FROM BEDROOM TO HEADROOM | TWIN CHANNEL | APPROVED BY BRENT HINDS
A TRUE CHANNEL SWITCHING TERROR
With an individual voice and character the Brent Hinds Terror is its own beast. Designed in collaboration with Mastodon’s Brent Hinds, the amp features two channels and a new gain structure that makes it a completely unique Terror.
The single control on the natural channel has been redesigned with more bottom end but retains the finely balanced and highly playable character of the Rocker series. The dirty channel has a different 3 stage gain structure. It’s brighter at lower gain levels and fattens up the more you dial the gain in. The new gain structure also means that the gain comes in more quickly.
Power switching options of 15, 7, 1 and 0.5 Watts make it perfect for bedroom, studio, and stage. Using the beefy Terror transformers, the Brent Hinds Terror is able to take full advantage of the EL84 output section, giving players the ability to create warm valve compression and saturation at neighbour friendly volume.
“I’m honored and proud of how great this amp sounds! It’s a representation of my dream tone!”
Click on the dials to Listen
Compare the different GAIN structures of the ROCKER 15 TERROR and BRENT HINDS TERROR
| Features: | TWIN CHANNEL, VALVE BUFFERED EFFECTS LOOP, HALF POWER MODE & ‘HEADROOM/BEDROOM’ ATTENUATOR SWITCH. |
|---|---|
| Controls (Right to Left): | NATURAL CHANNEL: VOLUME ｜ DIRTY CHANNEL: GAIN, BASS, MIDDLE, TREBLE, VOLUME｜ CHANNEL SELECTOR, HALF/STBY/FULL POWER SELECTOR｜ POWER SWITCH |
| Valves | PREAMP: 3 X ECC83 (12AX7), 1 X ECC81 (12AT7) POWER AMP: 2 X EL84 |
| Output Power: | 0.5, 1, 7 OR 15 WATTS (SWITCHABLE) |
| Effects Loop: | YES (VALVE BUFFERED) |
| Unboxed Dimensions (W x H x D): | 35.6 X 17.7 X 15CM (14.01 X 6.96 X 5.9″) |
| Boxed Dimensions (W x H x D) | 43.9 x 25.3 x 23.9cm (17.28 x 9.96 x 9.40″) |
| Unboxed Weight: | 6.4KG (14.10LBS) |
One of the most gnarly amps Orange has ever made
That’s got a lot of meat to it!
Super versatile, totally transportable.
This amp offers a lot in a small package and puts a bit of a spin on the classic orange tone!
If you can’t afford a motorcycle, BUY THIS AMP INSTEAD!!!
Chris Vinnicombe demos the Brent Hinds Terror
It’s easily my favorite of all the Orange amps I’ve played
If you’ve been longing for some grinding, fizzy, Mastodon tones, this is well worth a try.
Rich high-gain sounds. Beautiful clean tones. Portable and affordable.
Specifications:
| Overview: | Limited edition half stack: all-valve, hardwired Tiny Terror amplifier head & matching 2×10″ speaker cabinet |
|---|---|
| Amplifier Details: | Output: 7 or 15W (Switchable) ｜Valves: 2 × ECC83/12AX7 & 2 × EL84 ｜Speaker Outputs: 1 × 8/16 Ohm or 2 × 16 Ohm ｜ Polished stainless steel chassis |
| Speaker Cabinet Details: | Open back design ｜80 Watts RMS ｜ 2 × 10″ Celestion G10 Alnico Gold speakers ｜ 18mm birch plywood construction ｜ Woven paper grille cloth ｜British racing green vinyl ｜Impedance: 16 Ohms |
| Unboxed Dimensions (W x H x D): | Head: 30.3 × 19 × 15.3cm (11.93 × 7.48 × 6.02”)
Cabinet: 55 × 45 × 29cm (21.65 × 17.72 × 11.42) |
| Unboxed Weight: | Head: 5.45kg (12.02 lb)
Cabinet: 18.3kg (40.34 lb) |
ALL ANALOGUE | CLASS AB | PROPRIETARY CLASS A COMPRESSION
Amplifiers for the most discerning bassists
The 4 Stroke Series is our offering to the demanding modern bass player – everything you need, and nothing you don’t. Featuring all-analogue circuitry throughout, the 4 Stroke 300 & 500 speak with genuine authority, delivering powerful tones with a natural and rounded emphasis that leaves Class D amps in their wake. The Class AB 4 Stroke stays crystal clean and expressive all the way up, without ever becoming sterile or fatiguing.
