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The all new, re-designed Terror Bass has arrived and it sounds better than ever. With an all valve front end, the Terror Bass is a 500W hybrid bass amp with a valve preamp and solid state power amp, making it closer to the sound of our flagship AD200 than ever before.

Some of the top bassists have made the switch to the Terror Bass. Here’s what they think about this amazing lunchbox-sized piece of kit:

“This amp is wicked. It’s so damn good. The wirey sound and the gain blow me away. It’s enabled me to get a lot of frequencies on the bass I haven’t heard in a while. Sometimes small is better. The Terror Bass is the greatest amp I’ve heard in a long time.”
Glenn Hughes


“The Terror bass amp is cool because it adds a lot of warmth, it adds a lot of detail, it kind of allows me to shape what i’m doing and give it its best possible presentation. A cool feature about the Terror bass amp that stands out to me is the clean switch, it basically allows the cleaner end of the approach to really sing. When I’m playing clean or when I’m playing my bass six, kind of on the higher strings, I still want there to be a lot of warmth. I don’t want it to start sounding too much like a guitar and this amp has really been instrumental in getting across what I want to get across.”
Sergio Vega of Deftones, Quicksand


“I played the original Terror Bass for years. The new one is even better. It’s the only bass amp I want on stage with me!”
Richard Turner of Blackberry Smoke


“The first thing I noticed about the Terror Bass was the tone that I could get out of something that was that small. I was completely blown away by it. Second, the portability. I remember ETID going on tour and a bunch of people being like:

‘What’s that? Is that head you’re playing out of?’

‘Yeah, it’s a bass head.’

People were shocked at how much tone and power you could get out of it. Then I remember six months later, almost every single hardcore band we toured with had this head.”
Steve Micciche of Every Time I Die


“Our sound guy actually told me that I’m not allowed to use anything else!”
 Grutle Kjellson of Enslaved


“With the Terror bass I have found reliability and tone. It’s just flawless in every way.”
Dan Cunniff of Boston Manor


Reading Festival – Sunday – 26th August

“The controls of this amp are very easy to use, there is just a bass, mid, treble, which I like. I never really mess around with graphic EQ’s and stuff like that, so it’s perfect for me.”
Josh Finerty of Shame 


Ye! No fingers, picks!

Hi, I’m Sergio Vega I play bass in Deftones and Quicksand and i’m sitting here with Orange and we are going to be talking about the Terror Bass.

So my general impression of the Orange brand is legendary! The first time I saw an Orange amp was with Sleep. Their sound is massive and seeing the wall of amplifiers and cabs, it made a big impression.

For me playing bass is a very aggressive, kind of sensual and I play with a pick. It comes from bands that I grew up loving like the Cro-Mags, Amebixs, basically punks bands with gnarly tones and that was my thing and it still is!

The Terror bass amp is cool because it adds a lot of warmth, it adds a lot of detail, it kind of allows me to shape what i’m doing and give it its best possible presentation.

A cool feature about the Terror bass amp that stands out to me is the clean switch, it basically allows the cleaner end of the approach to really sing. When i’m playing clean or when i’m playing my bass six, kind of on the higher strings, I still want there to be a lot of warmth. I don’t want it to start sounding too much like a guitar and this amp has really been instrumental in getting across what I want to get across.

I play Orange amps with Quicksand and Deftones, Orange cabinets as well. They just sound meaty! One of the things i’m definitely really into about Orange besides the bass amps are the cabinets. Something in the construction of it, something in the wood, something in the weight that really stand out, in a way that I heard immediately and i’ve been stuck on.

To me I use digital processors, you know amp processors and I run them straight into the front of the Terror Bass amp so I can add the warmth from the tubes and the extra colouring from the EQ. But it has a really rad effects loop that I have messed around with as well, so if that’s your approach its totally there for as well.

I originally started using the Terror bass amps because it was helpful in taking all of the digital processors that I was using and adding extra girth and width and helping articulate the distorted aspects of my tone, all of the effects that I like to use. Also its really there for me for the cleaner end of what I do, now that they’re back and I have my chance to get my hands on them again, especially with the additional feature of the clean switch, i’m super stoked.

I’m looking forward to many years with this, don’t ever leave me again!

I’m Sergio Vega and I play the Terror Bass!

 

 

On Wednesday, August 12, Incubus, Deftones, Death From Above 1979, and The Bots played Aaron’s Amphitheater at Lakewood in Atlanta, GA. I was there with the Artist Relations Manager/Guru of Orange Amps, showing artists a yet-to-be-unveiled new product, making connections, and hanging out with one of my favorite bands of all time. My first-ever backstage experience included excellent catering, meeting Brent Hinds and Brann Dailor of Mastodon, watching the Deftones set next to Norman Reedus from The Walking Dead, and chilling with Stephen Carpenter in the back of Deftones’ tour bus. I guess you could say it was an alright night.

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Deftones opened up their 80-minute set with the classic “Be Quiet and Drive (Far Away)” from their 1997 album Around the Fur. The view from the VIP section was pretty radical.
The set spanned the group’s catalog, including songs from 1995’s Adrenaline all the way through Deftones’ last release, Koi No Yokan, although many songs were fan favorites from White Pony and Diamond Eyes.

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In this shot, Norman Reedus is clearly soaking up the aural bliss of “Digital Bath.” The sound throughout the night was incredible, thanks to the crew of talented sound engineers and the bands’ drool-worthy gear. Deftones’ choice makes a lot of sense to us!

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Stephen Carpenter’s guitar rig isn’t joking around one bit. 4 Axe-FX preamp/processors, 2 ENGL tube poweramps, and 4 Orange PPC412C cabinets covered in black tolex. The guitar tone was incredibly clear and monstrously thick!

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The entire show was great, with Incubus closing out the night after Deftones. We went back to Deftones’ tour bus and hung out with Stephen, their guitar tech, and a couple of people from their tour crew before calling it a night and heading out. Although nights like these are probably a pretty frequent occurrence for Orange, I will never forget my first “backstage” experience, and I’m glad Orange Amplification was involved.

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-Kendrick Lemke, intern #47