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The Wombats have been using Orange amps pretty much since they first started as a band. So before their headline show at Wembley arena Jamie, ‘Murph’s’ guitar tech took some time out to run us through his rig. The three Dual Terrors are the rock of the rig and a Tiny Terror is used as a different flavour

Hi i’m Jamie Matthew Murphy’s guitar tech with the Wombats and this is his rig.

So we have got all these guitars here, we have got ‘Blue Bob’ which is his main guitar, a paisley telecaster from 96′ I believe. It’s the one he uses the most, on most tunes, it is in standard tuning. Then we have a spare which is a brown tele, we have got a strat he uses on three or four tunes as well. A black and a white jazzmaster and a Fender Coronado too.

These are all going through a Sennheiser wireless system which are then combined in a Radial JX44 combiner, I have a remote down here which I can easily switch them when we are doing guitar changes. Then it goes through a G2 gig rig pedal board, now all this is midi automated as I think there is only two or three songs without a click track, so every song with a click track ‘Murph’ doesn’t have to touch his pedal board other than to turn tuner on or off but that’s it really, it’s all pretty automated. We shall move on to the amps.

We have amp one and amp two which are both Dual Terrors, amp three which is a Tiny Terror. Amp one and amp two both go to 2×12 cabinets, amp one the sounds on both channels are very similar, i’d say it’s a clean sound with a bit of bite and then when he hits his footswitch to change his channels it gets a bit louder and a bit more of a gravely version of the first one. But there is not very much difference with that and amp two, the clean channel is all down so there is no signal passing through it until he hits the switch and then you get a really gainy, driven sound. Amp three goes through a 1×10 and that is a purely uneffected signal, so it bypasses all the pedals straight to the back of the amp and it just gives Pete at the Front of house or monitors something to get some clarity if the other two are raging.

I’ve personally always loved Orange amps because there is not twenty knobs on them, you haven’t got bass, treble and middle control for tone. It’s very, very simple you’ve got six knobs, three for each channel and you get everything you need out of them, you don’t any more. They are perfect for what you do.

If we go to America or fly gig they lugged about in a backpack and can literally hand carry them onto a plane, they can take a knocking about, there is not really any signal you can put through that it doesn’t sing, it doesn’t sound as it should. They are not venue specific, for instance we played Birmingham academy last night and we are doing Wembley arena tonight, you don’t struggle with volume or with control with the amp. They have got more than enough punch for Wembley arena.

You get that classic british sound don’t you, that classic british rock sound from all valve analogue amps. It’s the simplicity that makes them, that’s what makes the tone so good I think. There is very little taken away from it by adding more, there is not much there but what’s there is perfect for a classic British rock sound.

Thanks so much for taking the time to this interview, and congratulations on your latest record ‘Alamort’ which is out today!
Dan: Yeah thanks! It’s out today, and it’s really exciting. This is album number four, as well as having released two EPs. I initially started it as a solo project seven years ago, then after awhile it kind of just went out of hand, and here we are now!
Ryan: Myself and Marcus have been in the band for about a year, and we have both been apart of this album and writing process. This is the first album with this line up.

Dan: It’s a real departure from what the band has done before, as it used to have quite a lot of folky elements. We’re now playing more melodic punk taking inspiration from the 90s emo genre. It’s kind of more of the music I’ve always wanted to be making, so when these guys joined that just all fell into place and happened naturally.
Marcus: like Dan says, we’ve gone more full electric, with more pedals and force and all that, more noise.

Now, Norwich might not be the centre of the universe, and most people might not be that familiar with the Norwich music scene. Can you guys give us the lay of the land?
Dan: The Norwich music scene is really healthy, one of the reasons I move to Norwich was actually due to the booming Punk scene. All the bands kind of support each other, and that is how we all met, on that scene. That is how Ryan and I met about four years ago.
Ryan: I do sound engineering as well and made a fair bit of people through that, that is also how I met Dan, as I did a few shows for him.

So Marcus, how did you end up in the band?
Marcus: I am kind of the outsider of the group as I initially joined the band as a fan. I was already aware of what they were doing and knew the band quite well. So when I saw there was an opening I just thought to myself ‘fuck it, I’m going to give it ago’. It’s been nice since the lineup had already changed and the band was changing, I got to come in and bring my own opinions and put my own sound on it, I also got to add my personality and stamp on some of the older songs. No one is precious about anything so if any of us comes up with a new idea and it doesn’t go down well with the whole band we won’t do it. Everything we do, we do together.

