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The first time I saw an Orange amp was a picture of Jimmy Page. And the first time I played on was in Nashville when I tried a Rockerverb. I’ve been playing one ever since.

The thing that attracted me to playing an Orange amp was that I’m always looking for a great clean tone. I rely on a certain pedal for my drive. When I plugged it into a Rockerverb MKIII I realized I could sustain it forever. I also love the attenuator.

I drive the volume pretty hard and I use the attenuator to control my actual level. I have an Overdrive called the TB Drive made by a friend in Germany and that’s my drive tone, always. It’s two channels of Overdrive so I’m always on the clean channel of the Rockerverb and controlling the filth with the volume knob on my guitar. I like to use the volume control on my guitar instead of switching channels on amps.

The thing that I like about an Orange amp for a clean sound is that it has some body in the sound. A lot of times, if you’re just trying to get a clean sound out of an amp, you’re turning it down so the tubes aren’t breaking up. But with the clean on the Rockerverb you can still get the tubes doing what they need to do but you still have a full-bodied sound without a thin tone. That’s crucial to me.

Click here to check out more Tyler Bryant and the Shakedown

For many of you Orange might be known as a stoner rock company, which, fair enough, is an easy assumption to make as we have quite a fair bit of heavy bands on our roster, and regularly share that picture, you know, THAT picture of Matt Pike with the stacks of amps across our Instagram. However, Orange is for everyone, and for example, in Japan, we’re known as a clean sounding company, now would ya believe it?! In the name of Orange and it’s diversity, let’s take a look at a few of our artists who are proudly sporting some clean Orange sound.

Tyler Bryant, Tyler Bryant and the Shakedown

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Guitarist Tyler Bryant of Tyler Bryant and the Shakedown fell for the blues at an early age, and moved to Nashville at the age of 17 to make music. He has since proven himself as an incredible musician, and have toured or played with bands and artists such as Jeff Beck, Aerosmith, Lynyrd Skynyrd, Joe Bonamassa and Guns ’N’ Roses. He’s released two albums and EPs with his band, and continues to tour and make music.

Graveyard, Truls Mörck

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Sweden’s Gothenburg has almost become a mecca for this whole 70s revival thing with bands such as Graveyard, Horisont and Witchcraft making names for themselves far away from their Nordic borders. Truls was originally the guitarist of the band, but left after their first record to focus on different things. However, low and behold, a few years back the band saw yet another change of lineup and was this time in the need of a bassist. Truls joined the band again, and have now been playing with them for the past two records “Innocence & Decacence” and 2018´s “Peace”. Truls wasn’t too familiar with Orange when rejoining the band, but as former bassist Rikard was an avid Orange user it seemed natural to give it a go. Having tried a few different amps such as Ampeg and Fender, he eventually decided on Orange as it seemed like the best fit for the kinda music they were playing. “They’re pretty straightforward without too many buttons, so it’s quite easy to get good sound.

Grateful Dead, Bob Weir

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Bob Weir, founding member of ICONIC hippie psychedelic peace and love loving pioneers the Grateful Dead and the original acid granddad. It all started on new year’s eve in 1963 when a sixteen year old Bob heard banjo music played from Dana Morgan’s Music Store while he was wandering the streets of Palo Alto looking for a club that would let him and his other underage friend in. Intrigued by the music they were hearing, they were lured in to the store where a young Jerry Garcia was sat playing. Bob and Jerry ended up spending the night playing music together, and decided to form a band, which later saw them at the front of a hippie revolution. In 1994 he was inducted into the Rock and Roll Hall of Fame due to his time in Grateful Dead. He’s also played in various other bands such as Kingfish, Bobby and the Midnites, and RatDog, all while maintaining a solo career.

