Acoustic Pedal — instructions for use
Bass
XLR Phase
Treble
Middle
Notch
Q Factor
Volume
Balanced Out
Power
Input
Send
Return
Output
| 1.BASS | Controls the level of the low frequencies. Settings above 12 o’clock will give a deeper tone; settings below 12 o’clock will thin out the sound. |
|---|---|
| 2. XLR PHASE | Inverts the phase of the Balanced Output. This can be useful for eliminating feedback when using the Balanced Output. |
| 3. TREBLE | Controls the level of the high frequencies. Settings above 12 o’clock will give a brighter tone; settings below 12 o’clock will result in a warmer sound. |
| 4. MIDDLE | Cuts or boosts the mid-range frequencies that have been selected by the Notch and Q Factor controls. |
| 5. NOTCH | Selects the frequencies affected by the Middle control (between 68 Hz and 1.2 KHz). |
| 6. Q FACTOR | After selecting your Middle frequency with the Notch control, Q Factor selects whether a narrow or wide range of frequencies are affected. Narrow settings work well for eliminating feedback; wide settings are better for tone-shaping. Q Factor control is at its narrowest setting at the anticlockwise-most extreme and at its widest setting at the clockwise-most extreme. |
| 7. VOLUME | Controls the overall output level from the pedal. |
| 8. BALANCED OUT | Connect this output to a balanced line input. |
| 9. POWER | The Acoustic Pedal only runs on an 18 V DC centre-positive polarity power supply (regulated) and the barrel plug should be a standard 2.1 mm pedal type. Make sure your power supply meets these specifications. |
| 10. INPUT | Connect your instrument to this input. |
| 11. SEND | Connect this output to the input of your effects pedal chain. |
| 12. RETURN | Connect the output of your effects pedal chain to this input. |
| 13. OUTPUT | Connect this output to the input of an amplifier or an unbalanced line input. |
IN USE
The Orange Acoustic Pedal is the centre of your acoustic rig. With a powerful EQ and a comprehensive set of inputs and outputs, it’s everything you need for a modern acoustic setup, to shape your tone to suit your songs and band line-up, and eliminate any problems caused by room shape and accompanying feedback.
IMPORTANT NOTE
The Acoustic Pedal only runs on a 18 V DC centre-positive polarity power supply (regulated) and the barrel plug should be a “standard 2.1 mm pedal type”. Make sure your power supply meets these specifications.
Amp Detonator — instructions for use
A/B switch
Both (Y) switch
Phase switch
Output A
Output B
Input
9–12V DC Input
LED
| 1.A/B Switch | Switches between either Output A or Output B |
|---|---|
| 2. Both (Y) switch | Selects both Output A and Output B together. Switching off reverts back to the last setting of the A/B switch |
| 3. Phase switch | Controls the “tone” of the pedal, bringing in more treble as the level gets higher |
| 4. Output A | Buffered output |
| 5. Output B | Buffered transformer isolated output. Output A must also be in use for Output B to function correctly. |
| 6. Input | Connecting a jack plug to the input switches on the power to the pedal |
| 7. 9-12V DC INPUT | Use a regulated AC–DC adaptor fitted with a centre-negative plug (2.1mm) |
| 8. LED | Indicates the current output selected: Green is Output A Red is Output B Blue is Both (Y) |
IN USE
Always connect Output A first. Output A can be used independently, for example as a transparent signal buffer. Using Output B only may cause noise issues, so always use Output B with Output A connected also. Experiment with the position of the Phase Switch to achieve the optimum sound with both amps selected (“Y” position).
Two amps that are out of phase with each other will sound lifeless, so your ears are the best judge.
REPLACING THE BATTERY
The battery installed at the factory is for testing purposes only. If you notice a drop in performance, replace the battery. To replace the battery, unfasten the four screws on the base and secure the new battery in the battery clip, making sure to observe the battery’s polarity. Disconnect the input when not in use to prolong battery life.
IMPORTANT NOTE
The Amp Detonator can be powered by 9 or 12 V DC. Use a regulated AC–DC adaptor fitted with a centre-negative plug (2.1 mm).
THE BASS BUTLER BASS PRE AMP
The Bass Butler was conceived over many IPAs in a small bar on Santa Monica Boulevard called the Surly Goat by Orange technical director Adrian Emsley and Morgan Nicholls (who played bass in The Who at the London 2012 Olympics closing ceremony and also moonlights in Muse, Gorillaz and more). The idea was to have his epic bi-amp touring rig in a small, portable preamplifier pedal. We are confident that you will be delighted with your new purchase and that it will provide you with many years of enjoyment.