Now, the reason were all here – Orange amps. Can you tell us a bit about your history and experience with the brand?
Dan: I used to guitar tech a lot for various bands, some of which would use Orange, and I was just baffled by the fact that you could get such clarity and crunch at the same time, you can’t seem to do that with many other amps. I was playing Marshalls for years, but it wasn’t until I first plugged it into an Orange I finally found my sound.
Marcus: I play a Dual Terror, and I was first introduced to Orange by a friend who had a Tiny Terror, and I just loved how you could get that big sound something so small, it’s had this amazing huge sound and it would just really fill a room. Before I started playing guitar in this band, I originally played bass, and I didn’t have any money to buy any pedals, so I had to learn to compensate for that by using my hands and away I would use the settings on my amp. I got that overdriven sound without having to use any pedals, and if they wanted to make it even more overdriven I could just play harder, mechanically. I like how transparent the sound is, and the amps are incredibly responsive to what you’re doing. So yeah, I guess it is just the evolution of not being able to buy any pedals and learning how to work around it and using my amp to compensate. Even today, I still only use three pedals when we play live, as the amp pretty much sorts me out with the sound I want and require, with most of my sound coming strictly from the amp itself. Gain, volume, tone – nothing fancy, just plug and play!
Ryan: My first encounter with Orange was similar to Dan’s, doing shows, working as a sound engineer and seeing bands coming in with different gear all the time. I played bass for years, but had never managed to find that had that was quite right. One day, I was working with a band who’s bassist was using a Bass Terror, he played a 68’ Fender Precision bass through it, and the tone was just unbelievable. Straight after that, I went out and bought to my own which lasted me five years, until this Christmas I decided to put my big boy pants on and get the OB1-500. All I want from my amp when playing the bass its power and clarity, and it is true what everyone is saying, you really can just plug and play.

Norwegian band Shaman Elephant recently released their debut album ‘Crystals’, which the critics and music know-it-alls have been all over. Based in Bergen, one of the rainiest cities in Europe and the black metal capital of the world, I was intrigued to find out more about their trippy, feelgood psych-rock, so I decided to pin down guitarist Eirik before their release gig at Bergen’s legendary music venue Garage.

So, Eirik, fellow Norwegian viking, new record – tell us about it!
We started recording it about a year ago and did almost all of it at Bergen Kjøtt (Translates to ‘Bergen Meat’, and old factory converted into music studios and rehearsal spaces), except for vocals and overdubs which we did at Solslottet. It’s been out just over a month now and people seem to really like it! Niché magazines and music blogs have been giving it pretty good reviews, and BT (Norwegian newspaper) gave us 5/6 which we’re pretty damned pleased with. The only one who didn’t like it was Gaffa, but they can go fuck themselves.

Fair dos – clearly Gaffa knows fuck all.

How long have you guys been playing together?
The three other guys, Ole, Jard and Jonas have been in various bands together for years, but I’d say Shaman Elephant’s been going for about three.

You’ve got a big night tonight with the record release show – how’s the next couple of months looking? 
We’re heading overseas to London in April, where we’ll be playing a headline show at The Unicorn with GNOB 18th of April, followed by a set at The Jonesing Jams at 93 Feet East two days later. Besides that, I reckon most of our gigs will be in Norway, possibly some German dates.

…damn, I’m really fucking hungover. Went to a gig last night and was only meant to have one beer, but when’s one beer ever actually been ‘just one beer’? Before you know it it’s 6am and you’re still going strong. It’s all good though, I’ll get another few beers in me and then chill out for a while before I go on stage. I’m really stoked about tonight, our bassist’s got this old Orange guitar amp which he’s running his bass through, it sounds sick!

Speaking of Orange, you’re an Orange man yourself?
Sure am! I’ve got a Rockerverb.  I work in a guitar shop so I’ve tried pretty much all there is, and the Rockerverb’s just brilliant, same with Dual Terror and Tiny Terror, massive fan!

