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The scale of the Australian bush fires is truly unprecedented.

Unless you’ve been on holiday on Mars for the last couple of months, the news that Australia is suffering from the largest scale bush fires on record will be something you’re only too aware of.

It’s very hard to grasp exactly how big a problem this actually is, particularly in countries like the UK where wildfires aren’t something that affects us, so a bit of research and the following details begin to emerge:

As of 7th January, 25.5 million acres or 10.5 million hectares of land has been affected by the fires. That’s 32,000 square miles. For those of us in the UK, that’s an area that runs from Portsmouth in the South, as far North as Coventry and from Bath in the West all the way across to London in the East. Another way of putting it, is the whole of Belgium – burned and still ablaze with little end in sight. To try to visualise the fire-front itself is to imagine a picture of Hell… Imagine an unbroken line of fire, stretching from The East Coast of the USA to the West Coast, then back again, then heading back yet again, to the West Coast and getting at least as far as Indiana. That’s the fire-front in a single state alone! More than 1,000 homes have been destroyed, 24 people have lost their lives and estimates are that somewhere between 500 million and 1 billion animals have been burned to death a figure that beggars belief.

We at Orange would like to ask a favour of you guys – Please share the following links with as many people as you can. You don’t have to share our posts, take any mention of us out if you prefer – this isn’t a PR exercise as this message is too important. If you’re able to donate a small amount to one of these charities that’s wonderful but that’s your business. This is just our way of helping ensure that any donations you do make actually go to where they will make a difference. There are many other organisations out there and all are just as worthy but here’s some selected by us:

The NSW Rural Fire Service
These guys are volunteers! Donations made to the NSW Rural Fire Service (NSW RFS), or your local Rural Fire Brigade, directly benefit volunteer firefighters and are always gratefully received. These proceeds directly assist brigades in conducting their community activities.

The Salvation Army Australia
Feeding and supporting the firefighters and evacuees is a major military exercise but fortunately, there is an army ready and willing to help. The Salvos are right there at the front line.

The Australian Red Cross
Supporting thousands of people in evacuation centres and recovery hubs across Australia.

WIRES Australia
WIRES (NSW Wildlife Information, Rescue and Education Service Inc.) is Australia’s largest wildlife rescue organisation. WIRES has been rescuing and caring for wildlife for over 30 years and WIRES mission is to actively rehabilitate and preserve Australian wildlife and inspire others to do the same.

Six years ago, on Christmas Eve eve, I was sitting in traffic on the way home from work when an idea popped into my head. I wanted to make a contest. But not just any contest. I wanted to make the entry process simple and I wanted to make the reward huge. So I opened the Facebook mobile app and I wrote a post on the Orange page. It read:

“Wish Granted: Just tell us which Orange product you want and on Christmas day we’ll announce the winners.”

By the time I got home the post had 2,000 like and nearly as many comments. I knew I was onto something.

We had thousands of entries in year one. We had tens of thousands by year two. Each year we kept giving away more and more products. Those first few years I would personally sit at the computer on Christmas Day scrolling through the entries and hand-picking winners. It was tedious and it was time-consuming. But the joy it created made it worth the trouble. (Luckily our very tech-savvy marketing director has made the selection process much easier)

Around year three it was clear that Wish Granted had become part of our annual marketing repertoire. That’s when we began involving Cliff Cooper to help push the promotion via his heartwarming Christmas videos. That’s also when Cliff decided it was time to really expand Wish Granted to even more countries and even bigger prize packages. Now we find ourselves in the sixth year of Wish Granted and we just finished giving away more than $40,000 in Orange products to more than 15 countries after receiving upwards of 95,000 unique entries! See the full recap here.

What really warms my heart about Wish Granted is the feedback we receive from our fans. Here’s a smattering of extremely positive reviews from some of this year’s winners:

“I am 42 years old, last time I won a lottery was when I was about 10 y.o. – it was a small prize, less than a dollar. I am new to the Orange fans army but I do appreciate what this company does for the music-addicted society, I have never seen this before from other brands. It is so impressive that even if I would not win, my respect to Orange would have increased significantly just because of this unbelievable initiative.”