The centrepiece of these amps is the uncompromising tone stack which allows for an unparalleled level of control over the EQ without the fussiness that plagues so many. The active four-band parametric EQ covers an enormous range and opens up limitless possibilities. Whether you need to sculpt your signature sound, bring out the character of your instrument or combat troublesome acoustic environments, the 4 Stroke deals with all comers in an instant. For the finishing touch, our proprietary Class A compression circuit tracks seamlessly, adding further punch and fatness. On the rear, you’ll find the usual essentials: two parallel speaker outputs (min. total load 4 Ohms), plus balanced and line level outputs. Available in 300W and 500W configurations, the 4 Stroke Series is the perfect tool for the contemporary bassist – powerful, usable, musical.
All Analogue Design
Trusting our ears and moving away from Class D technology altogether, the 4 Stroke is 100% analogue throughout. At the point of entry, the 4 Stroke features a new all-discrete Class A input buffer circuit. This contributes to crystal clear note definition and a highly detailed response, accurately reproducing even the most subtle nuances under your fingers. The Class AB output section (available in either 300 or 500 Watts) ensures these amps stay composed and assertive, whatever the venue. This design also means the 4 Stroke can also be used without a speaker load, perfect for direct recording in the studio.
Active Four-Band Parametric EQ
The Four-Band Parametric EQ gives you complete control over your sound. Featuring four independent frequency controls, each with up to 18dB of cut or boost, the 4 Stroke’s Q curves have been engineered to achieve the perfect balance between precision and usability. Below are some examples of the sounds you can achieve.
Rock Grit Sounds
To give you that real old school punk/rock bass tone, boosting the frequencies is the way to go, cutting the low mid frequency around 220Hz also helps the other frequencies to jump out. 3000Hz frequency being boosted to near full will give a crunchy tone.
Smooth Sounds
Getting a smooth bass sound is simple with the 4 stroke, as seen below boosting the treble and cutting the lower and upper mids will give you a perfect rounded bass tone.
Parametric bands:
- Bass: 40 – 400Hz
- Low Mid: 80 – 800Hz
- High Mid: 250 – 2.5kHz
- Treble: 550 – 5.5kHz
(Crossover between bands allows for even more cut/boost when required)
Footswitchable Class A Compression
Rather than a common hard limiter, the 4 Stroke’s Class A compressor design maintains the transients of the input signal for a dynamic playing response. The carefully developed sidechain has a fattening effect on the core tone at lower compression settings, whilst increasing the amount of compression adds a springy character to the attack, great for heavy thumb work. With just a simple level control (much like many classic studio units), the compression can also be engaged or defeated remotely with the optional FS-1 footswitch.
Slap Bass Sounds
Using the 4 Strokes inbuilt compression in conjunction with the 4 band EQ by boosting the bass and treble while cutting the mids will give your slap bass a real punchy sound.
Class AB output stage. This is for a different animal. We have a 4 band parametric EQ which you can dial in any bass sound that you want.
| Features: | Class AB solid state bass amplifier rackmountable head | Active 4-band parametric EQ section | Footswitchable Class A compression | Balanced & line outputs | 2 x Parallel Speakon speaker outputs |
|---|---|
| Front Panel (Right to Left): | Input [-6dB Pad] | Treble (550-5500Hz) | High Mid (250-2500Hz) | Low Mid (80-800Hz) | Bass (40-400Hz) | Compression Level | Volume | Footswitch input | Power |
| Rear Panel: | Speaker Outputs | Line Out & Balanced DI Output (post-EQ and Volume) |
| Finish: | 2U White steel chassis |
| Speaker Outputs: | 2 x Speakon (parallel). 4 Ohm minimum total load. |
| Range Options: | 4 Stroke 300 (300W @ 4 Ohms)
4 Stroke 500 (500W @ 4 Ohms) |
| Unboxed Dimensions (W × H × D): | 48.2 × 10 × 26.5cm (18.97 × 3.93 × 10.43″) |
| Unboxed Weight: | 4 Stroke 300: 9.45kg (20.83 lb)
4 Stroke 500: 10.05kg (22.16 lb) |
This a rock bassist rig without a doubt, but it really delivers on versatility.
