror Bass 500 Bass Head

Maintaining the size of the original Tiny Terror, the Terror Bass is a 500 watt hybrid amplifier with a Class D solid state power section and the same preamp as our all-valve AD200B UK bass amp.

OBC210 2×10″ Bass Speaker Cabinet

This superb bass enclosure is made from 13 ply high density 18mm birch plywood, with tough skids on the base of the cabinet for enhanced stage protection.

Tiny Terror Head

The ORIGINAL lunchbox amplifier

Tiny Terror Combo

Tiny Terror Combo

AD30TC Combo

A seriously classy combo

Thunderverb 200 Head

All powerful

Thunderverb 50 Head

Cleans to Classic Rock punch to full-on Metal gain

OR50H

Perhaps our most important amplifier

Crush PiX CR50BXT

Practice or low level rehearsing

Crush PiX CR25BX

Perfect for practise

Crush Pro 120 Combo

Solid State never sounded so good

Crush Pro 120

Solid State never sounded so good

ULTRA-TRANSPARENT | TOTAL TONAL CONTROL | LOW NOISE

THE ORANGE PHASER:

IT LITERALLY HAS ONE JOB

When you have a specific job that needs doing, the solution is obvious: you hire a specialist. And when you want to add a classic phaser effect to your sound, it’s the same deal: you want a pedal that does exactly that, and only that. No muss, no fuss, no superfluous bells and whistles — and, crucially, zero intrusions on that sweet psychedelic swirl.

And that’s where the Orange Phaser excels, with a single adjustable dial to take your tone from slow, woozy sweeps to fast, choppy stabs, via kaleidoscopic whirling and insistent krautrocking pulses, leaving everything else to precision engineered four-stage circuitry rebirthed from the original hand-drawn schematics. Drawing inspiration from Orange’s classic “Phazer” from the early 1970s (its name respelled in English that’s as proudly British as the pedal’s construction), but given modern standards like an LED and a 9V DC input, and circuitry tweaks inside the box to reduce the the noise floor, the Orange Phaser adds a nuanced, warming spin to your sound with the maximum simplicity. Used in conjunction with a bass guitar, too, the Phaser offers subtle modulation with an added liveliness.

With the same form factor and minimalist artwork as the originals, all tank-strength aluminium chassis, block colour, and art nouveau typography, a mere glance at the thing will transport you back 50 years. Then, when you stomp on the footswitch, the time-travel will be complete, with as clean an interaction with a pedal as you’ll ever encounter. After all, this is the Orange Phaser: it literally has one job.

LOW NOISE

Some phasers can be really hissy, but the Orange Phaser has reduced noise on the input compared with the classic 1970s counterparts, thanks to a JFET input buffer.

TRUE BYPASS

The Phaser is has true-bypass design, meaning that when the pedal is switched off, your chain – and your tone – won’t even know it’s there.

USER FRIENDLY

Most phaser pedals are full of switches and knobs to toggle every variable imaginable. The Orange Phaser is different: with only one knob, this is a set-it-and-forget-it design made for ultra simplicity.


As Phasers go it’s actually my current favourite. It’s definitely a very 70s phaser.

“When I heard this Phaser I travelled right back into the past”

FeaturesLOW NOISE, TRUE BYPASS, USER FRIENDLY
Controls Speed
Power 9/12 V DC ADAPTER (CENTRE NEGATIVE)
Current draw @ 9V:17 mA
Unboxed Dimensions (W x H x D)9.2 × 7.9 × 12 CM (3.62 × 3.11 × 4.72 inches)
Unboxed Weight388g (13.7oz)

More Pedals from Orange

Terror Stamp

ULTRA-TRANSPARENT | TOTAL TONAL CONTROL | LOW NOISE

SUSTAIN PEDAL

ETERNAL LIFE IS HERE (FOR YOUR TONE)

Question: what happens when a messageboard finds a photograph of a long-discontinued piece of gear and goes crazy for it, and then a hand-drawn schematic diagram for the same unit, complete with teacup ring marks and yellowing edges, scribbled-out Biro and wobbly writing, is unearthed after an online call-out for help about what’s inside? Answer: the Orange Sustain pedal is what happens, brought back from the dead to breathe everlasting life into guitar tones once again.