Front Panel
Dirty Channel
The Dirty Channel is activated by the footswitch, indicated by a GREEN LED. These controls only apply when the Dirty Channel is active.
Volume
Controls the overall output level of the Dirty Channel. This controls the level from the Dirty Channel XLR output and the Amp line output.
Treble
Controls the high end/treble response of the Dirty Channel. Increasing the top produces brighter tones for ‘livening up’ darker sounding basses.
Middle
Controls the midrange response of the Dirty Channel. Increasing the mids creates a fatter sound, whilst reducing ‘scoops’ the tone.
Bass
Controls the low end/bass response of the Dirty Channel. Increasing the bass produces deeper sounds.
Gain
Controls the gain level on the Dirty Channel only. Higher levels will raise the output volume. When set to minimum, there will be some sound, voiced mainly for upper mids and treble.
Clean Channel
The Clean Channel is The Bass Butler’s main channel and is always on. The following controls only apply to the Clean Channel.
Volume
Controls the overall output level of the Clean Channel. This controls the level on the Clean Channel XLR output and the Amp output.
Treble
Controls the high end/treble response of the Clean Channel. Increase the treble for brighter tones or reduce for a warmer sound. ( +/- 18 dB )
Bass
Controls the low end/bass response of the Clean Channel. Increasing the bass produces deeper sounds. ( +/- 18 dB )
Compressor
The compressor on The Bass Butler is based on the compressor found in the Orange Kongressor and designed to emulate studio compressors. A RED LED shows the amount of compression. The more compression, the brighter the RED LED shines through the jewel.
Rear Panel Features
Power
The Bass Butler only runs on a 18V DC centre-positive polarity power supply (regulated) and the barrel plug should be a ‘standard 2.5mm pedal type’. Make sure your power supply meets these specifications.
Lift
The Ground Lift switch can solve ground loop issues caused by connecting The Bass Butler to more than one piece of grounded equipment. Lifting this ground connection can eliminate unwanted hum in this situation. This function should only be operated to cure this specific issue and never used when The Bass Butler is only connected to one piece of grounded equipment. Note: The XLR is lifted when the switch is up.
The Bass Butler Signal Path
Bass Guitar Input
The signal is split at the input, feeding two completely independent parallel channels.
Footswitch
The footswitch on the Bass Butler will mute the Dirty Channel.
Optical Compressor
The level of compression is controlled by the compression dial. The LED will glow RED to indicate compression.
Expression Pedal (optional)
Use an external expression pedal to control the amount of signal going to the dirty channel.
Clean Bass Amp
With simple-but-versatile Bass, Treble and Volume controls.
High Gain Guitar Amp
With 4 stages of gain and a 3-band EQ.
Blended unbalanced 1/4” Line Out
Bass Cab Sim
Based on the OBC410
Guitar Cab Sim
Based on the PPC412
Balanced XLR Out
1/4″ Line Out
Balanced XLR Out
Applications
FX PEDAL STRAIGHT INTO YOUR AMP
Run the ‘AMP’ output of The Bass Butler into the front end of your amplifier.
THROUGH THE FX RETURN
Run the ‘AMP’ output of The Bass Butler into the FX return of your amplifier to bypass the pre-amp section of the amp.
DIRECT TO MIXING CONSOLE
Run the XLR outputs from The Bass Butler and plug these directly into the input of a mixer/recorder.
EXPRESSION PEDAL
Connect an expression pedal to The Bass Butler to control
the level of gain into the Dirty Channel. Any standard TRS expression pedal will work with The Bass Butler.
Note: The Gain control on the Dirty Channel will dictate the maximum amount of gain that the expression pedal can control.