| Features: | Compact 2×10″ bass cabinet with parallel speakon jacks for ‘daisy chaining’ |
|---|---|
| Speakers: | 2 x 10″ Eminence Legends |
| Impedance: | 8 Ohms |
| Power Handling: | 400 Watts |
| Finish Options: | Orange or Black basketweave vinyl |
| Unboxed Dimensions (W x H x D): | 62 x 35 x 34cm (24.4 x 13.8 x 13.4″) |
| Unboxed Weight: | 19.25kg (42.43lb) |
600 WATTS | EMINENCE NEODYMIUM SPEAKERS | ISOBARIC DESIGN
HIGH POWER, ISOBARIC DESIGN
Building on the success of our SmartPower series, the new OBC212 is our best isobaric bass cabinet yet. This clever design positions one speaker behind the other, creating an airtight, phase coherent chamber for outstanding projection in a more compact enclosure than a traditional 2×12. Featuring a pair of 12” neodymium Eminence speakers, 600 Watts of power handling and parallel speakon jacks the OBC212 is a perfect mate for a wealth of bass amplifier heads.
ISOBARIC DESIGN
OBC212 positions two front-facing speakers, one behind the other. The space between the front speaker’s magnet and the rear speaker’s cone is airtight, ensuring that both speakers vibrate in conjunction with one another, thus keeping them in phase. Combined with a slot port for extra low end the OBC212 delivers a seriously punchy sound with a much smaller footprint than a conventional 2×12″.
EMINENCE NEODYMIUM SPEAKERS
Two 12″ Neodymium speakers for high power handling, super fast attack and reduced weight.
DAISY CHAINING
The OBC212 features 2 speakon jacks on the rear of the cabinet to enable ‘daisy-chaining’ to another cab of the same impedance for a total load of 4 Ohms
| Features: | Isobaric 2×12″ bass cabinet with parallel speakon jacks for ‘daisy chaining’ |
|---|---|
| Speakers: | 2 x 12″ Eminence Neodymium |
| Impedance: | 8 Ohms |
| Power Handling: | 600 Watts |
| Finish Options: | Orange or Black basketweave vinyl |
| Unboxed Dimensions (W x H x D): | 53.5 x 48.5 x 38.5cm (21 x 19x 15.1″) |
| Unboxed Weight: | 25kg (55lb) |
THE AMP OF CHOICE FOR ROCK AND METAL GUITARISTS
KEY FEATURES:
Two Master Volume Channels with Four Stages of High Gain
From sparkling cleans to overdrive to aggressive distortion. Both channels deliver the versatility demanded by the best guitarists
Footswitchable Global Attenuator
Output stage saturation at ‘conversation volumes’. The Attenuator circuit is located after the master volume controls and determines when and how the amp distorts after the preamp stage. This means the overall volume level can be reduced, whilst keeping control over the amp’s output clipping characteristics. Unlike a loadbox, our design ensures the all-important relationship between the output transformer and the speaker remains intact, so even at very low volumes the amp remains springy and responsive. Turning the Attenuator control clockwise reduces the overall output level (i.e. increases the attenuation), which can be remotely defeated via a footswitch for a volume boost on either channel for lead lines.
Switchable Output Power
Switching the amp’s output power allows for more control over the headroom and breakup from the output valves. Reduce the output for greater output valve clipping and saturation at lower volume levels. The Dual Dark 50 can be switched between 50 and 25 Watts
Engineered to be played
At Orange, we expect our amps to work for a living. For the best possible tone and durability, the Dual Dark 50 uses 8 section output transformers. The chassis-mounted switchgear is secured to a welded steel enclosure and housed in a sturdy 18mm plywood cabinet.
Valve Buffered FX Loop
For the purist who loves their pedals, our highly transparent effects loop is buffered by a single 12AT7/Ecc81, ensuring an all-valve signal path from input to output. You won’t find any op-amps in the Dual Dark 50.
“I wanted to design a series of amps that could go as clean or as dirty as you want on both channels. Don’t be fooled by the dark appearance, these are versatile bits of kit.”
| Features | 50W class A/B two channel valve head, two master volume channels each with four stages of gain, footswitchable attenuator, 25W half power mode & valve buffered effects loop |
|---|---|
| Front Panel Controls (Right to Left) | (Channel B) Gain, Shape, Volume | (Channel A) Gain, Bass, Middle, Treble | Attenuator, Full/Half Power switch |
| Output Power | 50W / 25W |
| Valves | 5 x 12AX7 | 1 x 12AT7 | 2 x EL34 |
| Speaker Output Options | 1×16Ω, 1×8Ω or 2×16Ω |
| Dimensions (W x H x D) | 55×27x24cm ((21.65×10.63×9.45in) |
| Unboxed Weight | 21.0kg (46.3lb) |
Made in the UK, it’s heavy and solidly put together with superbly applied tolex and piping, metal corner covers and chromed facia protectors. All the cooling vents are metal, and everything is screwed down so tightly it can only inspire confidence.