Acting like an overdrive for your clean tone, the Orange Sustain pedal smooths, regulates and evens out your guitar sound, making the soft parts louder and the loud parts softer to create a more consistent volume. It can boost volume without scuffing purity, offer a more chiming tone that takes the edge off each note’s attack, and create long-lasting warm tones that allow expressive hammer-on fingerings and the kind of sine wave-like internote smoothness that will make people wonder what instrument you’re playing. When used with a bass, it also works beautifully, smoothing out the tone and even offering a little extra growl.

Sticking as close as possible, sonically, to the exhumed original, the 2022 update offers a smoother bloom thanks to its differential side-chain, as well as an LED that switches from blue to purple when the gain reduction is kicking in. Thanks to an Internet treasure hunt, this is a classic piece retooled for modern times.

LOW POWER CONSUMPTION

The Orange Sustain draws very little current (less than 10mA), making it easy to slot into your pedal board’s power supply

BUFFERED BYPASS

A high-quality buffer in the signal chain retains tonal integrity. The Orange Sustain’s buffered bypass takes care of this with its low-impedance buffered bypass switching, retaining your guitar’s full tone.

DOUBLE LED INDICATOR

Carrying two LEDs inside the chassis allows the colour of the light to change from blue to purple when gain reduction is really kicking in, giving you instant visual feedback on your tone.


Great for country, or making a slightly anaemic amp sustain like crazy.

“I must admit I was quite impressed! How much it’s transparent, it’s punchy, not noisy, it sounds super good! And for me, compression helps me for many situations.”

FeaturesLOW POWER CONSUMPTION, BUFFERED BYPASS, DOUBLE LED INDICATOR

Controls ( left to right )Level, Depth
Power9/12 V DC ADAPTER (CENTRE NEGATIVE)
Current draw @ 9V:7 mA
Unboxed Dimensions (W x H x D)9.2 × 7.9 × 12 CM (3.62 × 3.11 × 4.72 inches)
Unboxed Weight394g (13.9oz)

More Pedals from Orange

Terror Stamp

ULTRA-TRANSPARENT | TOTAL TONAL CONTROL | LOW NOISE

DISTORTION PEDAL

MEET THE NEW DISTORTION PEDAL, SAME AS THE OLD DISTORTION PEDAL

Meet the new Orange Distortion pedal, same as the old Orange Distortion pedal — at least that’s how it seems on the outside. After all, apart from the modern tweaks of an added LED and a 9V DC input, this looks like a straight-up reboot of the 1970s relic, right down to its simple type stencilled onto the classic chunky aluminium shell to ape the original units.

Under the hood, though, it’s a different story: the circuitry of the new Orange Distortion has been rebuilt from the ground up, ditching the original’s back-to-back diode design and replacing it with an amp circuit including a tone stack, where bass and mids are preset but treble is user-adjustable via a little trimmer inside the casing.

New design doesn’t mean new sound though — this one comes with all the bite and growl and warmth and howl that you need for that classic 70s amp-like distortion, from vintage crunch to full saturation. With only two dials, for level and depth, but huge versatility, the Orange Distortion can set up your sound for everything from a clean boost to warm and fat gravelly textures to red-hot trebly screamers and maximum saturation. There’s a sweet spot for Jimmy Page-style guitar heroics, and another for Nuggets-style garage rock squall: in fact, every shade of grit and dirt is in there, as long as it’s vintage.

Add in a hardwired switch that’s separate from the PCB and therefore super-easy to service, and you’ve got a vintage pedal fit for the modern age. It’s that level of attention to detail, combined with dedication to an era of crunching power chords that makes the pedal a perfect homage to one of rock’s golden ages, ready to be heard again with fresh ears. It might be a new design, but with the Orange Distortion, the song remains the same.