Distortion — instructions for use
Level
Depth
On/Off
Output
Input
9 V DC Input
LED
| 1. Level | Controls the volume of the output, with a centre position representing no increase or reduction in volume. |
|---|---|
| 2. Depth | Controls the colour or intensity of the distortion. |
| 3. ON/OFF Switch | Depress switch to engage pedal. Depress again to bypass the effect. |
| 4. Out | Insert a shielded quarter-inch instrument cable, either from your guitar or from the “send” socket of your amplifier’s effects loop. |
| 5. In | Insert a shielded quarter-inch instrument cable leading to the “input” jack of your amplifier, or to the “return” socket of your amplifier’s effects loop. |
| 6. 9-12 V DC INPUT | Use a regulated AC–DC adaptor fitted with a centre-negative plug (2.1 mm). |
| 7. LED | THE LED WILL ILLUMINATE WHEN THE PEDAL IS ENGAGED |
IN USE
Meet the new Orange Distortion pedal, same as the old Orange Distortion pedal — at least that’s how it seems on the outside. After all, apart from the modern tweaks of an added LED and a 9 V DC input, this looks like a straight-up reboot of the 1970s relic, right down to its simple type stencilled onto the classic chunky, outsized aluminium shell to replicate the dimensions of original units.
Under the hood, though, it’s a different story: the circuitry of the new Orange Distortion has been rebuilt from the ground up, ditching the original’s back-to-back diode design and replacing it with an amp circuit including a tone stack, where bass and mids are preset but treble is user-adjustable via a little trimmer inside the casing.
New design doesn’t mean new sound though — this one comes with all the bite and growl and warmth and howl that you need for that classic 70s amp-like distortion, from vintage crunch to full saturation. With only two dials, for level and depth, but huge versatility, the Orange Distortion can set up your sound for everything from a clean boost to warm and fat gravelly textures to red-hot trebly screamers and maximum saturation. There’s a sweet spot for Jimmy Page-style guitar heroics, and another for Nuggets-style garage rock squall: in fact, every shade of grit and dirt is in there, as long as it’s vintage.
Add in a hardwired switch that’s separate from the PCB and therefore super-easy to service, and you’ve got a vintage pedal fit for the modern age. It’s that level of attention to detail, combined with dedication to an era of crunching power chords, that makes the pedal a perfect homage to one of rock’s golden ages, ready to be heard again with fresh ears. It might be a new design, but with the Orange Distortion, the song remains the same.
REPLACING THE BATTERY
The Distortion is powered by a single 9 V (PP3/6F22) battery. To replace the battery, unfasten the four screws on the ends/sides of the pedal that secure the base. Remove the base and replace the battery, ensuring it is firmly secured in the metal clip. Be sure to observe the battery’s polarity (+ vs. –).
IMPORTANT NOTE
The Distortion can be powered by 9 V DC. A regulated DC power supply fitted with a centre-negative plug (2.1 mm) must be used.
Fur Coat — instructions for use
Volume
Fuzz
EQ
Octave
Output
Input
Octave switch
Fuzz switch
LED
9–12 V DC power
| 1.VOLUME | Adjusts the output volume |
|---|---|
| 2. FUZZ | Adjusts the level of fuzz gain |
| 3. EQ | Controls the “tone” of the pedal, bringing in more treble as the level gets higher. |
| 4. OCTAVE | Adjusts the volume of the upper octave to the tone when the Octave switch is engaged. |
| 5. OUTPUT | Insert a shielded quarter-inch instrument cable leading to the “input” jack of your amplifier, or to the “return” socket of your amplifier’s effects loop. |
| 6. INPUT | Insert a shielded quarter-inch instrument cable, either from your guitar or from the “send” socket of your amplifier’s effects loop. |
| 7. OCTAVE SWITCH | Depress switch to add an upper octave to the tone. Depress again to return the original tone, without the upper octave. |
| 8. FUZZ SWITCH | Depress switch to engage pedal. Depress again to bypass the effect. |
| 9. LED | The LED will illuminate when the pedal is engaged |
| 10. 9–12 V DC input | Use a regulated AC–DC adaptor fitted with a centre-negative plug (2.1 mm) |
IN USE
The Fur Coat is a fully controllable old-school fuzz pedal inspired by the Foxx Tone Machine. Always place it first in the signal chain with no buffer as a passive additional guitar pickup. When running the Fur Coat in a clean channel, the EQ should be set to half way or lower. If running the Fur Coat into a dirty channel, set the EQ higher than half way. If the Octave knob is set to less than full, the amount of upper octave added to the tone can be controlled using the guitar volume. Depending on your location, fuzz pedals can pick up radio signals — this is completely normal.
REPLACING THE BATTERY
The Getaway Driver is powered by a single 9 V (PP3/6F22) battery. To replace the battery, unfasten the four screws on the ends/sides of the pedal that secure the base. Remove the base and replace the battery, ensuring it is firmly secured in the metal clip. Be sure to observe the battery’s polarity (+ vs. –).