“I’ve always been a fan of Orange Amplifiers but being on disability have unfortunately never had the funds to purchase one. I’ve entered the giveaway every year you’ve run it on the off chance of being one of the luckiest individuals to walk the face of this Earth, never dreaming in a million years I’d win. That said, I cant thank you enough for the opportunity or the ear buds. You’ve definitely made my holiday season that much more enjoyable and with a bit of citrus.”

“Unbelievable! I have several Orange products and now they have my loyalty for life! I have had a really bad few weeks this is definitely the light at the end of the tunnel, cannot wait to play it! From my old trusty Crush Bass 25 now to a Terror Bass Amp!!! Thank you for making my Christmas!!!”

“3 years ago, my band was robbed and a lot of our equipment got lost, including my trustworthy Terror Bass. So winning one this time makes me feel double as happy as anyone else! Feels like the universe is returning something that always belonged to you. Thank you, Orange! You are and always will be the best amps in the world!”

“I am passionate about music and guitars in particular, I play it for more than 40 years. My son shares this passion and has been taking guitar lessons for 2 years. For Christmas I will offer him an electro-acoustic guitar. Your gift could not be better for this Christmas and will perfectly complement its equipment. I sincerely want to thank you and I wish you a very happy holiday season and a merry Christmas!”

It’s knowing that we helped make the holidays better for thankful guitarists that makes all of this effort worth it. From the bottom of our hearts, thank you for supporting Orange and may 2020 be your best year yet!

Alex Auxier, Artist Relations Manager and USA Marketing Manager

Orange Amps is proud to partner with the Queen Sofia Foundation and Hard Rock Heals to customize an Orange O Bass for auction. The Queen Sofia Foundation helps to raise awareness in society about Alzheimer’s disease, disseminating the activities developed by the Alzheimer Project of the Queen Sofia Foundation and raising funds for the Alzheimer’s Center of the Foundation. Hard Rock Heals, the foundation that oversees and activates the philanthropic initiatives of Hard Rock International, aims to improve the lives of people through music. Throughout its career it has supported multiple social causes, promoting collaborations with artists from around the world

PROJECT: HARD ROCK MEMORY SERIES

Hard Rock Cafe will get renowned musicians to customize a guitar, in which they will also have to write a memory they do not want to forget. Guitars will be exhibited and auctioned in November coinciding with the 25th Anniversary of Hard Rock Cafe Madrid. Proceeds will be donated entirely to the Alzheimer Center Queen Sofía Foundation.

Orange Amplifiers´CEO Cliff Cooper with his customised O-Bass

Bid for this amazing O-Bass at HERE

Orange Amplifiers´ Danny Gomez with Hard Rock Cafe´s Sales & Marketing Manager, Sita Bello, and Cliff´s O-Bass

Proceeds will be donated to the Alzheimer Center QUEEN SOFIA FOUNDATION

The Queen Sofia Foundation’s objectives, included in its Statutes, are the promotion, help and development of the needs, physical as well as spiritual, of all types of men and women, and their fullest integration within the social community, encouraging and defending the citizens’ lawful rights and aspirations, the works of literature, the arts and sciences, the regional and local traditions, Spain’s artistic and cultural heritage, the acquisition of human, technical and professional abilities, the environment and, generally, everything related to the ideas of progress, welfare and justice.

Some of the Memory series instruments feat. Cliff Cooper´s O´Bass, Rudy Sarzo´s Precision, Tim Stewart´s Tele and Danny Gomez´s SG

See the collection HERE

About Hard Rock Heals Foundation

Established to champion Hard Rock’s founding mottos, the Hard Rock Heals Foundation exists to improve lives and the resiliency of communities through the power of music. Hard Rock Heals Foundation seeks to build and invest in programs and partnerships that contribute positively to people, communities, and the natural environment. Since 1971, Hard Rock International has continued to bring people together through the unifying effects music. Relationships with artists ranging from emerging to iconic in support of charitable efforts around the world.

We believe the music improves lives, 100% of revenue raised by our Hard Rock Heals Foundation and its programs is donated back to the communities in which our Hard Rockers live and work! Check back often to learn more about our ongoing philanthropy and how you can get involved.

