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FROM BEDROOM TO HEADROOM | TWIN CHANNEL | APPROVED BY BRENT HINDS

A TRUE CHANNEL SWITCHING TERROR

With an individual voice and character the Brent Hinds Terror is its own beast. Designed in collaboration with Mastodon’s Brent Hinds, the amp features two channels and a new gain structure that makes it a completely unique Terror.

The single control on the natural channel has been redesigned with more bottom end but retains the finely balanced and highly playable character of the Rocker series. The dirty channel has a different 3 stage gain structure. It’s brighter at lower gain levels and fattens up the more you dial the gain in. The new gain structure also means that the gain comes in more quickly.

Power switching options of 15, 7, 1 and 0.5 Watts make it perfect for bedroom, studio, and stage. Using the beefy Terror transformers, the Brent Hinds Terror is able to take full advantage of the EL84 output section, giving players the ability to create warm valve compression and saturation at neighbour friendly volume.

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ALL ANALOGUE | CLASS AB | PROPRIETARY CLASS A COMPRESSION

Amplifiers for the most discerning bassists

The 4 Stroke Series is our offering to the demanding modern bass player – everything you need, and nothing you don’t. Featuring all-analogue circuitry throughout, the 4 Stroke 300 & 500 speak with genuine authority, delivering powerful tones with a natural and rounded emphasis that leaves Class D amps in their wake. The Class AB 4 Stroke stays crystal clean and expressive all the way up, without ever becoming sterile or fatiguing.

The centrepiece of these amps is the uncompromising tone stack which allows for an unparalleled level of control over the EQ without the fussiness that plagues so many. The active four-band parametric EQ covers an enormous range and opens up limitless possibilities. Whether you need to sculpt your signature sound, bring out the character of your instrument or combat troublesome acoustic environments, the 4 Stroke deals with all comers in an instant. For the finishing touch, our proprietary Class A compression circuit tracks seamlessly, adding further punch and fatness. On the rear, you’ll find the usual essentials: two parallel speaker outputs (min. total load 4 Ohms), plus balanced and line level outputs. Available in 300W and 500W configurations, the 4 Stroke Series is the perfect tool for the contemporary bassist – powerful, usable, musical.

OBC210 Mini

2×10 Bass Guitar Speaker Cabinet

Features:Compact 2×10″ bass cabinet with parallel speakon jacks for ‘daisy chaining’
Speakers:2 x 10″ Eminence Legends
Impedance:8 Ohms
Power Handling:400 Watts
Finish Options:Orange or Black basketweave vinyl
Unboxed Dimensions (W x H x D):62 x 35 x 34cm (24.4 x 13.8 x 13.4″)
Unboxed Weight:19.25kg (42.43lb)

Reviews:

…”Deserves to be seen on stage.”

600 WATTS | EMINENCE NEODYMIUM SPEAKERS | ISOBARIC DESIGN

HIGH POWER, ISOBARIC DESIGN

Building on the success of our SmartPower series, the new OBC212 is our best isobaric bass cabinet yet. This clever design positions one speaker behind the other, creating an airtight, phase coherent chamber for outstanding projection in a more compact enclosure than a traditional 2×12. Featuring a pair of 12” neodymium Eminence speakers, 600 Watts of power handling and parallel speakon jacks the OBC212 is a perfect mate for a wealth of bass amplifier heads.

ISOBARIC DESIGN

OBC212 positions two front-facing speakers, one behind the other. The space between the front speaker’s magnet and the rear speaker’s cone is airtight, ensuring that both speakers vibrate in conjunction with one another, thus keeping them in phase. Combined with a slot port for extra low end the OBC212 delivers a seriously punchy sound with a much smaller footprint than a conventional 2×12″.

EMINENCE NEODYMIUM SPEAKERS

Two 12″ Neodymium speakers for high power handling, super fast attack and reduced weight.