Taking it’s place among the elite super-high-gain heads, Orange’s all tube Dual Dark 50 is equally proficient at producing modern, ear melting gain and yesteryear’s British Chime.
I don’t believe that the ‘perfect’ amp exists but the Dual Dark comes frighteningly close. Amazing Stuff!
….the Dual Dark 50 is a pro-level amp for players who are serious about getting heavy, and nobody does heavy quite like Orange
“It cleans up really nicely, you can get some really nice jangly tones…it’s a pretty friggin great amp!”
The Orange Dual Dark series is freaking awesome!
EVEN DARKER
100 Watts of 100% Valve Darkness
Our highest gain amplifiers to date and our very first amps to offer four stages of gain on two channels, the Dual Dark heads are both aggressive and flexible at the same time. With gain and master volume controls on both A and B, either channel can serve up clean, overdrive or insane levels of distortion, making these amps incredibly pliable despite their obvious Metal leanings.
Channel A is a completely new design with a voicing that reveals a fat and powerful EQ with strong open mids and a tight response. Channel B takes its roots from our much loved Dark Terror, with a lightning fast attack perfect for percussive down-tuned riffing. The intuitive Shape control, first appearing on our acclaimed Thunderverb series, affects the midrange response whilst interacting with the bass and treble. Dial in a range of tones using just one control, from a full-on scoop, to a rich lead sound with pronounced mids and rounded highs.
Compared to its 50W brother, the Dual Dark 100’s bigger output section allows for even greater control over the huge level of preamp gain on offer. The bottom end punch and midrange clout is truly staggering, and if you like your distortion happening at the front end, you’ll love the Dual Dark 100! For a different flavour, the output can be tamed from 100W down to 70W, 50W or 30W for earlier output valve clipping and saturation at reduced volume levels.
Meanwhile, our footswitchable attenuator circuit allows for control over when and how the amp distorts after the preamp stage. Use the amp’s master volume controls to push the output stage into submission, then reduce the volume level with the attenuator, right the way down to ‘conversation’ levels. This feature can also be defeated remotely for a volume boost in a live setting. Unlike a loadbox, our design ensures the all-important relationship between the output transformer and the speaker remains intact, so even at very low volumes the amp remains springy and responsive. Finally, the amp is equipped with a highly transparent, low impedance valve buffered effects loop to take full advantage of the masses of gain available when using time-based effects.
“I wanted to design a series of amps that could go as clean or as dirty as you want on both channels. Don’t be fooled by the dark appearance, these are versatile bits of kit.”
KEY FEATURES:
TWO MASTER VOLUME CHANNELS WITH FOUR STAGES OF HIGH GAIN
From sparkling cleans to overdrive to aggressive distortion. Both channels deliver the versatility demanded by the best guitarists
FOOTSWITCHABLE GLOBAL ATTENUATOR
Output stage saturation at ‘conversation volumes’. The Attenuator circuit is located after the master volume controls and determines when and how the amp distorts after the preamp stage. This means the overall volume level can be reduced, whilst keeping control over the amp’s output clipping characteristics. Unlike a loadbox, our design ensures the all-important relationship between the output transformer and the speaker remains intact, so even at very low volumes the amp remains springy and responsive. Turning the Attenuator control clockwise reduces the overall output level (i.e. increases the attenuation), which can be remotely defeated via a footswitch for a volume boost on either channel for lead lines.
SWITCHABLE OUTPUT POWER
Switching the amp’s output power allows for more control over the headroom and breakup from the output valves. Reduce the output for greater output valve clipping and saturation at lower volume levels. The Dual Dark 100 can be switched between 100, 70, 50 and 30 Watts
ENGINEERED TO BE PLAYED
At Orange, we expect our amps to work for a living. For the best possible tone and durability, the Dual Dark 100 uses 8 section output transformers. The chassis-mounted switchgear is secured to a welded steel enclosure and housed in a sturdy 18mm plywood cabinet.
