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The all new, re-designed Terror Bass has arrived and it sounds better than ever. With an all valve front end, the Terror Bass is a 500W hybrid bass amp with a valve preamp and solid state power amp, making it closer to the sound of our flagship AD200 than ever before.

Some of the top bassists have made the switch to the Terror Bass. Here’s what they think about this amazing lunchbox-sized piece of kit:

“This amp is wicked. It’s so damn good. The wirey sound and the gain blow me away. It’s enabled me to get a lot of frequencies on the bass I haven’t heard in a while. Sometimes small is better. The Terror Bass is the greatest amp I’ve heard in a long time.”
Glenn Hughes


“The Terror bass amp is cool because it adds a lot of warmth, it adds a lot of detail, it kind of allows me to shape what i’m doing and give it its best possible presentation. A cool feature about the Terror bass amp that stands out to me is the clean switch, it basically allows the cleaner end of the approach to really sing. When I’m playing clean or when I’m playing my bass six, kind of on the higher strings, I still want there to be a lot of warmth. I don’t want it to start sounding too much like a guitar and this amp has really been instrumental in getting across what I want to get across.”
Sergio Vega of Deftones, Quicksand


“I played the original Terror Bass for years. The new one is even better. It’s the only bass amp I want on stage with me!”
Richard Turner of Blackberry Smoke


“The first thing I noticed about the Terror Bass was the tone that I could get out of something that was that small. I was completely blown away by it. Second, the portability. I remember ETID going on tour and a bunch of people being like:

‘What’s that? Is that head you’re playing out of?’

‘Yeah, it’s a bass head.’

People were shocked at how much tone and power you could get out of it. Then I remember six months later, almost every single hardcore band we toured with had this head.”
Steve Micciche of Every Time I Die


“Our sound guy actually told me that I’m not allowed to use anything else!”
 Grutle Kjellson of Enslaved


“With the Terror bass I have found reliability and tone. It’s just flawless in every way.”
Dan Cunniff of Boston Manor


Reading Festival – Sunday – 26th August

“The controls of this amp are very easy to use, there is just a bass, mid, treble, which I like. I never really mess around with graphic EQ’s and stuff like that, so it’s perfect for me.”
Josh Finerty of Shame 


Strap on a life jacket and prepare for the angling trip of a lifetime as Richard Turner (Blackberry Smoke) hooks himself the biggest fish of all, the fabled Orange Amplification Terror Bass!

This renowned bassist features in the latest ‘Lure & Savior’ adventure to embark on the dirty mission of catching the legendary re-issue of the Terror Bass. Set in one the world’s most desirable angling locations with all the best gear from Orange Amplification, this intrepid bass expert reels in the most amazing catch. Brent Hinds (Mastodon) also appears from the depths with his signature Terror amp.

This is the kind of fishing Richard and Brent enjoy: lots of bites with the best tackle! To get tips on catching the sought-after Terror Bass using the OBC112 as the perfect lure go to.

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How did you end up using Orange?
When we started out I was using Marshall, which I did for five or six years. They’re big amps and it was a bit of a hassle getting them around, so I ended up trying a Rockverb 50, and I was like ‘That’s it, this sounds amazing!’ A year later they both got stolen out of our trailer, and we went and got three more so we’d have one for back up. After that we used them for about three more years, before deciding to experiment with a few different brands. After about a year of doing that and not really finding anything I liked as much, I went back to Orange.

What’s your current set-up then?
Over here in the UK, I’m playing the OR50 head with two 2×12 cabs, and it sounds monstrous! Back home I was using the Custom Shop 50 with two open back cabinets. The ones over here are closed, and I’m kind of digging them, you know? The OR50 and the Custom Shop 50 both sounds good, and I almost feel like I’m cheating on one of them. I haven’t tried the Custom Shop 50 through the closed back cabs yet, so maybe I should give that a try.

How about when you’re recording?
We recorded with Brendan O’Brien, and he’s got so much vintage gear and old amps, so we would use a bit of whatever he had around. You don’t need the same massive wall on sound in a studio as on stage, and often a smaller amp might sound amazing in a studio. We used a lot of different things instead of just sticking to one. On the ‘Little Piece of Dixie’ record I used Orange the whole time.