DAISY CHAINING

The OBC212 features 2 speakon jacks on the rear of the cabinet to enable ‘daisy-chaining’ to another cab of the same impedance for a total load of 4 Ohms

Features:Isobaric 2×12″ bass cabinet with parallel speakon jacks for ‘daisy chaining’
Speakers:2 x 12″ Eminence Neodymium
Impedance:8 Ohms
Power Handling:600 Watts
Finish Options:Orange or Black basketweave vinyl
Unboxed Dimensions (W x H x D):53.5 x 48.5 x 38.5cm (21 x 19x 15.1″)
Unboxed Weight:25kg (55lb)
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THE AMP OF CHOICE FOR ROCK AND METAL GUITARISTS

KEY FEATURES:

Two Master Volume Channels with Four Stages of High Gain

From sparkling cleans to overdrive to aggressive distortion. Both channels deliver the versatility demanded by the best guitarists

Footswitchable Global Attenuator

Output stage saturation at ‘conversation volumes’. The Attenuator circuit is located after the master volume controls and determines when and how the amp distorts after the preamp stage. This means the overall volume level can be reduced, whilst keeping control over the amp’s output clipping characteristics. Unlike a loadbox, our design ensures the all-important relationship between the output transformer and the speaker remains intact, so even at very low volumes the amp remains springy and responsive. Turning the Attenuator control clockwise reduces the overall output level (i.e. increases the attenuation), which can be remotely defeated via a footswitch for a volume boost on either channel for lead lines.

Switchable Output Power

Switching the amp’s output power allows for more control over the headroom and breakup from the output valves. Reduce the output for greater output valve clipping and saturation at lower volume levels. The Dual Dark 50 can be switched between 50 and 25 Watts

Engineered to be played

At Orange, we expect our amps to work for a living. For the best possible tone and durability, the Dual Dark 50 uses 8 section output transformers. The chassis-mounted switchgear is secured to a welded steel enclosure and housed in a sturdy 18mm plywood cabinet.

Valve Buffered FX Loop

For the purist who loves their pedals, our highly transparent effects loop is buffered by a single 12AT7/Ecc81, ensuring an all-valve signal path from input to output.  You won’t find any op-amps in the Dual Dark 50.

“I wanted to design a series of amps that could go as clean or as dirty as you want on both channels. Don’t be fooled by the dark appearance, these are versatile bits of kit.”

Features50W class A/B two channel valve head, two master volume channels each with four stages of gain, footswitchable attenuator, 25W half power mode & valve buffered effects loop
Front Panel Controls (Right to Left)(Channel B) Gain, Shape, Volume | (Channel A) Gain, Bass, Middle, Treble | Attenuator, Full/Half Power switch
Output Power50W / 25W
Valves5 x 12AX7 | 1 x 12AT7 | 2 x EL34
Speaker Output Options1×16Ω, 1×8Ω or 2×16Ω
Dimensions (W x H x D)55×27x24cm ((21.65×10.63×9.45in)
Unboxed Weight21.0kg (46.3lb)

Made in the UK, it’s heavy and solidly put together with superbly applied tolex and piping, metal corner covers and chromed facia protectors. All the cooling vents are metal, and everything is screwed down so tightly it can only inspire confidence.

Taking it’s place among the elite super-high-gain heads, Orange’s all tube Dual Dark 50 is equally proficient at producing modern, ear melting gain and yesteryear’s British Chime.

I don’t believe that the ‘perfect’ amp exists but the Dual Dark comes frighteningly close. Amazing Stuff!

….the Dual Dark 50 is a pro-level amp for players who are serious about getting heavy, and nobody does heavy quite like Orange

“It cleans up really nicely, you can get some really nice jangly tones…it’s a pretty friggin great amp!”

The Orange Dual Dark series is freaking awesome!

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EVEN DARKER

100 Watts of 100% Valve Darkness

Our highest gain amplifiers to date and our very first amps to offer four stages of gain on two channels, the Dual Dark heads are both aggressive and flexible at the same time. With gain and master volume controls on both A and B, either channel can serve up clean, overdrive or insane levels of distortion, making these amps incredibly pliable despite their obvious Metal leanings.