Bad Religion, Jay Bentley

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Jay Bentley is the bassist and one of the founding members of political Californian punk rock band Bad Religion, and have with the exception of a little break from ’83 to ’85 played with the bands since the formation in 1980. The band is known for their philosophical, social and politic lyrics and their vocal harmonies, and are considered to be one of the best-selling punk rock bands of all times, with more than five million albums sold worldwide. When not playing with Bad Religion, Jay has also been touring regularly with punk supergroup and cover band Me First and the Gimmie Gimmies, filling in for bass for Fat Mike.

Temples, Tom Warmsley

Tom Warmsley of Temples

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Formed in Northamptonshire in 2012 Temples kind of just exploded into the UK music scene with their neo psychedelic and modern take on classic British pop rock. After the release of their debut album “Sun Structures” in 2014 you couldn’t leave the house without hearing the single “Shelter Song” played relentlessly on every corner, and the album charted at number seven in the UK. Bassist Tom Warmsley is an Orange ambassador, and has this to say about our amps: “Orange amplification is as strikingly integral, alien, gorgeous and mysterious as it was in 1968, a true transition period of British amplificiation. In every instance of footage, the amps look as psychedelic as the bands playing through them.”

Yo, its Tyler from Tyler Bryant and the Shakedown and I play Orange Amps.

So I heard the music of Elvis Presley when i was in first grade and that was that pivotal moment where I became obsessed with music. When I was eleven I went into a guitar shop and I heard this guy called Roosevelt Twitty playing and he asked me if I liked the blues and I said “what’s the blues?”. He said; “it’s what I’m playing” and I said; “well then I love the blues!” I ran into him again and again, long story short, I put a dirtbike that I had on layaway and got an electric guitar and it’s been downhill ever since!

Blues lead me to guys like Johnny Winter and Jimi Hendrix, which lead me to the Black Crowes and Tom Petty and the Heartbreakers. So the blues led me to Rock n Roll which inspired me to get out of high school when I was seventeen and move to Nashville. There I started focusing on songwriting and forming a band, and I ended up with a band called the Shakedown. That’s kind of how it all played out.

I was actually riding around Nashville, with Graham Whitford who is also in the Shakedown and he said i’m going to stop into the Orange amps office and try some amps. So I said I will go with you and plugged into a Rockerverb. I wanted something I could get a lot of sustain out of and I tried the Rockerverb and got one, I loved it so much. I just use one channel on the Rockerverb, the clean channel and I drive it hard and I use the attenuator to set the volume and its as simple as that. I just love how much sustain I can get out of that amp. I just happened to rolling around with Graham in Nashville and played one and here we are.

So I always want an amp that has a good clean channel but also sounds big, if I don’t have a pedal on. But I don’t want an amp that is so distorted that I can’t have some control at my pedal board. So it’s this fine balance of an amp that’s big and full and that’s almost on the edge of being crunchy but still clean and precise. I like to hear, it’s hard to explain, I want the amp to sound glassy, like I want to hear the tubes and feel that play between the guitar and the amp.

 

 

Hey this is Graham Whitford with Tyler Bryant and the Shakedown.

I just kind of naturally started picking up the guitar, I don’t know what exactly it was but I just started looking at them and I kind of went that thing looks kind of cool, maybe I should play that. I started picking it up and just naturally started practicing all the time. Any time there is a guitar in the room or a drum set for that matter, I still have the horrible “Oh god, I need to play that right now!” It’s like I’m an addict or something!

Well Orange I actually started playing pretty recently, within the last year. I plugged into the Dual Dark 50 and I was blown away by how good it sounded. It had this really beautiful mid range, punchy, fat sound to it.

I just love the sound of tube saturation and a little bit of gain but not too much gain, just enough. I’ve always been fascinated by that bell tone that you get, Orange does that great. They are workhorses, they are really sturdy, we haven’t had any problems with them breaking down, that happens on the road when you are moving around so much.

I would say tone, first and foremost but also reliability, cuz they are really reliable, they are built like tanks. They sound really good, i’ve always heard about Orange over the years but never got a chance to really check one out and especially check one out in a live setting. They just sound really good and they look cool!