LOW POWER CONSUMPTION

The Orange Distortion draws very little current (only 3 mA), making it easy to slot into your pedal board’s power supply

BUFFERED BYPASS

A high-quality buffer in the signal chain retains tonal integrity. The Orange Distortion’s buffered bypass takes care of this with its low-impedance buffered bypass switching, retaining your guitar’s full tone.

ADJUSTABLE TREBLE

On the amp circuit’s tone stack, the bass and mids are preset, but the treble is adjustable to taste via a little trimmer inside the pedal’s casing. It’s set in the factory to be a third of the way up, but the user can tweak with ease.


I wanted this to sound better than the original. It’s a lot better used as a boost and a lot better at doing the full distortion sound.

“When I set up the clean sound on the Thunderverb and plugged this Distortion pedal in and turned it on, dude… it was an experience!”

FeaturesLow power consumption, buffered bypass, adjustable treble.
Controls ( left to right )Level, Depth
Power 9/12 V DC ADAPTER (CENTRE NEGATIVE)
Current draw @ 9V: 3 mA
Unboxed Dimensions (W x H x D)9.2 × 7.9 × 12 CM (3.62 × 3.11 × 4.72 inches)
Unboxed Weight388g (13.7oz)

More Pedals from Orange

Terror Stamp

QUALITY MATERIALS | HAND SOLDERED CONNECTORS

TRUSTED SPEAKER, INSTRUMENT & PATCH CABLES

Orange Crush Cables are manufactured using the finest components available, including the highest grade oxygen-free copper for optimum signal clarity and articulation. 1/4″ jacks are nickel-plated for extra corrosion resistance while allowing for great conductivity while the various layers of shielding reduce handling noise and electromagnetic interference to a minimum. The outer sleeve is heat shrunk at either end, protecting the inner cable against damage on stage and reducing stress and strain on the terminals.

Crush Cables – 3ft Speaker

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Crush Cables – 3ft Twist Connector

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Crush Cables – 10ft Instrument Angled

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Crush Cables – 10ft Instrument Straight

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Crush Cables – 20ft Instrument Angled

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Crush Cables – 20ft Instrument Straight

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Terror Stamp – 20ft Speaker Straight

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Crush Cables – Patch

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Orange Instrument Cables
Features:Pure Copper Conductor, Hand Soldered nickel plated 1/4″ jacks, PVC AND PE INSULATION FOR SUPER LOW NOISE AND INTERFERENCE REJECTION
Lengths Available: 20ft (6m), 10ft (3m)
Options:Straight/angled jacks, orange colour only
Overall Diameter:6.5mm
Wire Gauge:AWG24
Orange Speaker Cables (includes Terror Stamp cable)
Features:Pure copper conductor, high quality speakon connector or HAND SOLDERED NICKEL PLATED 1/4″ JACKS
Lengths Available: 3ft (1m), 20ft (6m)
Options:Twist Connector to Twist Connector , Jack to Jack, Orange Colour only
Overall Diameter:6.5mm
Wire Gauge:AWG16
Orange Patch Cables
Features:Pure Copper Conductor, Hand Soldered Nickel Plated 1/4″ Jacks, PVC and PE Insulation for Super Low Noise and Interference Rejection
Lengths Available: 6in / 15cm
Options:1/4″ Angled only. Orange colour only, 3 Cables per pack.
Overall Diameter:6mm
Wire Gauge:AWG24

USE IT YOUR WAY

FS-1 Mini

Your Footswitch, Your Way

Designed for the musician on the move, this tiny footswitch can be used for any purpose you like. Solidly constructed with a soft latch the FS-1 Mini will fit in your pocket and take up next to no room on your pedalboard.

Coming complete with a sticker pack of the iconic Orange hieroglyphs the FS-1 Mini is ready to do what you want it to do.

“Small enough to fit in the palm of one’s hand, the FS1 Mini is housed in a sturdy metal casing.”