Channel A is a completely new design with a voicing that reveals a fat and powerful EQ with strong open mids and a tight response. Channel B takes its roots from our much loved Dark Terror, with a lightning fast attack perfect for percussive down-tuned riffing. The intuitive Shape control, first appearing on our acclaimed Thunderverb series, affects the midrange response whilst interacting with the bass and treble. Dial in a range of tones using just one control, from a full-on scoop, to a rich lead sound with pronounced mids and rounded highs.

Compared to its 50W brother, the Dual Dark 100’s bigger output section allows for even greater control over the huge level of preamp gain on offer. The bottom end punch and midrange clout is truly staggering, and if you like your distortion happening at the front end, you’ll love the Dual Dark 100! For a different flavour, the output can be tamed from 100W down to 70W, 50W or 30W for earlier output valve clipping and saturation at reduced volume levels.

Meanwhile, our footswitchable attenuator circuit allows for control over when and how the amp distorts after the preamp stage. Use the amp’s master volume controls to push the output stage into submission, then reduce the volume level with the attenuator, right the way down to ‘conversation’ levels. This feature can also be defeated remotely for a volume boost in a live setting. Unlike a loadbox, our design ensures the all-important relationship between the output transformer and the speaker remains intact, so even at very low volumes the amp remains springy and responsive. Finally, the amp is equipped with a highly transparent, low impedance valve buffered effects loop to take full advantage of the masses of gain available when using time-based effects.

“I wanted to design a series of amps that could go as clean or as dirty as you want on both channels. Don’t be fooled by the dark appearance, these are versatile bits of kit.”

KEY FEATURES:

TWO MASTER VOLUME CHANNELS WITH FOUR STAGES OF HIGH GAIN

From sparkling cleans to overdrive to aggressive distortion. Both channels deliver the versatility demanded by the best guitarists

FOOTSWITCHABLE GLOBAL ATTENUATOR

Output stage saturation at ‘conversation volumes’. The Attenuator circuit is located after the master volume controls and determines when and how the amp distorts after the preamp stage. This means the overall volume level can be reduced, whilst keeping control over the amp’s output clipping characteristics. Unlike a loadbox, our design ensures the all-important relationship between the output transformer and the speaker remains intact, so even at very low volumes the amp remains springy and responsive. Turning the Attenuator control clockwise reduces the overall output level (i.e. increases the attenuation), which can be remotely defeated via a footswitch for a volume boost on either channel for lead lines.

SWITCHABLE OUTPUT POWER

Switching the amp’s output power allows for more control over the headroom and breakup from the output valves. Reduce the output for greater output valve clipping and saturation at lower volume levels. The Dual Dark 100 can be switched between 100, 70, 50 and 30 Watts

ENGINEERED TO BE PLAYED

At Orange, we expect our amps to work for a living. For the best possible tone and durability, the Dual Dark 100 uses 8 section output transformers. The chassis-mounted switchgear is secured to a welded steel enclosure and housed in a sturdy 18mm plywood cabinet.

VALVE BUFFERED FX LOOP

For the purist who loves their pedals, our highly transparent effects loop is buffered by a single 12AT7/Ecc81, ensuring an all-valve signal path from input to output to take full advantage of the masses of gain available when using time-based effects.

100% Valve

You won’t find any op-amps in the Dual Dark 100.

Features100W CLASS A/B TWO CHANNEL VALVE HEAD, TWO MASTER VOLUME CHANNELS EACH WITH FOUR STAGES OF GAIN, FOOTSWITCHABLE ATTENUATOR, SWITCHABLE OUTPUT POWER (70, 50, 30W) & VALVE BUFFERED EFFECTS LOOP
Front Panel Controls (Right to Left) (CHANNEL B) GAIN, SHAPE, VOLUME | (CHANNEL A) GAIN, BASS, MIDDLE, TREBLE | ATTENUATOR, FULL/HALF POWER SWITCH
Rear Panel Controls4/2 Output Valve selector switch.
Output Power100, 70, 50 or 30W
Valves5 X 12AX7 | 1 X 12AT7 | 4 X EL34
Speaker Output Options1×16Ω, 1×8Ω OR 2×16Ω
Dimensions55 × 27 x 24cm (21.65 x 10.63 x9.45in)
Weight24.0kg (52.0lb)

If you take your metal art seriously, you have to try them. 4.5 Stars

This is a killer, “killer” amp.