I’ve noticed there’s been a bit of a wait between all of your albums, with five years between the two first ones, is there any hope of new music from you guys before 2018?
The reason it’s been such a long wait between the records is because we’re always on the road. When recording an album we don’t spend more than a week in the studio, we know what we’re going to do, so we just go in and get the job done. After that Charlie and I will go somewhere else and lay down the vocals. But to answer your question, it shouldn’t be that much of a wait before the next one, this one’s only been out a year and they’re already talking about recording again. Charlie’s already got quite a few tunes written, and we’re all looking forward to it.

All of your albums have been released on four different labels, do you think you’ve ‘found the one’ now?
Here in the UK, Earache records are unbelievable. They don’t have an office in the States, but if they did I wouldn’t go anywhere else. We’re so happy to have them over here, we love everybody there and they’re all so nice and fun to be around. In the US we’ve been hopping a bit around as record labels just change so much. We haven’t landed any major record deal yet, but we don’t really worry about that. We’re at that point in our career where if we want to give out an album, we can.

You keep getting compared to Lynyrd Skynyrd, is that something you get a bit sick of, or do you just take it as a massive compliment?
When we started this band I’d never expect that, we just got together and started playing, and people would just associate us with Lynyrd Skynyrd, which is awesome. At first I thought it was unbelievable, as I honestly don’t think we sound anything like them, they’re in a league of their own. It still blows me away when people compare us to them, and I feel honoured.

You’re also known to cover some heavier rock bands like Black Sabbath and Led Zeppelin how did that come about?
All of us are kind of metal heads in a way. But then Charlie’s also introduced me to so much music I’d never really listened to, like bluegrass. It’s crazy that when you listen to metal you hear all these guitar players that are just blazing, and I was always like “this is amazing, these guys are killing it!”, and then Charlie started playing me some bluegrass, just a guy with a tiny mandolin, and it was just unbelievable. It’s got a totally different feel to it, but it’ll blow your mind watching a bluegrass player play. But yeah, back to the rock thing. We all listen to it, but I tend to be a little bit more outspoken about it I guess, which has kind of labelled me as the ‘metal head’ of the band.

To me you almost seem like a crossover band, where people that wouldn’t necessarily listen to southern rock, will still listen to Blackberry Smoke, I guess the fact that you’re influenced by so many different genres might be one of the reasons for that?
Yeah definitely! Truth be told though, it was actually Charlie’s idea of covering Sabbath, but we were all really into it, and we do all listen to all kinds of music. I grew up listening to bands like Megadeath and Maiden, the latter which I have yet to see live. I snuck in to one of their shows when I was younger, but didn’t get to see the whole thing.

Real country rockers (we say “real” because we’re comparing them to fakes) and Orange Ambassadors, Blackberry Smoke performed a very special 4 song acoustic set at our UK retailer PMT Manchester. The turn-out was great in anticipation of a sold-out show later that evening at local venue The Ritz. It’s great to see these “hometown boys” (at least for Orange USA in Atlanta) blazing a trail across Europe, spreading the Orange gospel with their classic rock-inspired take on modern country. We consider them “genre saviors.”

Guitarist Paul Jackson is currently using the Custom Shop 50 hand-wired amp through one of our PPC212OB Open Back cabs. About his set-up, Paul says, “In all of my career I have NEVER come across an amp like the Custom Shop 50. The tones you can get from the CS50 are beautiful and amazing. Hand-wired and full of life and let’s not forget about the 50 watt A/B 30 watt switch on it. All I can say is WOW!!! The CS50 is without a doubt unbeatable!!”

To promote the Blackberry Smoke performance, PMT held a special sale on Orange products. Jake Marray of PMT said this about the event: “I want to thank Orange amps for helping to organize this great performance with Blackberry Smoke. The turn-out was one of the best we’ve ever had! And the band was absolutely fantastic. They’re incredibly talented and total professionals, both in their music and their attitudes. We hope to have them back again very soon.”

Song List (in order):

Pretty Little Lie

One Horse Town

Livin in the Song

Ain’t Much Left of Me

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Links

PMT Manchester Online

Blackberry Smoke Website