 

What got you into Orange in the first place?
I was looking for a new amp but didn’t quite know what I wanted, all I knew was that I didn’t want Marshall because I think they can get too complicated, and I wasn’t too keen on getting a Fender. There I was watching a Prince show and he was using Orange, which kind of just settled it for me. I decided on a Rockerverb – I’d never tried one, but I knew I needed one. It’s been six years now, and I couldn’t be happier with it, you get that filthy and fuzzy tone that you can only find in an Orange. A lot of sustain, and simply just a great sound. Plus, they’re Orange so they look fucking cool. I’d love to get two 4×12 cabs, it’d be pricey but worth it. Build my own wall of sound, like Sleep’s Matt Pike and his rigs of doom.

Growing up in rainy Bergen, what music would you be listening to?
I’m very much raised on my dad’s music. I went through a hip hop phase, which I still can appreciate today, but when my dad told me to check out Hendrix that changed everything. I remember finding ‘Purple Haze’ live from Woodstock, and it completely knocked me out. After that he’d just feed me whatever he’d be listening to, whether it was Led Zeppelin, Deep Purple or AC/DC, it was all thanks to my dad.

Bergen’s been mostly known for it’s black metal, how is the music scene when it comes to other genres? Is there room for variety?
Absolutely! There’s been a fair bit of this prog-jazz as well as a wave of retro noise/psych. I dont think there’s too many other bands like ours in Bergen though, so there’s always room for more. That said, Bergen was either black metal or pop music for a long time, but the last couple of years I’ve seen that new genres have been popping up between the two, filling the gaps out a bit more. Norway has a lot of trap and hip hop, so it’s cool when people break the norm and do their own thing, we need more of that.

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Manual V1.0

Tiny Terror Manual

Introduction

Thank You for Choosing Orange

Ever since the founding of the company in 1968, Orange has been a pioneering force in the guitar amplification industry. Today, with a team of the world’s finest amplifier engineers, Orange continues to push back the boundaries of conventional valve amplifier design.

Our commitment to craftsmanship and quality control has allowed our amplifiers to stand the test of time, giving their owners as much pleasure now, as the day they were bought. To maintain this level of excellence, each Orange amplifier is put through many rigorous test procedures before leaving the factory.

The warmth, tonal quality and rich harmonics generated by a valve amplifier cannot be reproduced by ‘artificial’ means. Many guitarists have reached the same conclusion: neither the transistor nor the microchip is a true alternative to valve technology.

This manual contains valuable technical and safety information. Please take the time to read this manual as the information may enhance the sound and performance of your amplifier. We are confident that you will be delighted with your new purchase and that it will provide you with many years of enjoyment. You are now a member of the Legendary British Guitar Amplifier Owners Club!

In the interests of product improvement, the contents of this manual may be subject to change without notice.

Safety

Important Safety Information

1) Read these instructions.
2) Keep these instructions.
3) Heed all warnings.
4) Follow all instructions.
5) Do not use this apparatus near water.
6) Clean only with dry cloth.
7) Do not block any ventilation openings. Install in accordance with the manufacturer’s instructions.
8) Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat.
9) Do not defeat the safety purpose of the polarised or grounding-type plug. A polarised plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet.
10) Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.
11) Only use attachments/accessories specified by the manufacturer.
12) Use only with the cart, stand, tripod, bracket, or table specified by the manufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over.
13) Unplug this apparatus during lightning storms or when unused for long periods of time.
14) Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.

NO USER SERVICEABLE PARTS INSIDE. DO NOT ATTEMPT TO GAIN ACCESS TO THE INTERIOR OF THE PRODUCT. REFER ALL SERVICING TO AUTHORISED ORANGE SERVICE PERSONNEL

The lightning flash with arrowhead symbol, within an equilateral triangle, is intended to alert the user to the presence of un-insulated ‘dangerous voltage’ within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.

Terminals labelled as “Speaker Outputs” must be connected to a speaker cabinet of the designated load rating using an un-shielded two conductor cable for speaker use at all times during operation.

The exclamation point within an equilateral triangle and "WARNING" are intended to alert the user to the presence of important operating instructions. Failure to heed the instructions will result in severe injury or death.

WARNING: To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture. For indoor use only. Do not place liquids, or objects containing liquids on or near the apparatus

Models which use a mains cord/plug to connect to the mains electricity supply must be connected to a mains socket outlet with a protective earthing connection. The voltage selector switch and mains fuse are set at the factory for the country or region in which this Orange product is intended to be sold. To prevent serious damage to the product, ensure that the rated AC mains voltage indicated on the product's rear panel agrees with the mains voltage from your AC mains outlet before connecting the mains cord/plug.

