Tag Archive for: obc112
With an all valve front end, the Terror Bass is a 500W hybrid bass amp with a valve preamp and solid-state power amp, making it closer to the sound of our flagship AD200 than ever before, with a front panel that remains the same layout to the original Terror Bass but with an added clean switch, giving more headroom and smoother, clean sounds.
From clean pop sounds through to gritty rock tones the Terror Bass can do it all. A pad switch on the front for active basses takes 6dB off the input sensitivity. The effects loop is valve on the send and solid-state on the return. The Terror bass is a Class D amp with 500 watts of power into 4 Ohms and 250 Watts into 8 Ohms, the limiter switch on the back prevents the output stage from being pushed too hard into 4 ohms.
We met bass wizard Adrian Bartol in Madrid and captured the tones you hear in this video, using his Moollon bass and new Terror Bass and OBC112 miking the room, to bring you all the expressiveness and versatility of this ultra-portable professional rig, from Motown_esque groove to pop, from punk to contemporary rock, the Terror Bass covers every base and the OBC112 can follow you from the studio to the gig.
YOU KEPT ASKING FOR IT…
The all-new, re-designed Terror Bass has arrived and it sounds better than ever.
The all new, re-designed Terror Bass has arrived and it sounds better than ever. With an all valve front end, the Terror Bass is a 500W hybrid bass amp with a valve preamp and solid state power amp, making it closer to the sound of our flagship AD200 than ever before.
Some of the top bassists have made the switch to the Terror Bass. Here’s what they think about this amazing lunchbox-sized piece of kit:
“This amp is wicked. It’s so damn good. The wirey sound and the gain blow me away. It’s enabled me to get a lot of frequencies on the bass I haven’t heard in a while. Sometimes small is better. The Terror Bass is the greatest amp I’ve heard in a long time.”
“The Terror bass amp is cool because it adds a lot of warmth, it adds a lot of detail, it kind of allows me to shape what i’m doing and give it its best possible presentation. A cool feature about the Terror bass amp that stands out to me is the clean switch, it basically allows the cleaner end of the approach to really sing. When I’m playing clean or when I’m playing my bass six, kind of on the higher strings, I still want there to be a lot of warmth. I don’t want it to start sounding too much like a guitar and this amp has really been instrumental in getting across what I want to get across.”
Sergio Vega of Deftones, Quicksand
“I played the original Terror Bass for years. The new one is even better. It’s the only bass amp I want on stage with me!”
Richard Turner of Blackberry Smoke
“The first thing I noticed about the Terror Bass was the tone that I could get out of something that was that small. I was completely blown away by it. Second, the portability. I remember ETID going on tour and a bunch of people being like:
‘What’s that? Is that head you’re playing out of?’
‘Yeah, it’s a bass head.’
People were shocked at how much tone and power you could get out of it. Then I remember six months later, almost every single hardcore band we toured with had this head.”
Steve Micciche of Every Time I Die
“Our sound guy actually told me that I’m not allowed to use anything else!”
Grutle Kjellson of Enslaved
“With the Terror bass I have found reliability and tone. It’s just flawless in every way.”
Dan Cunniff of Boston Manor
“The controls of this amp are very easy to use, there is just a bass, mid, treble, which I like. I never really mess around with graphic EQ’s and stuff like that, so it’s perfect for me.”
Josh Finerty of Shame
Described as the UK’s hottest new rock n roll band Bad Day Blues have supported greats such as ‘The Killers’ and ‘Manic Street Preachers on their way to getting radio play on Radio 2. The band’s bass player Adam came into Orange Amps HQ to go through the Terror Bass and why he thinks it’s the perfect touring rig. Adam was using the Terror bass through the OBC112 which a perfect combination of power and portability.
‘Hi i’m Adam Rigg from the Bad Day Blues Band.
Amps were kind of a necessity so I would us any old battered amp, whatever I could throw in the back of the transit van or whatever they had at the venue I would use. Until that is I started using Orange amps and then I was like ‘Ah, I kind of get the whole amp thing now!’ It sounds ballsy without being thin or weak, it sounds vintage, I like the tubes on it and it has a little bit of natural growl. Which is really hard to fake with any pedals or any kind of plug ins, it’s a very real authentic sounding amp. Which is why I use them. It’s not even about the sound of the amp it’s about the aesthetics of it, the look of it and the feel of it. It’s got that aura about it which is one of the reasons I dig Orange.
I really like the valves on the Terror bass, the fact that it’s small, its portable and i think it is Class D. But the preamp is the tube element, which means you get that natural growl. Which is perfect for the blues you want that kind of authentic vibe, you don’t want anything that sounds too clinical or too fake. I don’t use any pedals, I just plug my bass straight into it. I get a little bit of growl out of it if I want, or I can back it off and get it a bit cleaner with some palm muting. So it’s literally perfect for the blues.
That’s why Orange amps are so great, they are just so easy to use, I’ve never been one for loads of EQ’s and stuff. My bass has a volume knob and that is it and that is what I like about Orange, its an instant good tone. I always think if you get amps and guitars with tons and tons of switches on you are trying to make up for something, if it doesn’t sound great pretty much straight away then why bother with it.
I was surprised by the OBC112 because they are tiny or relatively small compared to the bigger amps next to them. But they are loud and they can handle it, I think they are 400 Watts, which is loud. I usually plug my terror bass into a OBC410 or I have had it in the 810 before and it is so loud. If anyone is wondering about a Terror bass and wondering is 500 Watts loud enough, it definitely is! If you can pair it up with a smaller speaker, you have a perfect rig. If you are jumping on the tube, you could carry one of those in your hands, bass over your shoulder and Terror bass in the other hand.
They are just one of those iconic brands, you have posters up on the wall when you learn how to play guitar of Orange amps. The fact that Orange amps are nice enough to be seen with me is lovely. The gear is great as well so that’s a plus!’
Strap on a life jacket and prepare for the angling trip of a lifetime as Richard Turner (Blackberry Smoke) hooks himself the biggest fish of all, the fabled Orange Amplification Terror Bass!
This renowned bassist features in the latest ‘Lure & Savior’ adventure to embark on the dirty mission of catching the legendary re-issue of the Terror Bass. Set in one the world’s most desirable angling locations with all the best gear from Orange Amplification, this intrepid bass expert reels in the most amazing catch. Brent Hinds (Mastodon) also appears from the depths with his signature Terror amp.