Throughout 2019 Music for All has continued to promote the positive effects of making music through national campaigns such as Learn to Play Day and Make Music Day as well as its grant giving programme, available to those individuals and communities for whom music making would not be possible without our support.

Our aim is to raise £25,000 before the end of December, a figure which, if achieved, will enable us to fulfill the musical aspirations of 100 disadvantaged young people at the beginning of 2020.  What a start to the New Year it would be for each of them to discover that their dream of music making will become a reality. The 100 beneficiaries will include those who are challenged socially, financially and/or physically.

But to make this happen we need your help. DONATE NOW.

Any support you are able to give will help us change lives.  Lives of young people such as Millie and Luke:

Millie, 12, is autistic and struggles with anxiety and focusing. It was her dream to learn to play the piano. Music for All helped with the provision of a keyboard and lessons with a professional teacher who specialises in supporting those living with neurological and developmental conditions. Her teacher has been very impressed with Millie’s musical aptitude and reports that she ‘has the ears of a Grade 5 student already, as she can distinguish rhythm, timing and complex chord structures just from listening.’ In addition, Millie’s parents believe music has had a positive impact on her well-being as her anxiety levels have decreased dramatically, she’s calmer and happier. We have also just heard that she passed her Grade 1 Exam with a Merit!

Luke, 19, has a serious medical condition with only limited upper body movement. He loves music making, but his ability to do this was obviously terribly restricted. Luke asked Music for All to help with the specialist technology and software to enable him to create his own music. The charity worked with Luke and his family to provide a sound beam and appropriate music-making software. Luke is now making music and plays every day!

11:45 AM – I wake up.

12:30 PM – I actually get out of bed.

12:45 PM – Finished on the toilet. My Crest Edition Headphones haven’t gotten out of bed yet.

1:15 PM – My Crest Edition Headphones finally wake up but they’re super hungover. I bring them a cup of coffee but they’re in a terrible mood. We speak briefly about what they did last night; however, they seem coy. Their attitude worries me. They keep repeating something about how they “hope it’s not on video.”

1:30 PM – I ask if my Crest Edition Headphones are going to work today. They say ‘yes,’ but they want me to call their boss to let him know they won’t be on time. While on the phone with their boss my Crest Edition Headphones are audible in the background, whimpering and crying in between heaves of puking. Their boss exclaims “this is not the first time this has happened” and asks me share the news that my Crest Edition Headphones’ services will no longer be required at Applebee’s.

1:45 PM – My Crest Edition Headphones take the news of their firing surprisingly well. Too well actually. I’m noticing an excitable change in their demeanor. They ask to borrow my car, to which I firmly reply in the negative. A brief shoving match occurs. Nothing too serious though.

2:00 PM – Despite my firm denial, I hear my car tires squealing and run to the window just in time to watch my Crest Edition Headphones barrel down the road and out of sight. I ponder reporting my car stolen to the police but then remember my Crest Edition Headphones already have two strikes. One more strike, especially for grand theft auto, and they’ll be spending the next decade behind bars. I resolve to waiting it out, hoping against hope that my car is returned safe and sound.

5:30 PM – After 3 and a half hours of texting and calling my Crest Edition Headphones finally pick up. There’s a lot of background noise but I can make out the distinct sound of clinking glasses and a rough-voiced bartender calling out orders. It’s obvious that my Crest Edition Headphones have already had too much to drink by the way they’re slurring their words. It’s not even dinner time yet.

6:00 PM – As I’m in the kitchen preparing my Hot Pocket I hear a loud boom from outside. My Crest Edition Headphones are back from the bar and showing off their grandfather’s shotgun to a few “friends” who they invited over. They’ve accidentally fired off a round into the ceiling of the garage, which ricocheted into the hood of my car. It’s barely noticeable, and far from my biggest problem, because my Crest Edition Headphones have run my car straight into the work bench while parking. The front-end is crumpled and the airbag has deployed. A fist-fight ensues, which I lose miserably.

6:15 PM – Bloodied, and with a significant portion of my pride missing, I stumble back into the house to find my Crest Edition Headphones lying on the floor in a pool of they’re own vomit. I take my Hot Pocket and retreat to my bedroom, too tired to even bother wiping the blood from my nose.

