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There is one thing we love more than anything else and that is rock ’n’ roll, in all shapes and sizes – we love it, can’t get enough. Without rock ’n’ roll, we wouldn’t be where we are today, and we owe everything to this beautiful genre and it’s offsprings. We like to take this opportunity to shine a light on a few (of many) rock bands and artists on our roster today.

Billy Gibbins, ZZ Top

Bax Bangeetar
Micro Dark

Another legendary guitarist making their way into this article is ZZ Top guitarist Billy Gibbons. Gibbons started his career in The Moving Sidewalks as a young teen, a band that landed shows supporting bands and artists such as Jimi Hendrix and The Doors – he then went on to forming ZZ Top in the late sixties alongside bassist Dusty Hill and drummer Frank Beard (who funnily enough is the only member without a beard), which remains the standing line up of the band today nearly fifty years later.

Throughout his time in the band, Gibbons have become a massive name among respected guitar players, and again and again produces quality blues infused rock albums whether it’s with the ZZ Top or as a recording solo artist. Latest one out is his solo project “The Big Bad Blues” released September 2018, which just adds to his already impressive resume. Billy Gibbons is a master bluesman, to say the least. Gibbons is not a big user of pedal, so we were particularly pleased when he took a liking to our Bax Bangeetar pedal which he uses both live and in the studio.

Phil Campbell, Phil Campbell and the Bastard Sons

Phil Campbell is first and foremost known as the former guitarist of legendary speed rock band Motörhead. His career in the band lasted for 31 years, which he pretty much spent on the road touring or in the studio recording. Sadly, the band’s disbanded in 2015 after the tragic passing of frontman Lemmy. Since then, Phil has formed his own band “Phil Campbell and the Bastard Sons” with three of his actual sons, almost a family business much like our own, sort of.

Rune Rebellion, Turbonegro

AD30HTC x 2
Rockerverb100
Turbonegro kind of came out of the Norwegian woods having created their own sort of genre called “Denim Death Punk”, which is pretty close to what we call rock ’n’ roll hence why we’re allowing them on our list. Turbonegro were initially formed in the late eighties and kept it going for about a decade, before a three year long hiatus. Luckily, to the joy of Turbojugends across the world the band got back together and kept releasing music. Rune’s one of the founding members of the band, and has been a constant member with the exception of a few years which we’re choosing to ignore. Watching Turbonegro live is in many ways the most masculine and feminine thing you’ll ever see all at once – middle-aged men in daisy dukes, sailor hats and make up, playing sweet rock ’n’ roll to a bunch shirtless dude and women (although they tend to keep their shirts on) – few bands throw a party like Turbonegro. Rune’s been using Orange for about 15 years now both live and in studio, and tends to stay clear of effects, as “The Rockerverb sound provides him with the softness of classic rock mixed with the modern hard rock growl which is perfect for the full on Turbonegro guitar attack.” – Rune Rebellion.

Scott Holiday, Rival Sons

OR15
Acoustic Pre
Custom Shop 50
PPC412

PPC212

Some people say rock ’n’ roll is going, so whenever a band such as Rival Sons comes up it makes us happy as it means we can prove people wrong. Rival Sons are one of those bands that are kind of ticking all the boxes for a classic rock band, but with a modern twist – they have the anthems as well as the ballads, a killer frontman who can play the tambourine and look super fly while doing so, which is pretty rare in 2019, and they have Scott Holiday and his magician moustache. Scott’s all about the big sounds, and with the “killer and colourful heritage and history, healthy list of some of the greatest players ever and the high quality of current amps and cabs, Orange was an easy choice.” – Scott Holiday.

Danava, Peter Hughes

Rockerverb 50
OR100
PPC412 x 2
Peter Hughes, the classically trained and exceptionally skilled guitarist of heavy rock ’n’ roll bands Danava and Sons of Huns. Peter got his hands on his first ever Orange (which was a Rockerverb 50 combo) back in 2007 having just graduated the Willamette University with a Bachelor of Music degree in Classical Guitar performance. It didn’t take longs before he had his hands full playing for both bands, venturing far away from the classical sounds but bringing along all the tricks of the trade to the table, now catering for a new audience with his high paced and heavy rock ’n’ roll which would suit fans for the likes of Motorhead and Thin Lizzy. Since then, he’s become an official Orange ambassador and acquired a few more pieces to his rig in the form of two PPC412 cabs and an OR100. When Peter isn’t playing his Orange amplifier at excessive decibels, he enjoys “plucking out the Baroque stylings of the one and only J.S. Bach on Classical Guitar”, as well as being a amateur mycologist, or a fungi enthusiast.

The Groundhogs

Ah, day two of Desertfest! As mentioned in my previous post, I started day two on a staggering hangover, but managed to make my way to Electric Ballroom to catch The Groundhogs at 2.30 – there was no way in hell I was gonna admit defeat and miss out on THE Groundhogs, who’s 1970 album ‘Thank Christ for the Bomb’ has been on repeat for the last couple of months. The Groundhogs came, played, and did not let me down – they pretty much tore shit up and blew me away! Musically I reckon they’re proabably one of the best acts at the entire festival, and it baffles me that they were on so early as they’re a pretty damn hard act to follow.

Post Groundhogs, we ventured the The Black Heart to catch some of Iron Witch, before having a three hour long sit-down and beer break while waiting for Turbonegro. As a Norwegian, I think of Turbonegro as a national treasure – I’m raised on their denim death punk, and until last night, I had not seen them since 2007, let alone with Tony Sylvester fronting them. Having a frontman replaced can be scary, heartbreaking and gut wrenching, and I wasn’t sure what to expect as Hank left pretty big boots to fill… All of my fears, worries and concerns, disappeared in the split second Tony strutted out on stage in his tight, cropped sleevless tee, combined with some outrageously tight denim cutoffs, a hat, and his trade mark make up. It was, in a way, the campest and most masculine thing I had ever seen, all at once. They’re a party band of a different dimension, and they were fucking sick. I left the venue sweaty and stoked in my newly acquired Turbonegro ‘Taste it & Get Wasted’ t-shirt that I will live my life by and wear like a badge of honour til my dying day. Also totally applying to join Turbojugend, asking myself why I haven’t done so years ago.

Turbonegro

After Turbonegro I made a half hearted attempt of queuing to get into The Black Heart afterparty, but decided to call it a day so I’d wake up fresh and fine for the grand finale. Not one from learning of my mistakes, but as I’m sat here feeling fresh AF, well rested and rejuvenated, I’m feeling pretty good about myself and ready to take on the day.

The Black Heart //  2.45pm – 3.30pm – Venomous Maximus
Underworld // 3.30pm – 4.15pm – Elephant Tree
Roundhouse // 4.45pm – 5.45pm – Saint Vitus
Underworld // 6.30pm – 7.30pm – Pigs Pigs Pigs Pigs Pigs Pigs Pigs
The Black Heart // 8.30pm – 9.15pm – Chubby Thunderous Bad Kush Masters
Roundhouse // 9.15pm – 10.45pm – Sleep
Underworld // 10.30pm – 11.30pm – Samsara Blues Experiment

I have my heart set on seeing all of the bands above, but am coming to terms with the fact that I’m gonna have a nervous breakdown at around 8.45, trying to fit in Chubby Thunderous, Sleep and Samsara. Shit.