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The all new, re-designed Terror Bass has arrived and it sounds better than ever. With an all valve front end, the Terror Bass is a 500W hybrid bass amp with a valve preamp and solid state power amp, making it closer to the sound of our flagship AD200 than ever before.

Some of the top bassists have made the switch to the Terror Bass. Here’s what they think about this amazing lunchbox-sized piece of kit:

“This amp is wicked. It’s so damn good. The wirey sound and the gain blow me away. It’s enabled me to get a lot of frequencies on the bass I haven’t heard in a while. Sometimes small is better. The Terror Bass is the greatest amp I’ve heard in a long time.”
Glenn Hughes


“The Terror bass amp is cool because it adds a lot of warmth, it adds a lot of detail, it kind of allows me to shape what i’m doing and give it its best possible presentation. A cool feature about the Terror bass amp that stands out to me is the clean switch, it basically allows the cleaner end of the approach to really sing. When I’m playing clean or when I’m playing my bass six, kind of on the higher strings, I still want there to be a lot of warmth. I don’t want it to start sounding too much like a guitar and this amp has really been instrumental in getting across what I want to get across.”
Sergio Vega of Deftones, Quicksand


“I played the original Terror Bass for years. The new one is even better. It’s the only bass amp I want on stage with me!”
Richard Turner of Blackberry Smoke


“The first thing I noticed about the Terror Bass was the tone that I could get out of something that was that small. I was completely blown away by it. Second, the portability. I remember ETID going on tour and a bunch of people being like:

‘What’s that? Is that head you’re playing out of?’

‘Yeah, it’s a bass head.’

People were shocked at how much tone and power you could get out of it. Then I remember six months later, almost every single hardcore band we toured with had this head.”
Steve Micciche of Every Time I Die


“Our sound guy actually told me that I’m not allowed to use anything else!”
 Grutle Kjellson of Enslaved


“With the Terror bass I have found reliability and tone. It’s just flawless in every way.”
Dan Cunniff of Boston Manor


Reading Festival – Sunday – 26th August

“The controls of this amp are very easy to use, there is just a bass, mid, treble, which I like. I never really mess around with graphic EQ’s and stuff like that, so it’s perfect for me.”
Josh Finerty of Shame 


My name is Daniel and I have been at Orange for nearly four and a half years, when you put it like that it sounds like a prison sentence! Over the years I have had the pleasure of sitting down and chatting to a lot of artists in my role of European Artist Relations at Orange. A lot of these artists I have grown up listening to, which is I am very much aware i’m in a very lucky position. So I thought I would go through a few of my favourite interviews and some of the background to them.

Tim from Prophets of Rage

I have been a fan of Rage Against the Machine for as long as I can remember, I saw them and nearly died in the pit at Reading Festival 2008 and it is still one of the best shows I have ever seen. So when there was a chance to interview Tim from Prophets of Rage I jumped at the chance, we were in the artist area of Download Festival in 2017 and managed to get 10 mins of Tim’s time. Tim was a gentleman and complete professional, speaking with real enthusiasm about his style of finger playing and how he feels the advent of YouTube is helping to teach new players. What also made me really enjoy his interview was how even after lots of years in the industry he still enjoyed played music in a band. Shortly after interview I got to see the band destroy the Main Stage at the festival and saw how the band hasn’t lost any of its original groove when Tim and Brad lock in. The fact that Tim uses an AD200 live is for me one of best bass players we have on our roster.

Brian ‘Head’ Welch from Korn

I drove all the way to Nottingham for this interview… or it could have been Birmingham, any way it wasn’t in the warmth of London. But it was worth it, to sit down and chat with at the time, our newest endorsee Brian from Korn. Brian had just started to play the Rockerverb MKIII Head, after his guitar tech had come and chatted to us at festival the year before. The Rockerverb was in Brian’s rig and I enjoyed hearing how he called it a ‘Buttery tone’ and also how the band unknown to all of us at Orange has been using our gear since the early 90’s on their records. Jim Root gets an honourable mention as well from Brian and not only was the interview great to shoot but the show was so much fun. Perfect lighting for footage and I was able to get some great live shots. Not only this but the band were playing on a bill with ‘Madball’ and ‘Limp Bizkit’ which is enough of a reason to drive wherever in the UK to go see.

Pepper Keenan from Corrosion of Conformity

Pepper has been a guitarist I have followed through his many different bands and projects, I have always felt that for me, COC was the pinnacle of his work. When he rejoined a few years ago, I straight away bought tickets to the show at the Electric Ballroom as I couldn’t miss it. With Orange and my previous employment, I have on and off worked with Pepper but finally I got to interview him properly just last year when the band came into town. You always know with Pepper you will get a great interview and his description in previous interviews of Orange amps being like “petting a snake” has always made me laugh. In this interview you can really see his love for Orange, which I can honestly say was done with minimal prompting, I really only needed to ask “what do you think of Orange?” and leave the camera rolling and he waxed lyrical!

Matt Pike from Sleep, High On Fire

This was a very last minute interview request, i remember being asked if I was able to get down to Kentish Town to chat to Matt Pike, well I really couldn’t say no! Within a couple of hours i was one of the only people in an empty Kentish Town forum (capacity of 2.5K people) hearing Sleep soundcheck. It is still one of the loudest things I have ever heard, I was stood in front a wall of Orange amps being cranked, while Matt was shredding. After I had recovered, I got to chat to Matt about exactly how he controls that amount of noise. His understanding of guitar frequencies and feedback was one of the most interesting points of the interview, he spoke for at least 10 minutes about bringing different amps in to the mix and how they can be used to project different frequencies. Thinking back on it there is still so much from this interview I wasn’t able to put into the edit. The band show that night was a masterpiece in stoner rock and left the whole building shaking. It’s still one of my favourite video interviews I have ever done, due to me being personally incredibly interested in the thought process of building massive amp rigs.