IMPORTANT NOTE
The Fur Coat can be powered by 9 V DC. A regulated DC power supply fitted with a centre-negative plug (2.1 mm) must be used. Running the pedal at 12 V will increase the headroom and the output volume available.
Getaway Driver — instructions for use
Volume
Gain
Bite
Output
Input
Phones
9–12V DC Input
On / Off
| 1.VOLUME | Adjusts the output volume |
|---|---|
| 2. GAIN | Low levels give a cleaner crunch, with greater grit added as the level gets higher |
| 3. BITE | Controls the “tone” of the pedal, bringing in more treble as the level gets higher |
| 4. Out | Insert a shielded quarter-inch instrument cable, either from your guitar or from the “send” socket of your amplifier’s effects loop. |
| 5. In | Insert a shielded quarter-inch instrument cable leading to the “input” jack of your amplifier, or to the “return” socket of your amplifier’s effects loop. |
| 6. PHONES | Plug in your headphones for jamming on the go, or go straight into the house PA at gigs (leave your amp at home!) |
| 7. 9-12 V DC INPUT | Use a regulated AC–DC adaptor fitted with a centre-negative plug (2.1 mm) |
| 8. ON/OFF Switch | Depress switch to engage pedal. Depress again to bypass the effect. |
IN USE
The Getaway Driver is an “amp in a box”-style overdrive pedal with Class A, single-ended overdrive gain structure. When using the CabSim output marked with the headphone symbol, the CabSim will always be activated, even when the pedal is in bypass mode.
This output can also be connected to a computer interface or headphones. Both outputs can be used simultaneously. If using the mono output, it is low impedance and buffered when in bypass. The bypass is virtually transparent. This is ideally used on the clean channel of an amp or with slight overdrive utilising high volume and low gain levels on the pedal.
An internal push button rolls off frequencies above 20 kHz when depressed (default setting). This will be more apparent when used with an interface or headphones. This pedal utilizes an internal charge pump for extra headroom.
REPLACING THE BATTERY
The Getaway Driver is powered by a single 9 V (PP3/6F22) battery. To replace the battery, unfasten the four screws on the ends/sides of the pedal that secure the base. Remove the base and replace the battery, ensuring it is firmly secured in the metal clip. Be sure to observe the battery’s polarity (+ vs. –).
IMPORTANT NOTE
The Getaway Driver can be powered by 9 V DC. A regulated DC power supply fitted with a centre-negative plug (2.1 mm) must be used.
THE GUITAR BUTLER
Dual Channel Guitar Pre
The Guitar Butler Dual Channel Guitar Pre was tailored to provide comprehensive, exceptional service to your signal chain. As a standalone unit or part of a larger rig, allow the Guitar Butler to manage your tonal affairs. We are confident that you will be delighted with your new purchase and that it will provide you with many years of enjoyment.
Clean Channel
Clean Channel
The Clean Channel is vintage voiced and designed to be pedal friendly. Toggle between the channels using the footswitch located on the bottom right of the pedal. The GREEN LED indicates the Dirty Channel is active, the YELLOW LED indicates the Clean Channel is active.
Treble
Controls the high end/treble response of the Clean Channel. Increase the treble for brighter tones or reduce for a warmer sound.
Middle
Controls the midrange response of the Clean Channel. Increasing the mids creates a fatter sound, whilst reducing ‘scoops’ the tone.
Bass
Controls the low end/bass response of the Clean Channel. Increasing the bass produces deeper sounds.
Gain
Controls the gain level on the Clean Channel only. Higher levels will raise the output volume.
Dirty Channel
Dirty Channel
The Dirty Channel with its JFET circuitry behaves like a valve amp. Toggle between the channels using the footswitch located on the bottom right of the pedal. The GREEN LED indicates the Dirty Channel is active, the YELLOW LED indicates the Clean Channel is active.
Treble
Controls the high end/treble response of the Dirty Channel. Increasing the top produces brighter tones.
Middle
Controls the midrange response of the Dirty Channel. Increasing the mids creates a fatter sound, whilst reducing ‘scoops’ the tone.
Bass
Controls the low end/bass response of the Dirty Channel. Increasing the bass produces deeper sounds.
Volume 1 & 2
Controls the overall output level of the Dirty Channel. Switch between volumes using the footswitch located on the bottom left of the pedal.
RED LED indicates volume 1 is active.
BLUE LED indicates volume 2 is active.