Unboxed Dimensions (L x W x H)9.3cm x 3.8cm x 5.2cm (3.66″ x 1.5″ x 2.05″) (Inc Switch Height)
Unboxed Weight196g (0.42lbs)

  • Mono to Stereo

    Mono IN and Stereo OUT with a parallel buffer. There’s no limit to what you do with your signal. Now you can experiment with stereo effects from a single channel input signal.

  • Latency

    The latency for the OMEC Teleport Audio Interface can go as low as 4ms (depending on connected hardware). That’s pretty instant!

  • Lightweight

    Built in a robust but lightweight pedal enclosure.

  • 9V Power

    The OMEC Teleport uses the same 9V DC input as your other pedals.

  • Buffered Bypass

    We use a buffered bypass to avoid the tonal effect of adding additional cable to your signal chain.

  • Includes AmpliTube Orange CS

    A complete, full-featured guitar/bass amp and effects rig for Windows/MacOS for capturing your performances. It features tools, tones and controls that will inspire you beyond your wildest expectations. For no cost, you will get the standard AmpliTube CS with the virtual OR120, Tiny Terror, Rockerverb 50, AD30 and matching Orange Cabs.

  • High-end AD/DA Converters

    We use high quality analogue to digital and digital to analogue converters to ensure perfect sound replication, allowing for an amazing signal to noise ratio. Even with high-gain signals, enjoy less fizz and more tone.

  • 3 month subscription to Deplike

    A full guitar suite on all your devices (iOS, Android, Windows, macOS and ChromeOS). All Deplike gear is precision-modelled based on actual circuits of legendary guitar amps, cabinets and effects. It features tools, tones and studio-quality effects to help you create your signature guitar tone. Dial-in a huge range of guitar tones, faster, in a more efficient and powerful way trusted by millions of musicians.

ACTIVE DUAL PARAMETRIC EQ | INTERNAL CHARGE PUMP | TRANSPARENT BUFFERED BYPASS

A BOOST WITH A DIFFERENCE

The Two Stroke Boost EQ is our take on the essential ‘clean boost’ pedal, but with even more versatility. Combining an active dual-parametric EQ and up to 12dB of output boost, the Two Stroke is the perfect tool for fine-tuning your sound or pushing your amp’s front end with unsurpassed control. Subtle Two Stroke tweaks can add an extra dimension to solos, whilst more aggressive use of the pedal’s EQ can sculpt entirely new sounds. Use the Two Stroke to add an extra channel to your amplifier or re-voice your guitar’s pickups completely. Crank the high mids to jump through the mix, cut the low end to remove the woolliness that normally occurs with traditional boost pedals, or leave the EQ flat to hear more of what you already like.

However you set it, thanks to the pedal’s charge pump circuit (which doubles the internal voltage and massively increases the headroom), the Two Stroke works brilliantly placed before or after other pedals, or even in your effects loop. It’s also suitable for bass and acoustic guitars as a practical tool to remove unwanted ‘honk’ or feedback, making this pedal a valuable addition to any musician’s setup. If you’ve flirted with EQ pedals before but been immediately put off by excessive noise and underwhelming results, the awesome Two Stroke Boost EQ may just change your mind.

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TWO BUFFERED OUTPUTS | CUSTOM DESIGNED ISOLATING TRANSFORMER | SILENT SWITCHING

Y compromise?

It’s a well-known fact that running two amps is not only enormous fun, but also a time-honoured way of achieving bigger tones on stage and in the studio. Whether it’s switching between two different amplifiers for their individual characteristics (rhythm and lead, for example) or using them simultaneously for huge walls of sound, pros have been employing this setup for decades. Achieving this easily, however, has always been a problem for guitar players. Poor quality passive ABY boxes/line selectors load the guitar signal down, degrading the tone and rendering the whole exercise almost pointless. Not to mention ground hum issues caused by non-isolated outputs. On the other hand, active ABY pedals are in short supply and are usually quite cumbersome.

Step forward: The Amp Detonator.

