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Hello everybody, I’m Simone Vignola bassist and songwriter from Italy. Today, I’m here with my best travelling partner – This Orange Amplifier that I use both in live and studio sessions. You just listened to “Naufrago” It is my last album’s title track.

I’m playing these songs live just with bass and vocals as an evolution of my solo project which gives me the opportunity to play by myself with bass and vocals along with a complete background sound, the sound I can build thanks to this amplifier. Actually, the head I’m using is the new Terror Bass, a very new model which kind of looks like the Terror Bass 1000s little sister that I used during the last period.

A simple amplifier is what I need, I can control bass, mids and high in an easy and vintage way simply with a little knob. Just volume and gain and I can reach without any other additional gear a sound that seems already compressed and controllable even when I play with my loop station.

Obviously, my followers know that my style is funky oriented and Orange is often considered a rock amplifier but now we’ll try to change this point of view like transforming a cap into a hat and so the transformation of a rock amplifier into a funky one. I’m very very happy to talk about this.

Moreover here we have the isobaric 2×12 cabinet. There are two 12″ front facing speakers in an isobaric way. An excellent product that gives us a full low range covering but also a nice presence for slapping and for those techniques I like to use, so it gives me a great sound support. And today, this amplifier supports the Bellavista’s horse too. It was part of this video.

Goodbye everybody with another song called “Love Song.” A kiss.

Sarah Jane, take us back to the beginning – what triggered your interest in music?
Sarah Jane: I come from a musical household where my dad would experiment with home made hi-fi speakers and play bands such as The Beatles, Beach Boys, Johnny Cash and Dylan, as well as church and choral music. My mum, brother and sisters were also into music and would dabble in guitar, piano and singing. When high school came around, my older brother introduced me to Led Zeppelin, Pink Floyd and The Doors, and it was around this time I bought one of my first records which was Hendrix live. After that I just wanted to play guitar like him, he was a huge inspiration! Strawberry Fields was also a mind blowing experience when I first heard it.

When I was around 18 I started playing my brother’s Les Paul and I stuck with guitar for about three years on and off, before switching to bass, mostly just because I found it more fun to play, and as we all know, bass is obviously the most important part of a bands sound… After about a year of practice, I joined my first band ‘The Morticians’. I never had any formal lessons as I A. couldn’t afford them and B. I preferred to develop my own style mainly playing by ear, using some tabs and watching videos of The Who, Black Sabbath and jamming with my own band. My advise to beginners would be to play what you want – the whole beauty of rock ’n’ roll is that there is no rules, so ignore the idiots trying to tell you otherwise. Do whatever you need to do to develop the style and sound that suits your own music, whether that is playing with others in a band or having lessons and learning covers, whatever you feel the most beneficial.

You mention your first band The Morticias, how did your current band Gorilla come to life?
Sarah Jane: When The Morticians split around 1999 guitarist Johnny and I decided to get another drummer and keep going as Gorilla, and we’ve been going ever since with different drummers. We’re currently on number 15 – they get worn out! Our latest victim Ryan is great, and has given us a new lease of life and inspiration, we’ve always just wanted to play music inspired by the bands we love ourselves, such as The Who, Black Sabbath, Grand Funk Railroad, Budgie, Blue Cheer, The Beatles, Jethro Tull, Mountain – you know, basically heavy 60s and 70s rock, which still remains our main influences. In the beginning we just scored as many gigs as we could until we got lucky and spotted by the bassist from Melvins who pitched us to a Swedish punk rock label who ended up releasing our first LP. We’ve released three full length LPs, one split LP and a single, with another album in the works.

Gorilla at London’s Dublin Castle in 2002 – Vintage Orange 1974 OR120 Amp with old Orange 4×12

Wow, drummer number 15! In true Spinal Tap spirit. What can you tell us about the upcoming album?
Sarah Jane: We’re heading to a new studio called North Down Sound in Folkestone which has lots of analogue equipment and is run and engineered by a friend called Mole, he loves the old vintage valve sounds and equipment. Musically you can expect maximum riffage, high energy rock ’n’ roll, basic ‘full on f*ck the safety net’ hell ride, in other words, business as usual Gorilla style! It will be released in June on Heavy Psych Sounds so keep an eye at our social media for updates and announcements.