Presence
Add some punch to your tone! The Presence controls the extreme highs to add shimmer to your tone.
Gain
Controls the gain level on the Dirty Channel only. sweep Through from glassy edge of breakup through transparent and classic rock tones to high saturation.
Connections
Balanced out
The Balanced XLR output has Cab Sim. Run it from the Guitar Butler and plug it directly into the input of a mixer/recorder.
Amp
Run the Amp output of the Guitar Butler into the front end of your amplifier.
FX send/return
Built in effects loop enabling full functionality when using the Guitar Butler as a standalone unit.
Instrument input
Plug your electric guitar in using a 1/4” jack instrument cable.
Power
The Guitar Butler only runs on a 18V DC centre-positive polarity power supply (regulated) and the barrel plug should be a ‘standard 2.5mm pedal type’. Make sure your power supply meets these specifications.
Lift This function should only be operated to cure this specific issue and never used when the Guitar Butler is only connected to one piece of grounded equipment.
The Ground Lift switch can solve ground loop issues caused by connecting the Guitar Butler to more than one piece of grounded equipment. Lifting this ground connection can eliminate unwanted hum in this situation.
Note: The XLR is lifted when the switch is up.
Kongpressor — instructions for use
Volume
Squash
Chime
Release
Attack
On/off switch
Output
Input
9–12V DC Input
LED
| 1.VOLUME | Adjusts the output volume |
|---|---|
| 2. Squash | Adjusts the amount of compression |
| 3. Chime | Active treble control for boosting or cutting high frequencies |
| 4. Release | Adjusts the compression release time from fast to slow |
| 5. Attack | Adjusts the compression attack time from fast to slow |
| 6. On/Off switch | Depress switch to pedal. Depress again to bypass the effect |
| 7. Output | INSERT A SHIELDED QUARTER-INCH INSTRUMENT CABLE LEADING TO THE “INPUT” JACK OF YOUR AMPLIFIER, OR TO THE “RETURN” SOCKET OF YOUR AMPLIFIER’S EFFECTS LOOP. |
| 8. Input | INSERT A SHIELDED QUARTER-INCH INSTRUMENT CABLE, EITHER FROM YOUR GUITAR OR FROM THE “SEND” SOCKET OF YOUR AMPLIFIER’S EFFECTS LOOP. Connecting a jack plug to the input switches on the power to the pedal |
| 9. 9-12 V DC INPUT | Use a regulated AC–DC adaptor fitted with a centre-negative plug (2.1 mm) |
| 10. LED | THE LED WILL ILLUMINATE WHEN THE PEDAL IS ENGAGED |
IN USE
The Kongpressor works best first in your signal chain, or at least near the start — the pedal has has buffered bypass, so some vintage pedals, such as wahs and fuzzes, will work best placed in front of it. It can help you fine-tune or radically alter your dynamics and tone. Alternatively, try the Kongpressor after drive pedals or in your effects loop for a more subtle studio tone. In addition to controls for compression (Squash) and output (Volume), the Kongpressor features Attack and Release controls, giving you total authority over transients and bloom. The Chime knob boosts or cuts treble, for restoring brightness or getting that perfect smooth tone.
REPLACING THE BATTERY
The Kongpressor is powered by a single 9 V (PP3/6F22) battery. To replace the battery, unfasten the four screws on the ends/sides of the pedal that secure the base. Remove the base and replace the battery, ensuring it is firmly secured in the metal clip. Be sure to observe the battery’s polarity (+ vs. –).
IMPORTANT NOTE
The Kongpressor can be powered by 9 V DC. A regulated DC power supply fitted with a centre-negative plug (2.1 mm) must be used.
OMEC Teleport – user manual
9V DC
Instrument Input
Bypass Switch
Output 1
Output 2
USB B
| 1. DC INPUT | The OMEC Teleport requires an 9V dc external power supply. (Not supplied) The barrel plug should be a ‘standard 2.1mm pedal type’ with a centre negative polarity (centre –). The maximum current draw of the OMEC Teleport at 9 Vdc is 85 mA. Make sure the power supply meets these specifications. |
|---|---|
| 2. INPUT | Connect your instrument to the input jack. |
| 3. BYPASS SWITCH | Engages/bypasses the OMEC Teleport. The LED will illuminate when the pedal is active. |
| 4. OUTPUT 1 | Connect the OMEC Teleport to your DIs, mixing desk, amp, powered speakers, pedalboard or PA |
| 5. OUTPUT 2 | Connect the OMEC Teleport to your DIs, mixing desk, amp, powered speakers, pedalboard or PA |
| 6. USB B | Connect your OMEC Teleport to your laptop or other mobile device |
AN AUDIO INTERFACE FOR THE STUDIO AND GIG
The OMEC Teleport interface is a universal connection device (IOS, Android, Mac, PC) without any specific drivers or software requirements. It features high quality ADC/DAC converters – through a USB B connector – housed in a small effect pedal enclosure.
