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Tag Archive for: kvelertak

Now that I’ve got your attention with this photo of Matt Pike, please take two minutes to find out how you can help yet another music venue from shutting down, depriving people from potentially being able to see High on Fire there late September.


Sign HERE.

It seems to be really in the wind at the moment to shut down music venues, kill culture, and deprive the future generation of a platform to both play, perform and enjoy music. Who needs music, entertainment and a sense of community when some rich stranger can, lets say, build a bunch of luxury flats or offices instead?

Shaman Elephant debut album release gig, January 2017

This time around, it’s my all time favourite bar and music venue Garage in Bergen, Norway (The land of ice and snow, and the birthplace and home of black metal, with playing a vital part of it), under risk of being shut down by  – you guessed it, some capitalistic and greedy landlord. Long story short – the venue’s been open for 28 years, providing the city with amazing music from local bands and artists, as well as touring bands from across the world. A few years back, the landlord decided to open up a hotel above the venue, and stated that the venue would have to run the hotel as part of their agreement to let. Surely running a haggard ol’ hotel is the same as running a bar…? Hm, okay then… After a while, the landlord also decided part of the deal should also be for the venue to renovate the hotel, which they again agreed to, to keep peace and for the venue to run smoothly – the building work begun. Mid renovation, the venue learns from the fire department that the premises aren’t up to fire safety regulations at all, and that the landlord’s should never have opened a hotel there in the first place. Sneaky you say, hey? The things some people do for money…

Radio Moscow, October 2017.

Learning this, the venue put their foot down and refused to be part of running the hotel, and this is where it got nasty. The landlord threatened to evict the pub, and put the premises on the market without notifying them, as well as reaching out to the venue’s business partners and sponsors telling them that the venue’s closing down shortly. And this is where we are today, it’s still unclear what will happen – while the owners of the venue are working to keep the it open and their 20 or so employees employed and afloat, the landlord is laying low with their shark like lawyers on the case. Worst case scenario, the venue can be shut down by September 1st. Now, despite being the second biggest city in Norway, Bergen ain’t big, and Garage is the only venue of it’s kind and size (with the exception of student run ‘Hulen’ which closes over Christmas and summer, peak drinking times some might say), and has become a meeting place for musicians and music lovers from all around town, whether it’s grabbing a beer after work or attending one of their weekly gigs – as well as being the perfect 300 or so capacity venue, big enough for bigger acts, small enough to still be intimate.

Triggerfinger, Garage, April 2015

I’ve seen bands such as Turbonegro, Triggerfinger and Radio Moscow there, and sadly enough, missed out on Kvelertak who played what I only imagine was two spectacular shows there earlier this year. For Bergen to lose Garage, hell, it would be devastating. I have lived London nearly seven years now, but keep an eye out for Garage gigs at a regular basis as I’d fly home in a heartbeat. I also make a point of stopping by every single time I go home, last time arriving to Hendrix in Stockholm played on a projector. The day after Lemmy died, they played Motörhead and Hawkind for nine hours – nine. We cheersed in whiskey and cried to Overkill. It was beautiful, a bunch of strangers coming together to celebrate his life and music at Garage, that sorta thing could only happen at Garage, there’s no other place like it, so please don’t take it away from us.


I’ve started a petition where you can raise your voice and stick it to the man. By signing it, you state that Garage should remain open, and keep adding cultural value to the community as it’s done for nearly three decades.

Sign the petition here.

Kvelertak-Maciek-and-Vidar

You just finished touring with Slayer and Anthrax – how was that?
Maciek: It’s been really fucking cool, and kind of a milestone as they’re bands we all look up to. Definitely something to tick off our list.

How long have you been using Orange?
Vidar: We’ve been using Orange for long time, since before we started recording. Bjarte’s been using Orange for as long as I can remember. I had an old vintage Marshall amp that caught fire, and after that I swapped to Orange.
Maciek: I’ve got the TH30, Rockerverb and Thunderverb, and they just always deliver and they’re very reliable. And it looks fucking cool.

Do you have any specific pedals you feel work well with the amps?
Maciek: Well, yeah, there’s quite a few, but Orange sounds really good on it’s own. It’s a really good base, and then you can have fun with some pedals on top. I always use my Echoplex Preamp from Dunlop. Since we’ve got three guitars we all have to be on different levels, and I think it works really well with that one.
Vidar: I try to use as few pedals as possible, if it was up to me I’d just plug it straight into the amp and go, but obviously I do use some, I’ve had a Big Muff for a while and that works well, but then again, all my pedals works well with Orange.

Kvelertak (1)

Do you remember the first time you saw an Orange amp?
Vidar: I think it was Hellacopters, in the Toys and Flavours video.
Maciek: Not really, but I remember that when we started in 2009 Norway got kind of like an Orange boom, because I cant really think of any other Norwegian bands besides us having used Orange..?
Vidar: I’m sure there are a few, I just can’t think of them.

You’re one of few bands with Norwegian lyrics to have made it outside of Norway, was there ever any doubt, or moments when you considered English lyrics?
Vidar: We’ve actually never had a proper conversation about it. There’s been a few people saying we’d get further if we did, but I guess we kind of just proved them wrong.
Maciek: It’s a part of our sound as well, we’d sound completely different if our songs were in English. We’ve got one English verse, that’ll do. And to be fair, I don’t really know how much of a difference it would have made if our songs were in English, we’re doing really well as it is. It’s pretty cool doing gigs outside of Norway when you see people singing along, trying to get the Norwegian words right. It’s almost tempting to stop and ask them what they’re actually singing.

Kvelertak.

What kind of music did you listen to growing up? Was there anyone in specific that got you into music?
Vidar: Whatever my parents were listening to, so a mix between Dire Straits and Abba, but I guess what kind of sold music to me was when I got a Guns N’ Roses cassette.
Maciek: I’ve always liked music. I used to be really into skateboarding and listened to a lot of punk. It wasn’t until a bit later I got unto metal. Death was one of the bands that made me want to be good, but I guess it was mostly punk that got me started.

What are you currently listening to?
Maciek: I listen to quite a lot of hip hop, there’s been a lot of Lars Vaular lately, and Yelawolf.
Vidar: There’s a Finnish band called ‘Vasas Flora och Fauna’, which is kind of folk music. While touring with bands such as Slayer and Anthrax and listening to metal non-stop, it’s nice to unwind with something completely different.

Norwegian hip hop and Finnish folk music, I can imagine a few people will find that quite surprising!
Maciek: I listen to a fair bit of Hawaii music as well, like Johnny Pineapple.
Vidar: We’ve been playing Scorpions in our tour bus, which I never knew I liked.
Maciek: Erlend’s got Hellbillies backstage playlist, which consists of a bunch of bands that sounds just like Hellbillies. We’ve listened to that a lot.

Kvelertak Website
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