Do you remember your first ever encounter with Orange?
Sarah Jane:
I first saw Orange gear when watching Beatclub Videos where the Orange amps just looked and sounded awesome, all the bands I loved seemed to use them too, so I just knew nothing else would do!

What’s your own history and experience with Orange?
Sarah Jane:
My first piece of Orange equipment I owned was a hard wired (no kettle lead) Early OR120 I purchased in 2001 from a friend for £250. I didn’t know how to date this amp so phoned the Orange Factory and spoke to a very nice bloke called Jeff, who had apparently worked there from the early days of Orange. After I got the amp I needed a cab to go with it, and luckily my guitarist from GORILLA,  Johnny, had a ‘spare’ 4 x12 which sounded amazing paired with it. The cab had it’s original Celestion speakers and was actually 15 ohms! The cab was previously owned by NWOBHM band, May West, and the logo was sprayed on the bottom. I had a standby switch fitted onto the back of the amp to preserve the valves as it didn’t have one.

The second Orange amp I acquired was sold to me from a friend for £100 in the same year, a late 70’s graphic model. This amp didn’t sound as good as my early OR120. Jeff told me that this could be because they had ‘drop mounted transformers’, which apparently were not as good as the early amps.

Sarah Jane with her 70s Hustler.

In 2003 I was walking past my local music shop and spotted in the window a flash of orange colour underneath a Peavey Flag. I went in to see what it was and spoke to the owner, who underneath the Flag dug out a brand new Bass Hustler Combo. He explained to me that this had been in the shop when his dad ran it in the 70s. The Combo wasn’t for sale it was being used to display tambourines and the Peavey Flag, but of course I asked how much he’d want for me to take it off his hands. I was delighted but tried not to look too happy when he asked just £50 for it! I call that a bargain!

I now own a new Orange Bass Terror which is 300 watts, an excellent amp to gig with, very Loud, and i can can actually lift it! I also used a Crush Bass 100 for a gig last summer, and I want one! I was surprised how great this combo actually was, I’ve used a hell of a lot of different combos before and I can honestly say this was the best modern bass combo I’ve tried. I was expecting to be totally drowned out by the drummer and the guitar amp but the Crush totally held it’s own. For something that is pretty small I was totally shocked how loud it was, and the quality of bass tone. I would totally recommend this amp for small gigs and practicing.

Sarah Jane playing a Bass Crush 100 as Gorilla plays a The Jonesing Jams gig at Blondies.

If you strip your record collection from the obvious rock ’n’ roll and artists mentioned above, what would remain?
Sarah Jane: My taste is actually quite varied and stretches from everything from 1940s blues and classical music to sixties garage and old school hip hop, particularly gangster! Lots of psych such as The Pretty Things, Zombies and Quicksilver Messenger Service to most of the 60’s San Francisco bands, Beach Boys and folk.

Despite ladies like yourself rock ’n’ roll is still very much a man’s world, what’s your experiences as a woman in such a male dominated genre?
Sarah Jane: Sadly some males in the industry, in record and music shops are still very intimidated by female musicians, and I’ve heard all the usual stupid and sexist remarks such as ‘You can actually play!’, ‘You play like a man!’, or ‘You’re really good for a girl!’, as well as having to deal with people’s surprised faces when I show my knowledge of guitars, amps or bands I like. I’ve also been ignored by male staff in music stores while they talk to my male partner – I just think it’s a bit sad that those old prejudices and attitudes are still around, maybe they’re scared of being shown up by a girl? Luckily it doesn’t bother me that much, and when it does I’m also lucky to say I’ve been blessed with a good aim and swift right hook, don’t let the bastards grind ya down! That said, most of the time people I meet are very positive about me and the music I play.

Follow Gorilla on Facebook // Instagram // Bandcamp

Michael Karsh of Lawrence – ©David Nardiello Photography

My name is Michael Karsh, I am the bass player for the band Lawrence.

A big part of our live act is that we really love what we’re doing and we love to have a good time. My role is to just be the low end that can simultaneously compliment a song and elevate it into a place of really high intensity, in your face funk/soul/jazzy fusion kind of stuff.

So currently I’m using the 4-Stroke 500 Watt amplifier and I’m using the OBC410 and it is a true monster and it’s been a lot of fun to play. I very much try to have a sound that’s very rooted in old funk and soul, kinda like the classic Jamerson and Motown sound but I also like to have a bit more edge and punch to bring it into the modern age so I get all of that with the 4-stroke and the 410 and I feel that I’ve never sounded better with it than any other rig and probably that makes me play a little better because I’m just happier with how it sounds.