Featuring two buffered outputs, one with a custom designed isolating transformer, we are pretty confident that the Amp Detonator is the smallest active, fully functional, buffered ABY pedal on the market. What’s more, it’s the only active ABY switcher that can be powered by a 9V battery. The transformer output has been meticulously engineered to be as transparent as possible, whilst both outputs are buffered with a low noise, linear circuit. Drive any length of cable to your amps with no loss of clarity and switch silently between them. No more unnerving ‘thumps’ for you or the sound guy! The Amp Detonator also has a push-button polarity switch to correct common phase issues between amplifiers, keeping the tone fat and full. Finally, the tri-colour LED is a handy feature, especially on dark stages, indicating your current switching setting at a glance.

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ULTRA-TRANSPARENT | TOTAL TONAL CONTROL | LOW NOISE

THE ACOUSTIC PEDAL

The Orange Acoustic Pedal takes all the know-how of our acclaimed Acoustic Pre TC preamp and Crush Acoustic 30 amplifier, cramming it all into a do-it-all, compact preamp pedal. Whether you need to win the battle against feedback, handle complex effects chains, brighten up a dull instrument or just plug into a PA, the Acoustic Pedal has you covered – in top-notch Orange style. With a low-noise JFET circuit design, surgical-yet-flattering EQ, XLR and 1/4″ outputs and a buffered FX Loop, all situations are taken care of. This high-headroom, high-quality pedal keeps your setup simple and controlled, leaving you free to do what you do best. Play.

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EQ WITH NOTCH CONTROL

Acoustic instruments can be tricky. When dealing with feedback, finnicky pickups and finding a place in the mix, you need an EQ that is both powerful and simple. The Middle knob works in conjunction with the Notch and Q Factor controls to subtly sculpt your sound or tackle feedback with precision. Fixed-frequency Bass and Treble knobs give you much-needed control over the “body” and “sparkle” of your instrument.

HIGH HEADROOM, LOW NOISE

The Acoustic Pedal uses a single-ended JFET circuit design to guarantee insanely low levels of background noise. No hiss, even with the Treble control maxed! Super-high headroom comes courtesy of the 18V power supply, guaranteeing the cleanest, clearest acoustic tone we could give you.

BALANCED XLR OUTPUT

Connect straight to the P.A. with no need for a D.I. box. Our studio-grade, balanced XLR output will drive long cable runs with noise-free, high-fidelity performance. The built in phase flip enables eradication of phase cancellation issues at the press of a button, while the additional 1/4″ mono jack output can be used simultaneously for ultimate flexibility.

BUFFERED FX LOOP

Effects aren’t just for electric guitarists. In the world of the modern acoustic player, where loopers, reverbs and delays are just as important as the instrument itself, creating the perfect signal chain is essential. Our highly-transparent, buffered FX Loop gives you the freedom to build your dream acoustic rig, without compromise.

The Orange Acoustic Pedal is a Single Ended, Class A, Acoustic Preamp, with a Full Parametric Midrange / Notch Filter, and a Buffered FX Loop.

When you add up all the positives: The build quality, the clean tone, the well thought out ins and outs, the EQ and the price…. it’s a no brainer to me if you’re looking for an external preamp

The 18V Acoustic Pedal and its useful effects loop are super-quiet and do a fantastic job of preserving signal integrity

For plugging into either an amp or a DAW, I found the Acoustic Pedal to be a useful—and cool-looking!—addition to my setup that offers transparent EQ options whether using an undersaddle pickup or magnetic soundhole pickup

Everything is simple to understand and a real doddle to use. The claim that the pedal operates at an extremely low noise level is spot on; we couldn’t detect any additional hiss creeping into our signal.

FeaturesLow noise JFET preamp, EQ with Notch control, buffered FX Loop, balanced XLR output with phase reverse switch
Controls Bass, XLR phase, Treble, Notch, Middle, Q Factor, Volume
Power18V centre positive
Unboxed Dimensions (W x H x D)10.5 x 6 x 13.7CM (4.1 x 2.4 x 5.4″)
Unboxed Weight400g (14.1oz)