7:00 PM – I awake to find my Crest Edition Headphones standing over me, fists clenched, wearing a menacing grin. I begin to ask what’s happening but before I can get the words out they strike, wrapping around my neck. It’s clear that my Crest Edition Headphones, featuring Bluetooth, are trying to strangle me. I ask myself, “is this really how it ends?”

“Not today,” I think. I reach up and pull them from my neck. They stay tightly wrapped around me but now they’re on top of my head. I’m fighting for my life when suddenly I hear what sounds like music playing. The Crest Edition Headphones have cupped themselves over my ears. I reach up in attempt to fight them off but I instead swipe upwards on the controls and the volume of the music goes higher. Much higher. The song is so clear now: The Doobie Brothers “Takin’ It to The Streets.” As my energy drains and I fade into the darkness, I hear the soothing, throaty bass of Michael McDonald’s voice…

Take this message to my brother
You will find him everywhere
Wherever people live together
Tied in poverty’s despair

……..
……..
……..
Takin’ it to the streets.

10:00 PM – I regain consciousness. Everything is blurry, hazy, almost as if I’m in a dream state. Is this a dream? No. It can’t be. This must be reality. The music has stopped.

Was there ever actually music?

In the corner of the room sits an unopened box of Crest Edition Headphones. There’s a note on it. I crawl slowly to the box and pull the note closer to my eyes. In the darkness it’s difficult to read at first. But as my vision begins to adjust, the text begins to sharpen:

“Enjoy these Crest Edition Headphones featuring Bluetooth Technology and up to 27 hours battery life. They have multipoint connectivity and wireless controls.”

Suddenly a cold chill washes over my body.

At the bottom of the note,
scrawled in what appears to be blood,
is written…

“Sincerely,

.

.

.

YOUR DEAD ROOMMATE.”

Use coupon ‘Wireless2’ to get 10% OFF our Crest Edition Headphones (shipping worldwide)

We all know that the OMEC Teleport can effectively “teleport” your tone, but when we decided to invite some of the top worldwide brands to join us for the ultimate giveaway, we couldn’t suspect that the winner wouldn´t be a musician !! … So we teleported not just his tone but his musical career…

… Jeremy !! No excuses !! Now you have to play the guitar !!

Jeremy Silverthorn with the OMEC Teleport giveaway bundle.

“My name is Jeremy Silverthorn & I live in South Florida (Ft. Lauderdale area) and work as a corporate video editor/producer. I keep up with lots of AV/recording/live sound trade magazines & websites, so I’m always signing up for different contests & giveaways.

I’ve never won anything close to this though! Honestly, I’m no musician, but I am a huge fan of music & go to tons of concerts (mostly classic rock and heavy metal) and have always wished I could play the guitar.  Well, now I have everything I need… just trying to figure it all out still!  LOL

Thank you to Orange, Kiesel, Eventide and all the other great sponsors for this amazing prize package !”

***

$5000 prize package including:

  • Orange Amplifiers – Rocker 32 Combo
  • OMEC – Teleport Pedal
  • Kiesel Guitars – Stealth Custom Delos 6st Guitar
  • Eventide Audio – Rose, H9, PowerMAX
  • Two Notes Audio Engineering – Torpedo C.A.B, Orange Cabinet Pack
  • Right On Guitars – Custom OMEC Guitar Strap
  • Temple Boards – Duo 17 Pedalboard
  • GHS Strings – Years Supply of Strings (48 sets)
  • JamOrigin – MIDI Guitar
  • Evidence Audio – SIS/Monorail Patch Cable Kit
  • Hooke Audio – Hooke Verse

With an all valve front end, the Terror Bass is a 500W hybrid bass amp with a valve preamp and solid-state power amp, making it closer to the sound of our flagship AD200 than ever before, with a front panel that remains the same layout to the original Terror Bass but with an added clean switch, giving more headroom and smoother, clean sounds.