OR100

Guitar Amp Head

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This product page is no longer updated and is here for informative purposes only

FeaturesTwin channel, all valve, pics only front panel, Footswitchable dirty channel gain boost/global boost, channel switch
ControlsGain, bass, middle, treble, volume (dirty channel) Volume, bass, treble (clean channel)
Output Power (Heads and Combos)100 Watts
(Switchable to 70/50/30w)
Power Handling (Cabinets)NA
Valves (Heads and Combos)Power amp: 4 x EL34 Pre amp: 4 x Ecc83/12ax7
FX Loop 1 x 12AT7
Speaker Output Options (Heads)1 x 16 Ohm cabinet connected to the 16 Ohm output
1 x 8 Ohm cabinet connected to one of the 8 Ohm outputs
2 x 16 Ohm cabinets each connected to one of the 8 Ohm outputs
Speakers (Combos and Cabinets)NA
Impedance (Cabinets)NA
Extension Cabinet Options (Combos)NA
Unboxed Dimensions (W x H x D)55 x 27 x 28 CM (21.65 x 10.63 x 11.02″)
Unboxed Weight23.84 KG (52.139 lb)

What they say…

100 Watts of British Beef……It’s the ultimate amp. It’s versatile, it’s pure valve tone, and it’s gutsy enough to put a hole in a brick wall. It’s awesome.

Orange has really hit the tone jackpot here with the OR100H.

Orange’s considerable heritage and contemporary ingenuity distilled into a world beating pro valve head.

In terms of true overdrive and distortion, channel two’s range of flavors includes everything from Orange’s classic, gutsy grind and aggressive overtones to modern, super-heavy square waves of ball-kicking distortion. But the OR100H’s real magic lies in its connection to the player. It responds appropriately to every touch, always understands your intentions and continually opens up to reveal new and exciting sides of its personality. With two independent channels, multiple power options and a broad palette of midrange hues, the OR100H is the most versatile amp in Orange’s outstanding OR Series.

HIGHEST QUALITY MATERIALS | HAND SOLDERED CONNECTORS | LIFETIME GUARANTEE

STUNNING SPEAKER CABLES, INCREDIBLE INSTRUMENT CABLES AND EXCEPTIONAL XLRs

Orange Professional Cables are manufactured using the finest components available, including the highest grade oxygen-free copper for optimum signal clarity and articulation. The various layers of shielding eliminate handling noise and electromagnetic interference, whilst genuine Neutrik connectors ensure the highest quality and durability. 1/4″ jacks are gold-plated for extra corrosion resistance.
The outer sleeve is made from woven nylon and is heat shrunk at either end, protecting the inner cable against damage on stage and reducing stress and strain on the terminals. Complete with a lifetime guarantee, these are serious cables for serious performers.

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DIVO OV4 Self Fit Kit

Amplifier Management

A brilliant idea from the UK that could be the way of the future for valve amp design.

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EFFECTS LOOP | PORTABLE | SLIPKNOT TONE

SLIPKNOTS TONE IN A PORTABLE PACKAGE

Our first ever signature amplifier is based directly on the Dirty Channel of Jim Root’s own Rockerverb 100 MKII. The ‘Pics Only’ styling pays homage to his self-confessed love of vintage Orange amps although the sounds within are unmistakably modern. A powerful 3 band EQ and four stages of high gain capture the trademark savage riffing tones that have propelled the Slipknot ace to the status of a contemporary Rock legend. Along with switchable output power and the addition of a valve-driven FX loop, this little head would be a seriously potent addition to anyone’s arsenal. Pair with its matching #4 Jim Root PPC212 cabinet for a compact but menacing half stack.