The Teleport allows you to convert both analog audio signals (an instrument for example) to digital to be processed with the many applications available. Additionally, the Teleport gives you the ability to convert digital audio signals to analogue (through mixers, D.I. boxes, amplifiers, etc.).
With this versatility the Teleport can be used for a wide range of applications: musicians that want to play, record, mix or process their sound, with the autonomy provided by mobile devices; Bluetooth connected musicians, like keyboard players or DJs employing the same devices for their sessions; even the amateur music lover who wants to convert music stored on their devices to analogue with renewed quality.
IN USE
The OMEC Teleport is an analogue to digital converter (ADC) and digital to analogue converter (DAC) in a pedal functioning as an external soundcard for your mobile device or PC/Mac, converting your instrument’s signal into a digital audio signal. If it’s possible with digital audio, it’s possible with the OMEC Teleport.
You can use OMEC Teleport with your favourite apps/software and also include it on your pedalboard like an effects pedal. The Teleport is compatible with any USB device that can manage digital audio signals, via a standard USB-B to USB-A cable.
You will need to add a USB adaptor for mobile devices: – Camera Kit for iOS – OTG for Android.
Note: The OMEC Teleport uses buffered bypass so some true bypass pedals, such as Wahs and Fuzzes will work best placed in front.
Phaser — instructions for use
Speed
LED
On/off switch
Output
Input
9 V DC Input
| 1. Speed | Controls the speed at which the phasing effect is applied to the input sound |
|---|---|
| 2. LED | THE LED WILL ILLUMINATE WHEN THE PEDAL IS ENGAGED |
| 3. ON/OFF Switch | Depress switch to engage pedal. Depress again to bypass the effect. |
| 4. Out | Insert a shielded quarter-inch instrument cable, either from your guitar or from the “send” socket of your amplifier’s effects loop. |
| 5. In | Insert a shielded quarter-inch instrument cable leading to the “input” jack of your amplifier, or to the “return” socket of your amplifier’s effects loop. |
| 7. 9-12 V DC INPUT | Use a regulated AC–DC adaptor fitted with a centre-negative plug (2.1 mm). |
IN USE
When you have a specific job that needs doing, the solution is obvious: you hire a specialist. And when you want to add a classic phaser effect to your sound, it’s the same deal: you want a pedal that does exactly that, and only that. No muss, no fuss, no superfluous bells and whistles — and, crucially, zero intrusions on that sweet psychedelic swirl.
And that’s where the Orange Phaser excels, with a single adjustable dial to take your tone from slow, woozy sweeps to fast, choppy stabs, via kaleidoscopic whirling and insistent krautrocking pulses, leaving everything else to precision-engineered four-stage circuitry rebirthed from the original hand-drawn schematics. Drawing inspiration from Orange’s classic “Phazer” from the early 1970s (its name respelled in English that’s as proudly British as the pedal’s construction), but given modern standards like an LED and a 9V DC input, and circuitry tweaks inside the box to reduce the the noise floor, the Orange Phaser adds a nuanced, warming spin to your sound with the maximum simplicity.
With the same dominating form-factor and minimalist artwork as the original units from the 1970s, all large-footprint, tank-strength aluminium chassis, block colour and art nouveau typography, a mere glance at the thing will transport you back 50 years. Then, when you stomp on the footswitch, the time-travel will be complete, with as clean an interaction with a pedal as you’ll ever encounter. After all, this is the Orange Phaser: it literally has one job.
REPLACING THE BATTERY
The Phaser is powered by a single 9 V (PP3/6F22) battery. To replace the battery, unfasten the four screws on the ends/sides of the pedal that secure the base. Remove the base and replace the battery, ensuring it is firmly secured in the metal clip. Be sure to observe the battery’s polarity (+ vs. –).
IMPORTANT NOTE
The Phaser can be powered by 9 V DC. A regulated DC power supply fitted with a centre-negative plug (2.1 mm) must be used.
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