From clean pop sounds through to gritty rock tones the Terror Bass can do it all. A pad switch on the front for active basses takes 6dB off the input sensitivity. The effects loop is valve on the send and solid-state on the return. The Terror bass is a Class D amp with 500 watts of power into 4 Ohms and 250 Watts into 8 Ohms, the limiter switch on the back prevents the output stage from being pushed too hard into 4 ohms.

We met bass wizard Adrian Bartol in Madrid and captured the tones you hear in this video, using his Moollon bass and new Terror Bass and OBC112 miking the room, to bring you all the expressiveness and versatility of this ultra-portable professional rig, from Motown_esque groove to pop, from punk to contemporary rock, the Terror Bass covers every base and the OBC112 can follow you from the studio to the gig.

YOU KEPT ASKING FOR IT…

The all-new, re-designed Terror Bass has arrived and it sounds better than ever.

Hi everyone, and welcome to the OMEC Teleport files,

My name is Danny Gomez and I designed and developed the OMEC Teleport with the Orange Amplification team. Let me tell you a little about myself and the circumstances that “teleported” me to here and now…

As a touring musician, I needed something simple that allowed me to bring my studio software & apps with me on tour. Teleport_ing the studio to the road and the road to the studio with the first interface ready for your pedalboard. Record, play, practise or discover new virtual instruments. No boundaries, no limits, anywhere, anytime.

This compact and extremely powerful Teleport is a high-quality audio interface, a universal connection device (Mac, PC, iOS, Android) without any specific drivers or software requirements, with high-quality ADC/DAC converters, a USB B connector and housed in a small effect pedal enclosure. The plug and play stompbox design of the OMEC Teleport makes it easier than ever to combine digital software/app models with pedals and amps in your performance rig, as well as to record digital audio with no fuss.

With this versatility the Teleport can be used for a wide range of applications: musicians that want to play, record, mix or process their sound, with the autonomy provided by mobile devices…

… Teleport your tone !!

Learn more about the OMEC Teleport by clicking here.

Drew Foppe is one of the busiest guitar techs in the music industry. He’s worked with Fleetwood Mac, Deftones, Slipknot, and many more of the most respected bands in the world. We caught up with him in Atlanta, GA while on tour with Smashing Pumpkins. Drew runs us through his tech box, focusing on the Orange VT1000 Valve Tester, the most portable valve tester on the market. He also gives us a special tour of the gear Smashing Pumpkin’s guitarists Billy Corgan and Jeff Schroeder are currently using on the road.

The compact and extremely easy to use Valve Tester is a fully automatic valve tester, which performs a wide range of tests quickly and accurately. The benefits of using the Valve Tester are clear and wide reaching; users can quickly and simply match and test valves, plus receive a reliable health check as to whether their valves are good, bad or worn.

Learn more about the VT1000 by clicking here.

Quality.

It’s one of the most misunderstood words in the dictionary.

Yet the history of the word quality can be traced back to Plato. To the philosopher, ‘quality’ is characteristic that exists by itself, and cannot be reduced further. The Latin root from where we get the word ‘qualitas’ translates as ‘of what kind’, or simply put relative to the need.

The Quality of Orange Amplifiers

Orange Amplifiers might be synonymous with the grunt and grit of analogue circuitry, oozing with creamy mids, distinctive lows and highs, accurately representing the full frequency range. The beefed-up brother of the British sound; gnarly and rugged, but approachable and easy to understand.

Much of our modern equipment stems from the ideas of Orange Technical Director, Adrian Emsley.

Adrian designs and builds amps, but he worked in all the places that you’d find amps being pushed to their limit, like out on the road and in the studio. Transport vibration, dropping (it happens), bashing (even more likely to happen), temperatures changing from hot to cold, the damp humid air of a sweaty stage to arid conditions outside, it’s a brutal life, that of a rig.

Then there’s the function of the amp itself!

And that’s how we test the mettle of Quality at Orange Amplifiers:

Made by the working musician, for the working musician.