VALVE BUFFERED FX LOOP
For the purist who loves their pedals, our highly transparent effects loop is buffered by a single 12AT7/Ecc81, ensuring an all-valve signal path from input to output to take full advantage of the masses of gain available when using time-based effects.
100% Valve
You won’t find any op-amps in the Dual Dark 100.
| Features | 100W CLASS A/B TWO CHANNEL VALVE HEAD, TWO MASTER VOLUME CHANNELS EACH WITH FOUR STAGES OF GAIN, FOOTSWITCHABLE ATTENUATOR, SWITCHABLE OUTPUT POWER (70, 50, 30W) & VALVE BUFFERED EFFECTS LOOP |
|---|---|
| Front Panel Controls (Right to Left) | (CHANNEL B) GAIN, SHAPE, VOLUME | (CHANNEL A) GAIN, BASS, MIDDLE, TREBLE | ATTENUATOR, FULL/HALF POWER SWITCH |
| Rear Panel Controls | 4/2 Output Valve selector switch. |
| Output Power | 100, 70, 50 or 30W |
| Valves | 5 X 12AX7 | 1 X 12AT7 | 4 X EL34 |
| Speaker Output Options | 1×16Ω, 1×8Ω OR 2×16Ω |
| Dimensions | 55 × 27 x 24cm (21.65 x 10.63 x9.45in) |
| Weight | 24.0kg (52.0lb) |
If you take your metal art seriously, you have to try them. 4.5 Stars
This is a killer, “killer” amp.
OR100
Guitar Amp Head
HIGHEST QUALITY MATERIALS | HAND SOLDERED CONNECTORS | LIFETIME GUARANTEE
STUNNING SPEAKER CABLES, INCREDIBLE INSTRUMENT CABLES AND EXCEPTIONAL XLRs
Orange Professional Cables are manufactured using the finest components available, including the highest grade oxygen-free copper for optimum signal clarity and articulation. The various layers of shielding eliminate handling noise and electromagnetic interference, whilst genuine Neutrik connectors ensure the highest quality and durability. 1/4″ jacks are gold-plated for extra corrosion resistance.
The outer sleeve is made from woven nylon and is heat shrunk at either end, protecting the inner cable against damage on stage and reducing stress and strain on the terminals. Complete with a lifetime guarantee, these are serious cables for serious performers.
| Features: | HIGHEST GRADE COPPER-FREE CONDUCTOR, HAND SOLDERED GOLD-PLATED GENUINE NEUTRIK 1/4″ JACKS, PVC AND PE INSULATION FOR SUPER LOW NOISE AND INTERFERRENCE REJECTION, TOUGH WOVEN OUTER SLEEVE |
|---|---|
| Lengths Available: | 10, 20 & 30 FT. |
| Options: | STRAIGHT OR RIGHT ANGLE JACKS, CHOICE OF ORANGE OR BLACK OUTER SLEEVE |
| Capacitance @ 1kHz, 20°C | 155PF PER METER (47.3PF PER FOOT) |
| Nominal Overall Diameter (mm) | 7.5Ø |
| Features: | HIGHEST GRADE COPPER-FREE CONDUCTOR, HAND SOLDERED GOLD-PLATED GENUINE NEUTRIK 1/4″ JACKS, PVC AND PE INSULATION FOR SUPER LOW NOISE AND INTERFERRENCE REJECTION, TOUGH WOVEN OUTER SLEEVE |
|---|---|
| Lengths Available: | 10, 20 & 30 FT. |
| Options: | XLR-XLR & XLR-JACK, CHOICE OF ORANGE OR BLACK OUTER SLEEVE |
| Capacitance @ 1kHz, 20°C | 85PF PER METER (25.7PF PER FOOT) |
| Nominal Overall Diameter (mm) | 7.5Ø |
| Features: | HIGHEST GRADE COPPER-FREE CONDUCTOR, HAND SOLDERED GOLD-PLATED GENUINE NEUTRIK 1/4″ JACKS, PVC AND PE INSULATION FOR SUPER LOW NOISE AND INTERFERRENCE REJECTION, TOUGH WOVEN OUTER SLEEVE |
|---|---|
| Lengths Available: | 3 & 6 FT. |
| Options: | JACK-JACK, SPEAKON-JACK & SPEAKON-SPEAKON CONNECTIONS |
| Capacitance @ 1kHz, 20°C | 0.017Ω PER METER (0.005Ω PER FOOT) |
| Nominal Overall Diameter (mm) | 7.5Ø |
Latest Interview
NEW: FS1 Footswitch