I definitely subconsciously saw them, (Orange Amps) all throughout my childhood when watching videos of my heroes playing from the 70s. Jimmy Page and Geddy Lee. Just seeing those amplifiers in the back definitely made an imprint on my mind. As I grew up and got more into equipment I would see them kind of along my musical journey pop up in many interesting places. It was like, “Oh, Wolfmother’s got that thing I remember that guy had,” and “Oh, Ler’s from Primus has got three interesting ones on stage that I haven’t seen before.” I just kinda saw them pop up everywhere and always had them in the back of my mind as a cool look and cool sound.

Hearing myself onstage is I feel, like the unspoken battle of the musician. My band personally has 8 people onstage so we’re all battling to hear each other, hear ourselves and there’s this cacophonous noise happening all the time, so honestly the advantage the OBC410 has given me is just clarity. I can dial it in so perfectly that wherever I go, I’m hearing myself exactly as I want to. Just everything is coming out so crystal clear. So the 410 gives me a good balance of midrange and low end that I hadn’t really found anywhere else. Using backline and borrowing gear, playing festivals I’ve played with these massive stacks like two storeys high and every variation. It doesn’t have that same sort of touch and clarity that the 410 has. It’s pretty interesting, I don’t know how that works, I don’t know how you guys did it but yeah, that’s been the biggest benefit by far.

Strap on a life jacket and prepare for the angling trip of a lifetime as Richard Turner (Blackberry Smoke) hooks himself the biggest fish of all, the fabled Orange Amplification Terror Bass!

This renowned bassist features in the latest ‘Lure & Savior’ adventure to embark on the dirty mission of catching the legendary re-issue of the Terror Bass. Set in one the world’s most desirable angling locations with all the best gear from Orange Amplification, this intrepid bass expert reels in the most amazing catch. Brent Hinds (Mastodon) also appears from the depths with his signature Terror amp.

This is the kind of fishing Richard and Brent enjoy: lots of bites with the best tackle! To get tips on catching the sought-after Terror Bass using the OBC112 as the perfect lure go to.

Hi. My name’s Will, I’m the bassist from Puppy and I’m here at Desertfest 2018.

When I started playing bass, I was actually a guitarist and probably like most guitarists, nobody else wanted to pick up the bass. So I was like, “I’ll do it.”

It’s been a bit of a journey trying to find the right kind of raucous, rumbling low end but something where you can pick out the melody as well. I don’t want just sub  – something that bites through. That’s what I look for.

I’ve always looked up to bassists that really stood out – I love Cliff Burton. I love the way he played the bass like it was a guitar. That approach, not just being “just” the rhythm section. I think that – and a lot of three pieces were always my favourite bassists as they had a third of the job to carry. You couldn’t be a wallflower bassist in a three piece. Al from Sleep, for me is a massive influence – I play a Rickenbacker too. Cliff and Al are probably my two favourite bassists of all time.

My interest in Orange came, really young actually –  before I was in any bands. I used to love Oasis as a kid. I remember seeing them playing and they had an all Orange back line. Black Sabbath too on some German performance, I remember seeing they all had a full Orange back line. I was like. “That’s just the coolest thing I’ve ever seen.” Then I learned a bit more about the history of the company. I got the Orange book and I was reading about the shop they used to have on Carnaby Street (Ed’s note: It was New Compton Street.) Which was so cool and the old logo, the tree growing off the world – the Voice of the World logo. I thought it would make a great tattoo, so I’ve got it there. (On his left bicep.) Yeah – that’s about it, man. I’m a bit of a loyalist to the brand and I was super stoked to asked to use their equipment. I would be using it anyway, so yeah. You’ve got a fan for life in me basically.

My first stack was an Orange AD200 with two OBC410s and I was super proud to have that onstage. We would play the tiniest venues and I’d never go without the full stack even if it meant piling it into a cab and pissing off cab drivers. So yeah, it feels amazing to be asked to use their equipment because I spent so long drooling over pictures of musicians I adored, like Prince and Al from Sleep and all of these people I thought were super cool using their gear and I obviously just wanted to be like them. That’s why I was using the gear in the first place so it feels great to be an ambassador for the brand. It’s awesome.