“I’ve had the same two Rockerverb MKII 100 heads and cabs since 2011. Not once have I had any problems with my Orange gear. I’ve never even blown a fuse or a speaker. My band, Evanescence, tours all over the world, playing in different climates from cold and dry to hot and wet. My gear has been shipped back and forth across the Atlantic many times, been in cargo holds in the belly of aeroplanes across the pacific and always performs when the time comes. It’s more reliable than just about every piece of gear that I’ve ever had!!!”
Troy McLawhorn of Evanescence

Beastly Thinking

What Adrian and his team do is make amplifiers that are complexly simple. More time is taken in the design stage to make an Orange Amplifer playable with little user input.

Orange Amplifiers are designed to easily dial in a tone. There’s not much most front panels, removing the need for endless twiddling of knobs and button switching. Instead, by using an all analogue signal path our amps are voiced with a distinct character, from the point of plugging in, it sounds good. Which means more time making music, less time fighting to get the sound you want.

“I want something that’s going to work, not too much hustle and fuss and something that’s just Rock N’ Roll”
– Kelby Ray, The Cadilac Three

As Little Design as Possible

When it comes to designing amps, lots of care, consideration, time and heaps of perspiration go into the design stage. Generally speaking, Orange Amplifiers have fewer components in the signal chain and here’s why:

Remove the complexity and there’s less to go wrong.

So where your money is going is on higher-spec components that work as they should. Components with the lowest failure rates and over-engineered, so whatever you throw at your amplifier, it will continue to operate the same as the last time you switched it on.

Take for example the trace lines on the PCBs. It’s not something that screams rock and roll, but when you get right down into it, it’s about as hardcore as it gets.

As you push your amp to its limits, be that continuous operation or driving it hard as hell, heat can build up. That heat eventually wears out components and then your in trouble. We lay extra-thick PCB traces to prevent impedance from building up unwanted heat, so the amps keep going for longer.

That’s exactly why Orange Amplifiers are favoured by touring rig companies worldwide. They’re a reliable workhorse that can take the punishing rigours of the road.

The Roadies Friend

Moving, lifting, stacking, packing. All the wondrous jobs that eventually take their toll on your gear. Mick Dines (of Orange Amplifiers) knew this well and the result was one of the most solid speaker cabs on the market.

Back when he designed the first cabs, Mick Dines didn’t cut corners and much of the design remains the same today. There’s no illusion of strength, as Cliff Cooper, founder and CEO explains:

“The 4×12 was built to be very strong and featured a baffle centre post, 13-ply (18mm) birch-faced marine plywood and a tough orange vinyl cloth covering called Rexine. The use of Basketweave on the grill really helped to define the ‘Orange sound’.”

Take a look at the bottom of the cab and you’ll find wooden ‘skids’ instead of plastic castors. Skids make moving gear easier but they also acoustically couple the cabinet to the stage, enhancing the bass response and transmit all that power right through your bones.

Endurance without Compromise

At the very heart of the valve amp is the output transformer. We always over spec our transformers, and there’s a reason for this:

An under spec transformer leads to excess heat being produced inside an amp, ultimately causing problems over long-term operation.

Secondly, if underpowered, the transformer will saturate, throttling the output signal. This will cause losses to the bottom and top of the frequency range rather than passing the whole bandwidth.

Equipped for the Modern Musician

Pedals, pedals, pedals; there’s so many tone choices available, but to get the most of your gear, consider the FX loop.

Your amp, pedals and instrument all need to work in harmony together. Too much signal into your pedal board and the circuit overloads causing distortion. On the way back in, you want sufficient level to drive the power amp.

Orange Amplifiers always * feature a Valve Buffered FX Loop, ensuring you won’t lose any of your amp’s mojo.

* Almost always, Terror Bass features a solid state FX Loop

Instantly Playable

While digital modeling is pretty incredible, we believe the costs outweigh the benefits in comparison to solid-state circuitry like in our Crush range. We design amps that are instantly playable; so you’re straight into making music, not tone hunting.

Flexibility in the Design

Versatility is often overlooked which is why our valve amps (except the AD30) have wattage switching options built-in. That means you can tailor your amp to whatever situation you’re playing, be that in the studio or on stage, you can always hit the tonal sweet spot without the need to make ears bleed

Summing it up

With so many different options out there, choosing the right equipment for your setup is a bit overwhelming. Our equipment is designed by the working musician, for the working musician.

Simply put, gear that handles anything you can throw at it.