Decades of Distinctive Sound -or- A Legacy of Loudness

Since 1968, Orange has been building equipment that doesn't just keep up with the pack, but stands out in it. From a single shop in London to global stages and studio racks around the world, we've built a reputation for bold design, unmistakable tone and relentless innovation.

in the beginning creating the sound the orange ecosystem getting noticed product innovation stories

in the beginning

The Man Behind the Brand

Cliff Cooper reflects on founding Orange, pioneering music retail, and building a bold brand that reshaped the sound of an era.

1966

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in the beginning

An early innovation in portable guitar amplification, the CTI Pixy Mk V pioneered silent practice amps, a forerunner to modern headphone amps.

1966

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working with joe meek

Cliff Cooper shares memories of Joe Meek, the legendary British producer behind Telstar and early experiments in pop recording innovation.

1967

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the rocking chairs with vox amplifiers

Cliff reflects on early amp experiments, love for Vox gear, and a key meeting with industry pioneer Tom Jennings.

1964

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painting the orange shop

Orange Amps began in 1968 with a bright Soho shop, second-hand gear, and the launch of original British-made amplifiers.

1968

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Orange Ecosystem

1968

Orange studios

Founded in 1968, Orange Studios hosted legends like Stevie Wonder and Robin Gibb, and launched careers in world-class sound engineering.

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1969

The Launch of Orange Records

Founded to support unsigned talent, Orange Records released early singles from John Miles and others, with UK distribution via Pye Records.

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1969

The Orange Agency

The Orange Agency booked top artists like Joe Cocker into iconic London venues and managed UK and European tours during the 1970s.

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1969

Orange Management

Cliff Cooper managed artists including John Miles, Smokie and Eddie Kidd, guiding chart-topping hits, film roles, and major label signings.

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1970

Launching Orange Hire

Orange Hire powered major festivals and even the 1972 Munich Olympics with custom vans and pro backline, leaving a serious European footprint.

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1970

The Orange Shop Is a Runaway Success

Former EMI executive Dennis Sinnott shares memories of Orange’s psychedelic New Compton Street shop and its groundbreaking 100-watt amp.

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1975

Orange Launches OMEC

Orange became OMEC with the launch of the first digitally programmable guitar amplifier in the 1970s, but lack of funding restricted its commercial breakthrough.

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1978

Closing the Orange shop

A surprise demolition order led to legal drama, a £100K payout, and the end of the iconic Orange Shops era.

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1993

The Orange Gibson Years

Orange reissues by Gibson in the 1990s revived classic models like the OR120 and Overdrive 120 before the brand returned to Cliff Cooper.

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1997

The Second Coming

Noel Gallagher’s tone requests on the early Oasis albums gave rise to the crunchier, brighter-sounding OTR amplifier.

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Getting Noticed

1970

The Orange Beach Buggy

The Orange beach buggy turned heads across London as a mobile brand ambassador driven by rock stars, eccentrics, and the NME.

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1970

Product Placement on German National TV

Orange amps featured on Germany’s Beat-Club TV show in the 1970s, driving sales and leading to the creation of Orange GMBH.

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1970

The Orange Log Book

Orange amps came with their own log book: tracking service history, ownership, and authenticity, just like classic cars of the era.

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1971

Getting Noticed

Orange’s giant 24×12” and 10×15” speaker cabinets debuted in 1971, delivering huge sound and headline-grabbing impact at major trade shows.

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1972

If You Can‘t Join ’Em... Beat ’Em

After AMII repeatedly rejected Orange, Cliff Cooper launched the Orange Gold Seal and co-founded the London Music Show to champion innovation.

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1972

Orange and the BBC

Orange’s partnership with BBC DJs Rosko and Johnnie Walker powered roadshows, races, and one unforgettable 50,000-Watt rock’n’roll night.

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1974

Orange at Midem France

Orange supplied PA and amplification for MIDEM Cannes, where a Stevie Wonder demo session sparked the brand’s global “Voice of the World” legacy.

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2006

Queen’s Award Winners

Orange won the Queen’s Award for Enterprise three times, rightly recognised as a world-class British export leading the global music industry.

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2009

Limited-Edition White

The white finish limited-edition amps launched in 2009 after artist demand, specifically from Madonna’s guitarist Monte Pittmann

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Product Innovation

Orange Archive

1972

The Pics-Only Graphics

The Pics Only amp introduced Orange’s now-iconic graphic panel and crunchier sound, marking the true birth of the classic Orange tone.

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1972

Orange Launches Amity Schroeder Professional Audio Equipment

Orange’s Amity Schroeder developed world-first 16- and 24-track tape machines used by the BBC, later sold to Trident Audio.

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1974

Extending the Range

Orange’s 1970s updates included the Pics & Text amp, Custom Reverb Twin with tremolo, and the first Overdrive with master volume.

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1975

The Jimmy Bean

Orange launched the denim-clad Jimmy Bean stack and hugely popular Voice Box, famously used by Stevie Wonder and Peter Frampton.

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1975

Introducing OMEC Digital

In 1975, Orange launched the pioneering OMEC Digital, the first digitally programmable amplifier, built with early logic chips and big ambition.

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1977

OMEC Amplifiers and Cabinets

OMEC’s 150-Watt solid-state range brought pro features, effects, and smart design to budget amps, bridging the gap to valve models.

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1979

The New-Look Series Two

Orange Series Two amps launched in 1978 with new styling, updated components, and the brand’s first dedicated bass amp, the Super Bass 120.

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1999

Custom Shop Early Days

From the hand-wired AD5 to the AD200B Mk3, Orange’s AD series redefined valve bass tone with increasing power and production efficiency.

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2000

The Crush Guitar Pack

The Crush range introduced beginners to Orange with quality sound and value, aiming to build long-term brand loyalty from the start.

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2006

The Thunderverb 200

A high-powered, versatile beast, the Thunderverb delivers huge tone for heavy players, great for guitar, bass, or both together.

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2008

New Arrivals

Orange launched the Tiny Terror, AD5, and PPC212OB to deliver pro sound in portable combos with Celestion speakers and vintage tone.

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2009

Smart Power

Orange’s 2009 Smart Power bass cabs used isobaric speaker tech for huge sound in compact enclosures, redefining modern bass tone.

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2011

The Orange OPC

The Orange OPC combined pro audio performance, built-in software, and studio-ready hardware in a compact amp-style PC built for musicians.

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Stories

1970

Eric Clapton and the Orange Shop Lefty Strat

Eric Clapton visited Orange Music hours before Jimi Hendrix’s death, buying a left-handed Stratocaster he’d planned to give him that night.

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1974

Rivals’ Dirty Tricks

At Stevie Wonder’s Rainbow Theatre show in London, a sabotaged Orange amp blew, but Cliff Cooper intervened in a flash, avoiding disaster and earning Stevie’s respect.

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2008

The 40th Anniversary

Limited to 40 hand-wired heads, Orange’s 40th Anniversary amps featured unique voicings, vintage tone, and collectible custom-shop certification.

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2018

Reflecting on 50 years

Orange thrived by innovating, not imitating, staying future-focused from Pics Only to OPC while maintaining a proudly psychedelic identity.

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2010

Orange Global

Orange’s global growth includes UK innovation, Chinese and Korean manufacturing, and USA expansion, all delivering worldwide quality and cutting-edge amp design.

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The Book of Orange

A behind-the-scenes journey through the amps, artists and attitude that built Orange. From the earliest sessions in our London shop to the rigs powering today’s global tours, this story is told in full colour, with no punches pulled.