Jim Root from Slipknot

Jim Root has been a guitar player I have been listening to since Slipknot’s first album and when he strolled into the portacabin at Download I was knocked back how friendly and funny he was but also how whatever amp he plugged into it, sounded exactly like the record. He was coming in to try the new Rockerverb 100 MKIII that had just been released and sat down with one of his personal guitars and played for at least a ½ hour. Only stopping to tell me how earlier that week he had been jammin with Josh Homme by playing the classic ‘Better Living Through Chemistry’. Then came the interview and playthrough, which just became every Slipknot hit played note perfect. After the interview Jim was so enamored with the amplifier he took it to play that night in front of 120,000 people, what a way to try a new amp!! This is one of my favourite videos because one, it’s the most popular and two it’s not great quality (one shot is a phone camera!) but it still works. Jim’s playing is great and he speaks from the heart, we really need to film a new Jim Root video!!

Sergio Vega from Deftones

Honestly I think Deftones are one of my favorite bands, they combine so many different elements of music that I love and I feel have consistently made great albums from their first till latest release. So being able to spend time chatting to them about gear, look at the their touring rig and sometimes see them rehearse for shows has been something that I have had to keep cool about during these times. I think this was either the second or third time I had shot Sergio and this was at the end of the day with the band while they were rehearsing before 2018’s Meltdown show at the Southbank in London. We spoke about his use of Orange in Deftones and Quicksand, Sergio also played through a few of his favourite bass lines from his career. The reason why this is one of my favourites is I think it came out really well, the day was long but throughout it all Sergio was fun and an utter pro about getting the right shots and sounds.

Ye! No fingers, picks!

Hi, I’m Sergio Vega I play bass in Deftones and Quicksand and i’m sitting here with Orange and we are going to be talking about the Terror Bass.

So my general impression of the Orange brand is legendary! The first time I saw an Orange amp was with Sleep. Their sound is massive and seeing the wall of amplifiers and cabs, it made a big impression.

For me playing bass is a very aggressive, kind of sensual and I play with a pick. It comes from bands that I grew up loving like the Cro-Mags, Amebixs, basically punks bands with gnarly tones and that was my thing and it still is!

The Terror bass amp is cool because it adds a lot of warmth, it adds a lot of detail, it kind of allows me to shape what i’m doing and give it its best possible presentation.

A cool feature about the Terror bass amp that stands out to me is the clean switch, it basically allows the cleaner end of the approach to really sing. When i’m playing clean or when i’m playing my bass six, kind of on the higher strings, I still want there to be a lot of warmth. I don’t want it to start sounding too much like a guitar and this amp has really been instrumental in getting across what I want to get across.

I play Orange amps with Quicksand and Deftones, Orange cabinets as well. They just sound meaty! One of the things i’m definitely really into about Orange besides the bass amps are the cabinets. Something in the construction of it, something in the wood, something in the weight that really stand out, in a way that I heard immediately and i’ve been stuck on.

To me I use digital processors, you know amp processors and I run them straight into the front of the Terror Bass amp so I can add the warmth from the tubes and the extra colouring from the EQ. But it has a really rad effects loop that I have messed around with as well, so if that’s your approach its totally there for as well.

I originally started using the Terror bass amps because it was helpful in taking all of the digital processors that I was using and adding extra girth and width and helping articulate the distorted aspects of my tone, all of the effects that I like to use. Also its really there for me for the cleaner end of what I do, now that they’re back and I have my chance to get my hands on them again, especially with the additional feature of the clean switch, i’m super stoked.

I’m looking forward to many years with this, don’t ever leave me again!

I’m Sergio Vega and I play the Terror Bass!

 

 

On Wednesday, August 12, Incubus, Deftones, Death From Above 1979, and The Bots played Aaron’s Amphitheater at Lakewood in Atlanta, GA. I was there with the Artist Relations Manager/Guru of Orange Amps, showing artists a yet-to-be-unveiled new product, making connections, and hanging out with one of my favorite bands of all time. My first-ever backstage experience included excellent catering, meeting Brent Hinds and Brann Dailor of Mastodon, watching the Deftones set next to Norman Reedus from The Walking Dead, and chilling with Stephen Carpenter in the back of Deftones’ tour bus. I guess you could say it was an alright night.

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Deftones opened up their 80-minute set with the classic “Be Quiet and Drive (Far Away)” from their 1997 album Around the Fur. The view from the VIP section was pretty radical.
The set spanned the group’s catalog, including songs from 1995’s Adrenaline all the way through Deftones’ last release, Koi No Yokan, although many songs were fan favorites from White Pony and Diamond Eyes.

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In this shot, Norman Reedus is clearly soaking up the aural bliss of “Digital Bath.” The sound throughout the night was incredible, thanks to the crew of talented sound engineers and the bands’ drool-worthy gear. Deftones’ choice makes a lot of sense to us!

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Stephen Carpenter’s guitar rig isn’t joking around one bit. 4 Axe-FX preamp/processors, 2 ENGL tube poweramps, and 4 Orange PPC412C cabinets covered in black tolex. The guitar tone was incredibly clear and monstrously thick!

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The entire show was great, with Incubus closing out the night after Deftones. We went back to Deftones’ tour bus and hung out with Stephen, their guitar tech, and a couple of people from their tour crew before calling it a night and heading out. Although nights like these are probably a pretty frequent occurrence for Orange, I will never forget my first “backstage” experience, and I’m glad Orange Amplification was involved.

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-Kendrick Lemke, intern #47