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After more than four decades in the industry, you’re now getting the highest acknowledgement there is in rock ’n’ roll by being inducted into the Rock and Roll Hall of Fame – how does that feel?
We are thrilled to be inducted into the Rock and Roll Hall of Fame. It’s hard to imagine that it’s really happening.

You’re notoriously known for your 12 string bass and at times you’ve almost had a function as second lead guitarist, how did the idea about the 12 string bass come about?
I had the idea for the 12 string bass back in 1973. Our friends Paul Hamer and Jol Danzig were starting the Hamer Guitar Company and by 1977 I was able to talk them into making me one.

Can you tell us a bit about your history and experiences with Orange?
Our guitarist Rick Nielsen and I went to London in 1968 and met Cliff Cooper at his Orange Music shop where he was just starting to make Orange Amplifiers. Rick ended up buying one of his 2×12 combos at the time which he still uses on stage. 

What’s you’re current set up – guitars, pedals and amps?
My current live rig is an AD50 Custom Shop head running an Orange 4×12 cabinet and an AD200B MK3 head running another Orange 4×12 cabinet. I don’t use any effects or pedals.

As mentioned earlier, you’ve all been doing this for a very long time, will this be your last album, or do you have any plans of recording yet another one? How does the future look like for Cheap Trick?
We are releasing a new LP, “Bang, Zoom, Crazy, Hello” April 1st on Big Machine Records. After that, our plan is to release a new record every year. We’ve almost completed our follow up record!


You just finished touring with Slayer and Anthrax – how was that?
Maciek: It’s been really fucking cool, and kind of a milestone as they’re bands we all look up to. Definitely something to tick off our list.

How long have you been using Orange?
Vidar: We’ve been using Orange for long time, since before we started recording. Bjarte’s been using Orange for as long as I can remember. I had an old vintage Marshall amp that caught fire, and after that I swapped to Orange.
Maciek: I’ve got the TH30, Rockerverb and Thunderverb, and they just always deliver and they’re very reliable. And it looks fucking cool.

Do you have any specific pedals you feel work well with the amps?
Maciek: Well, yeah, there’s quite a few, but Orange sounds really good on it’s own. It’s a really good base, and then you can have fun with some pedals on top. I always use my Echoplex Preamp from Dunlop. Since we’ve got three guitars we all have to be on different levels, and I think it works really well with that one.
Vidar: I try to use as few pedals as possible, if it was up to me I’d just plug it straight into the amp and go, but obviously I do use some, I’ve had a Big Muff for a while and that works well, but then again, all my pedals works well with Orange.

Kvelertak (1)

Do you remember the first time you saw an Orange amp?
Vidar: I think it was Hellacopters, in the Toys and Flavours video.
Maciek: Not really, but I remember that when we started in 2009 Norway got kind of like an Orange boom, because I cant really think of any other Norwegian bands besides us having used Orange..?
Vidar: I’m sure there are a few, I just can’t think of them.

You’re one of few bands with Norwegian lyrics to have made it outside of Norway, was there ever any doubt, or moments when you considered English lyrics?
Vidar: We’ve actually never had a proper conversation about it. There’s been a few people saying we’d get further if we did, but I guess we kind of just proved them wrong.
Maciek: It’s a part of our sound as well, we’d sound completely different if our songs were in English. We’ve got one English verse, that’ll do. And to be fair, I don’t really know how much of a difference it would have made if our songs were in English, we’re doing really well as it is. It’s pretty cool doing gigs outside of Norway when you see people singing along, trying to get the Norwegian words right. It’s almost tempting to stop and ask them what they’re actually singing.


What kind of music did you listen to growing up? Was there anyone in specific that got you into music?
Vidar: Whatever my parents were listening to, so a mix between Dire Straits and Abba, but I guess what kind of sold music to me was when I got a Guns N’ Roses cassette.
Maciek: I’ve always liked music. I used to be really into skateboarding and listened to a lot of punk. It wasn’t until a bit later I got unto metal. Death was one of the bands that made me want to be good, but I guess it was mostly punk that got me started.

What are you currently listening to?
Maciek: I listen to quite a lot of hip hop, there’s been a lot of Lars Vaular lately, and Yelawolf.
Vidar: There’s a Finnish band called ‘Vasas Flora och Fauna’, which is kind of folk music. While touring with bands such as Slayer and Anthrax and listening to metal non-stop, it’s nice to unwind with something completely different.

Norwegian hip hop and Finnish folk music, I can imagine a few people will find that quite surprising!
Maciek: I listen to a fair bit of Hawaii music as well, like Johnny Pineapple.
Vidar: We’ve been playing Scorpions in our tour bus, which I never knew I liked.
Maciek: Erlend’s got Hellbillies backstage playlist, which consists of a bunch of bands that sounds just like Hellbillies. We’ve listened to that a lot.

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Amp: Orange OR100 Head and PPC412 Cab

My rig consists of an Orange half stack, several PRS guitars, and a plethora of pedals. Orbweaver has two guitarists, and we like to make a lot of noise, so I run the OR100 on full power (100W) and go straight into the cabinet at 16ohms. In certain situations I might run it on a lower wattage setting, such as recording or home use.


I love the OR100 as it has every feature I need from an amp, without being overly convoluted. It’s just pure tone, without any clutter. I use a dual footswitch so I can run both channels and also use the Global Boost for solos, which boosts your volume without adding gain. Speaking of gain, I don’t use as much as you’d generally expect from a metal band, my tone is more crunchy, and I set the gain knob around 6 and a half. Tone controls I generally run at 7 across the board.

The PPC412 is hands down the best cab I’ve ever used. The day I bought it I AB’d a bunch of different cabinets and it stood head and shoulders above the rest – excellent projection and clarity, while still sounding warm and heavy as fuck.



Main Guitars: PRS Custom 22 Goldtop, PRS SE Navarro Custom 24

My number one guitar is a PRS Custom 22 with a wide-fat neck and tremolo. I’ve been playing it for about 4 years straight now. I have it set up with 11’s, and have found myself playing with higher action lately. I love doing all kinds of ridiculous things with the whammy bar, and lucky for me, it holds tune really well for a non-locking tremolo. My settings on it are pretty simple, 90% of what I do is play through the bridge humbucker, with volume and tone on full. The volume knob rolls off really well, and interacts nicely with the tube amp gain, so I utilize that a lot for swells and strange noises…



I recently acquired the Navarro SE from PRS as a backup for the Goldtop. The neck is a wide-thin profile, so it’s a little more shreddy than the ’22. I put a Seymour Duncan JB in the bridge, and kept the coil split on each pickup. It’s a killer guitar and has made an excellent backup, even coping with freezing conditions on our recent winter tour.

Pedals: Lots

So right now my pedal board consists of: a Seymour Duncan Deja Vu Delay, Shape Shifter tremolo, BBE Mind Bender chorus/vibrato, MXR Phase 90, MXR Carbon Copy delay, Boss TU2 tuner, and my Orange 2 button footswitch.

I say right now, as our pedal boards tend to be in a state of flux. Especially now as we are writing new songs, I will probably be bringing back my wah, adding an envelope filter, trying out new delays, etc.

The settings vary depending on what song/riff we are playing, we do a lot of tweaking and tap dancing.



Check out more from Orbweaver and order their debut EP…
Twitter: @orbweaverband

Orbweaver’s debut EP ‘Strange Transmissions From the Neuralnomicon’ is out now on colored vinyl through Corpse Flower Records –