If the product is to be used outside of the factory set region, ensure the voltage selector switch (found on the rear or side panel) is set to the correct voltage for the new country/region and that the appropriate mains fuse is fitted in the pull-out fuse tray below the IEC mains input.

The correct mains fuse rating for your product is printed on the chassis. Use only the same 250V type and rating as specified for the product. Different operating voltages may require the use of different types of line cord and attachment plugs. If you are unsure, contact your Orange Dealer.

This Orange product conforms to UL 60065:2001 (Seventh Edition) + A1:2005 + A2:2010 for Audio, Video and Similar Electronic Apparatus. Certified to CAN/CSA CAN/CSA-C22.2 No. 60065:03

This Orange product complies with the WEEE Directive (2002/96/EC) marking requirement. This affixed product label indicates that you must not discard this electrical/electronic product in domestic household waste. Please contact your local authority for details of your nearest approved recycling facility.

Before you turn it on…

IMPORTANT!

The voltage selector switch and mains fuse is set at the factory for the country or region in which this Orange product is intended to be sold. To prevent serious damage to the product, ensure that the rated AC mains voltage indicated on the product's rear panel agrees with the mains voltage from your AC mains inlet before connecting the IEC power cable.

If the product is to be used outside of the factory set region, please ensure the voltage selector switch (found on the rear or side panel) is set to the correct voltage for the new country/region and that the appropriate mains fuse is fitted in the pull-out fuse tray below the IEC mains input.

The correct mains fuse rating for the product is printed on the chassis (see ‘ Rear Panel Features’). Use only the same type and rating as specified for the product. Be advised that different operating voltages require the use of different types of line cord
and attachment plugs. If you are unsure, please contact your Orange Dealer.

BEFORE USING YOUR AMPLIFIER

Always ensure the amp's volume control(s) are set to zero before switching on the power to amplifier.

To prevent hum and electrical noise operate your amplifier and instruments as far away from other electronic devices (especially fluorescent and neon lamps) as possible as these generate extremely high levels of electronic noise.

SPEAKER OUTPUT CONNECTIONS (HEADS & COMBOS):

Make sure the correct speaker load is connected at all times during operation.

  • Do not connect to a speaker load which is less than 8 Ohms in total!
  • Always connect to a cabinet of an appropriate power rating/handling!
  • Never use two cabinets of different/mismatched impedance!
  • Only connect speakers using a quality dedicated speaker cable. Never use an instrument cable!
  • Never connect headphones to the speaker outputs!
  • If you are unsure, please contact your Orange Dealer.

    Only connect speaker cabinets in accordance with this manual. Failure to do so will cause damage to the amplifier and void any warranty:

    Heads:
  • 1 x 16 Ohm cabinet – Use the 16 Ohm speaker jack socket (rear of chassis).
  • 2 x 16 Ohm cabinets – Use both of the 8 Ohm speaker jack sockets (rear of chassis).
  • 1 x 8 Ohm cabinet – Use either of the 8 Ohm speaker jack sockets (rear of chassis).
  • Combos:

    All Orange valve combos have an internal speaker load of 16 Ohms and are connected to the amplifier's 16 Ohm output at the factory. When using an extension cabinet, only ever connect a 16 Ohm cabinet!

    To connect an extension cabinet to the combo reconnect the internal speaker jack to either of the 8 Ohm speaker outputs, and connect a 16 Ohm extension cabinet to the other 8 Ohm speaker output.

    Be sure to reconnect the internal speaker to the 16 Ohm output when an extension cabinet is not attached.

    VALVES:

    When powering up, ensure the amplifier is set to the STBY position on the front panel for a minimum of two minutes prior to performance. This will prolong the life of the valves.

    The HT Fuse(s) (rear of chassis) will blow in the event of output valve failure in order to protect the internal circuitry from damage. Orange recommends output valves are replaced in full matched sets. Orange models fitted with EL34 or 6550 valves will also benefit from a bias adjustment which should only be undertaken by a qualified technician. When changing the HT fuse, gently push down on the fuse holder and turn anticlockwise to release the fuse.